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John William Tuohy lives in Washington DC

Frankenstein




Engraving showing a naked man awaking on the floor and another man fleeing in horror. A skull and a book are next to the naked man and a window, with the moon shining through it, is in the background.



“Despite his conceits, vanities, and lapses in scientific professionalism, Victor Frankenstein comes very close to succeeding… to pulling off something flawed but wonderful. What dooms him isn’t boldness, or his willingness to challenge the unknown, but a simpler character flaw — petty cruelty. Unable to feel for his creation, he treats the poor monster shabbily, teaching it how to be as heartless as he is.[…] Mary Shelley wasn’t saying, “Hands off!” She was saying, “Be kind, when you create. Godlike power demands godlike wisdom.” David Brin, on Mary Shelley’s Frankenstein


In May 1816, Mary Godwin, Percy Shelley, and their son traveled to Geneva with Claire Clairmont. They planned to spend the summer with the poet Lord Byron, whose recent affair with Claire had left her pregnant.
The party arrived at Geneva on 14 May 1816, where Mary called herself "Mrs Shelley". Byron joined them on 25 May, with his young physician, John William Polidori, and rented the Villa Diodati, close to Lake Geneva at the village of Cologny; Percy Shelley rented a smaller building called Maison Chapuis on the waterfront nearby. They spent their time writing, boating on the lake, and talking late into the night.
"It proved a wet, ungenial summer", Mary Shelley remembered in 1831, "and incessant rain often confined us for days to the house". Sitting around a log fire at Byron's villa, the company amused themselves with German ghost stories, which prompted Byron to propose that they "each write a ghost story". Unable to think of a story, young Mary Godwin became anxious: "Have you thought of a story? I was asked each morning, and each morning I was forced to reply with a mortifying negative."


 During one mid-June evening, the discussions turned to the nature of the principle of life. "Perhaps a corpse would be re-animated", Mary noted, "galvanism had given token of such things". It was after midnight before they retired, and unable to sleep, she became possessed by her imagination as she beheld the grim terrors of her "waking dream", her ghost story:
“I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion. Frightful must it be; for supremely frightful would be the effect of any human endeavour to mock the stupendous mechanism of the Creator of the world
She began writing what she assumed would be a short story. With Percy Shelley's encouragement, she expanded this tale into her first novel, Frankenstein: or, The Modern Prometheus, published in 1818.
She later described that summer in Switzerland as the moment "when I first stepped out from childhood into life". The story has been fictionalised several times and formed the basis for a number of films.
In September 2011 the astronomer Donald Olson, after a visit to the Lake Geneva villa the previous year, and inspecting data about the motion of the moon and stars, concluded that her waking dream took place "between 2am and 3am" 16 June 1816, several days after the initial idea by Lord Byron that they each write a ghost story.
Since Frankenstein was published anonymously in 1818, readers and critics argued over its origins and the contributions of the two Shelleys to the book. There are differences in the 1818, 1823, and 1831 editions, and Mary Shelley wrote, "I certainly did not owe the suggestion of one incident, nor scarcely of one train of feeling, to my husband, and yet but for his incitement, it would never have taken the form in which it was presented to the world."
She wrote that the preface to the first edition was Percy's work "as far as I can recollect." James Rieger concluded Percy's "assistance at every point in the book's manufacture was so extensive that one hardly knows whether to regard him as editor or minor collaborator" while Anne K. Mellor later argued Percy only "made many technical corrections and several times clarified the narrative and thematic continuity of the text."

First draft of Frankenstein 


Frankenstein, like much Gothic fiction of the period, mixes a visceral and alienating subject matter with speculative and thought-provoking themes.[179] Rather than focusing on the twists and turns of the plot, however, the novel foregrounds the mental and moral struggles of the protagonist, Victor Frankenstein, and Shelley imbues the text with her own brand of politicised Romanticism, one that criticised the individualism and egotism of traditional Romanticism. Victor Frankenstein is like Satan in Paradise Lost, and Prometheus: he rebels against tradition; he creates life; and he shapes his own destiny. These traits are not portrayed positively; as Blumberg writes, "his relentless ambition is a self-delusion, clothed as quest for truth". He must abandon his family to fulfill his ambition.





“They say ignorance is bliss…. they’re wrong” Franz Kafka

 “What is necessary to change a person is to change his awareness of himself.” Abraham Maslow




Otherwise

Jane Kenyon

I got out of bed
 on two strong legs.
 It might have been
 otherwise. I ate
 cereal, sweet
 milk, ripe, flawless
 peach. It might
 have been otherwise.
 I took the dog uphill
 to the birch wood.
 All morning I did
 the work I love.

At noon I lay down
 with my mate. It might
 have been otherwise.
 We ate dinner together
 at a table with silver
 candlesticks. It might
 have been otherwise.
 I slept in a bed
 in a room with paintings
 on the walls, and
 planned another day
 just like this day.
 But one day, I know,
 it will be otherwise.





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