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John William Tuohy lives in Washington DC

*** PLAYWRIGHTS OPPORTUNITIES ***



Brave New World Repertory Theatre is seeking new play submissions for Brave New Works: Ditmas Park 2020 Reading Series
Three original, full-length plays (under 120 pages) will be selected and given minimally staged readings between January 10th – March 30th, 2020.
Playwrights must be local to the Tri-state area, ideally within a 90-minute commute to  Brooklyn, NY as your attendance is requested. Brooklyn-based playwrights will be given first consideration.

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Theatre Three 23rd Annual Festival of One-Act Plays
Only UNPRODUCED works will be accepted. 
Plays that have had staged readings are eligible.
No adaptations or children’s plays.
Cast size maximum: 10
Length: 40-minutes maximum. No minimum.
Settings should be simple or suggested.

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Ars Nova Play Group Residency 2019
Play Group is a two year residency in which members become a part of the Ars Nova Resident Artist community. In addition to biweekly meetings where members share new work and receive feedback from their Play Group peers, members also receive dramaturgical support and artistic match-making advice from the Ars Nova artistic staff; invitations to Ars Nova shows, Resident Artists mixers, and to see the work of Play Group alums around the city; two Play Group writing retreats; and the opportunity to further develop and showcase one of their plays in a weeklong workshop that can culminate in a public reading. Click here for a list of Play Group alumni.

*** FOR MORE INFORMATION about these and other opportunities see the web site at https://www.nycplaywrights.org ***


*** PUBLIC DOMAIN 2019 ***

2019 was the first year since 1998 in which the majority of media from a previous year entered the public domain after the expiration of its copyright term.[5] 2019 is also the first year in this annual process, where 1923 works become public domain that year, then 1924 works in 2020, and so on forward.[5]

Under the Copyright Term Extension Act, books, films, and other works published in the United States in 1923 entered the public domain in 2019.[6] Additionally, unpublished works whose authors died in 1948 entered the public domain. Foreign works from 1923 that were never published in the United States may be in the public domain as well.[7] This was the first time since January 1, 1998, that a new group of works entered the public domain in the United States. From now on, works governed by the Copyright Act of 1909 will enter the public domain at the end of the 95th calendar year from publication. For example, 1924 works will enter the public domain on January 1, 2020, 1925 works in 2021, and so forth.

No United States audio recordings will enter the public domain (as those fixed before February 15, 1972 were covered by state laws only), but international audio recordings published in 1923 entered the public domain in 2019. Under the Music Modernization Act, 1923 domestic audio recordings will enter the public domain in 2024. However, all sheet music published in 1923 in the United States entered the public domain in 2019.

Some of the works that entered public domain are The Great American Novel by William Carlos Williams, Charlie Chaplin’s The Pilgrim, Harold Lloyd's Safety Last!, Robert Frost's Stopping by Woods on a Snowy Evening, Kahlil Gibran's The Prophet, The Murder on the Links by Agatha Christie, Cecil B. DeMille’s The Ten Commandments, Aldous Huxley’s Antic Hay, and Winston Churchill’s The World Crisis.[5] While Christie, Huxley, and Churchill were all non-American authors, these works were also published in the United States and their copyright was registered and renewed.[8] Hence, copyright expired in 2019.


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~ Plays from 1923 ~

The Return of Sherlock Holmes is a play written by J. E. Harold Terry and Arthur Rose and originally starring Eille Norwood as Sherlock Holmes. The play premiered at Princes Theatre on October 9, 1923.[1]

Based on the work of Sir Arthur Conan Doyle, the play incorporated aspects of four stories: "The Adventure of the Empty House", "The Adventure of Charles Augustus Milverton", "The Disappearance of Lady Frances Carfax", and "The Red-Headed League".[1] Actor Eille Norwood had previously portrayed Holmes in the Stoll film series from 1921 to 1923.


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The Adding Machine is a 1923 play by Elmer Rice; it has been called "... a landmark of American Expressionism, reflecting the growing interest in this highly subjective and nonrealistic form of modern drama."[1] The author of this play takes us through Mr. Zero’s trial, execution, excursion and arrest going into the afterlife. During the whole series of this episodic journey Mr. Zero is surprisingly oblivious to his deepest needs, wants and desires. The story focuses on Mr. Zero, an accountant at a large, faceless company. After 25 years at his job, he discovers that he will be replaced by an adding machine. In anger and pain, he snaps and kills his boss. Mr. Zero is then tried for murder, is found guilty and hanged. He wakes up in a heaven-like setting known as the "Elysian Fields." Mr. Zero meets a man named Shrdlu, then begins to operate an adding machine until Lieutenant Charles, the boss of the Elysian Fields, comes to tell Zero that he is a waste of space and his soul is going to be sent back to the earth to be reused. The play ends with Zero following a very attractive girl named Hope (who may not actually exist) off stage.


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Icebound is a 1923 play written by American playwright Owen Davis, for which he received the Pulitzer Prize for Drama. It is set in Veazie, Maine, a suburb of Bangor.

The Jordan family is in their farm in Veazie, Maine in October 1922. They await the reading of the will by Judge John Bradford of the family matriarch who has just died. Much to the family's dismay, the farm and all of the money has been left to a distant cousin Jane Crosby. Jane has been told that she is to take care of the legal trouble of the young son of the family, Ben. Ben had left because he accidentally burned a neighbor's farm. Ben begins a flirtatious relationship with Nettie, the adopted daughter of Emma Jordan.


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Red Light Annie is a 1923 play written by Norman Houston and Sam Forrest. Producers Sam H. Harris and Albert H. Woods staged it on Broadway. The play is a melodrama about a young couple who move to New York City and are pulled into a world of drugs and crime.

Tom and Fanny Campbell move from a small town to New York City, where the only people they know are Fanny's stepsister and brother-in-law, Dorothy and Nick Martin. The Martins are criminals who frame Tom for theft. When Tom is sent to prison for three years, Fanny falls prey to cocaine addiction and becomes a prostitute. When Tom is released, Nick attempts to blackmail the Campbells, but Fanny kills him. A sympathetic detective helps her avoid a murder conviction.[1]


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Aren't We All? is a comic play by Frederick Lonsdale.

At the core of the drawing room comedy's slim plot is the Hon. William Tatham who, having been consigned to the proverbial doghouse for a romantic indiscretion, is determined to catch his self-righteous wife in an extramarital kiss of her own, while a society grande dame attempts to snare herself a peer prone to afternoon assignations with shopgirls at the British Museum.


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The Chip Woman's Fortune is a 1923 one act play written by American playwright Willis Richardson. The play was produced by The Ethiopian Art Players [1] and is historically important as the first serious work by an African American playwright to be presented on Broadway. Although Broadway had seen African American musical comedies and revues, it had never seen a serious drama.[2]

The play opens with Liza not feeling well and being taken care of by Aunt Nancy.[3] Emma enters and is chastised for wearing makeup by Liza. Both Emma and Liza agree that Aunt Nancy has been a very helpful presence in the home, especially for Liza’s health. Liza explains to Emma that the Victrola has left the family in debt, and that Silas has been furloughed for a couple of days.[4] With the family already being extremely poor, and men coming to gather the debt any minute, Liza suspects that Silas will need to put Aunt Nancy out of the house because she does not pay rent. Silas enters the home and explains how he suspects Aunt Nancy secretly has a fortune that she keeps buried in the backyard.[5] He wants to either ask her for the money of kick her out. Aunt Nancy re-enters and confesses that she is keeping money in the backyard to save for her son who got out of jail that day and will be appearing at the house any minute. Jim enters, and gives Silas fifteen dollars. He then proceeds to take give half of the money that Aunt Nancy has saved for him to Silas. Silas repays his debts and Aunt Nancy and Jim exit.[6]


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Meet the Wife was a 1923 three act Broadway comedy written by Lynn Starling and produced by Stewart and French, Inc. It ran for 232 performances from November 26, 1923 to June 1924 at the Klaw Theatre. Mary Boland starred as inadvertent bigamist Gertrude Lennox, Humphrey Bogart as the juvenile lead reporter Gregory Brown and Clifton Webb as sporting youngblood Victor Staunton. It was set in Gertrude Lennox's living room.

It was adapted as a feature film also titled Meet the Wife in 1931.


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The Vegetable, or From President to Postman is a short story by F. Scott Fitzgerald that he developed into a play.[1]

In the original publication of The Vegetable, or From President to Postman (1923), F. Scott Fitzgerald included the following quotation on the title page: “Any man who doesn’t want to get on in the world, to make a million dollars, and maybe even park his toothbrush in the White House, hasn’t got as much to him as a good dog has—he’s nothing more or less than a vegetable.” Fitzgerald used this quotation, which he claimed came “from a current magazine,” as a springboard for his only published play. This comic romp satirizes the ambitions of an ordinary man who wants to be President of the United States—that is, if he cannot make it as a postman.[2]


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A flair



In the 14th century, if someone told you that you had flair (or flayre as it was then commonly spelled), you might very well take offense. This is because in Middle English flayre meant "an odor." The word is derived from the Old French verb flairier ("to give off an odor"), which came, in turn, from Late Latin flagrare, itself an alteration of fragrare. (The English words fragrant and fragrance also derive from fragrare.) The "odor" sense of flair fell out of use, but in the 19th century, English speakers once again borrowed flair from the French—this time (influenced by the Modern French use of the word for the sense of smell) to indicate a discriminating sense or instinctive discernment.



A True Story




A 2nd-century Roman novel A True Story was written by Lucian of Samosata. It is regarded as one of the first ever works of science fiction ever written and it features explorers flying to the moon, the first contact with aliens, an interstellar war and the discovery of a new continent.

Churlish


Churlish has come to mean "vulgar," "surly," and "intractable"—if you know your English history. In Anglo-Saxon England, a churl, or ceorl, was a freeman of the lowest rank who owned and cultivated a small farm. He had certain rights and had upward mobility to rise to the rank of thane. After the Norman Conquest, however, many churls became serfs, a change in status that meant losing not just social mobility but geographical mobility as well. The lowest rungs of a social system often serve as inspiration for a language's pejoratives, and churl eventually came to be used as a term for a rude, ill-bred person.


The Hardy Boys

Franklin Dixon, the author of over 200 Hardy Boys books which have sold over 70 million copies worldwide is not a real person but a collective pseudonym for dozens of authors who have written for the series. Canadian author Leslie McFarlane wrote 19 of the first 25 books.


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