John William Tuohy lives in Washington DC

Think HappyThoughts

I'll be speaking and signing books at St. Johns on October 3rd, drop by if you can


This is a book of short stories taken from the things I saw and heard in my childhood in the factory town of Ansonia in southwestern Connecticut. Most of these stories, or as true as I recall them because I witnessed these events many years ago through the eyes of child and are retold to you now with the pen and hindsight of an older man. The only exception is the story Beat Time which is based on the disappearance of Beat poet Lew Welch. Decades before I knew who Welch was, I was told that he had made his from California to New Haven, Connecticut, where was an alcoholic living in a mission. The notion fascinated me and I filed it away but never forgot it.      
The collected stories are loosely modeled around Joyce’s novel, Dubliners (I also borrowed from the novels character and place names. Ivy Day, my character in “Local Orphan is Hero” is also the name of chapter in Dubliners, etc.) and like Joyce I wanted to write about my people, the people I knew as a child, the working class in small town America and I wanted to give a complete view of them as well. As a result the stories are about the divorced, Gays, black people, the working poor, the middle class, the lost and the found, the contented and the discontented.
Conversely many of the stories in this book are about starting life over again as a result of suicide (The Hanging Party, Small Town Tragedy, Beat Time) or from a near death experience (Anna Bell Lee and the Charge of the Light Brigade, A Brief Summer)
and natural occurring death. (The Best Laid Plans, The Winter Years, Balanced and Serene)

With the exception of Jesus Loves Shaqunda, in each story there is a rebirth from the death. (Shaqunda is reported as having died of pneumonia in The Winter Years)
Sal, the desperate and depressed divorcee in Things Change, changes his life in Lunch Hour when asks the waitress for a date and she accepts. (Which we learn in Closing Time, the last story in the book) In The Arranged Time, Thisby is given the option of change and whether she takes it or, we don’t know. The death of Greta’s husband in A Matter of Time has led her to the diner and into the waiting arms of the outgoing and loveable Gabe.


John William Tuohy is a writer who lives in Washington DC. He holds an MFA in writing from Lindenwood University. He is the author of numerous non-fiction on the history of organized crime including the ground break biography of bootlegger Roger Tuohy "When Capone's Mob Murdered Touhy" and "Guns and Glamour: A History of Organized Crime in Chicago."
His non-fiction crime short stories have appeared in The New Criminologist, American Mafia and other publications. John won the City of Chicago's Celtic Playfest for his work The Hannigan's of Beverly, and his short story fiction work, Karma Finds Franny Glass, appeared in AdmitTwo Magazine in October of 2008.
His play, Cyberdate.Com, was chosen for a public performance at the Actors Chapel in Manhattan in February of 2007 as part of the groups Reading Series for New York project. In June of 2008, the play won the Virginia Theater of The First Amendment Award for best new play.
Contact John:


In 1962, six year old John Tuohy, his two brothers and two sisters entered Connecticut’s foster care system and were promptly split apart. Over the next ten years, John would live in more than ten foster homes, group homes and state schools, from his native Waterbury to Ansonia, New Haven, West Haven, Deep River and Hartford. In the end, a decade later, the state returned him to the same home and the same parents they had taken him from. As tragic as is funny compelling story will make you cry and laugh as you journey with this child to overcome the obstacles of the foster care system and find his dreams.

Here's my book on the Chicago Bootlegger Roger Touhy, there is also a version available with photos

All successful men have agreed in one thing -- they were causationists. They believed that things went not by luck but by law; that there was not a weak or a cracked link in the chain that joins the first and last of things.

300 quotes from Emerson
To view more Emerson quotes or read a life background on Emerson please visit the books blog spot. We update the blog bi-monthly  emersonsaidit.blogspot.com

Photo's I've taken: Ocean City, Maryland 
"Look out! it's a wave!"

STRANGEIn 1835, John Wilkes Booth’s father Junius threatened to kill President Andrew Jackson.

WHY THE WORLD NEEDS EDITORS.....................


Never trust anyone completely but God. Love people, but put your full trust only in God. Lawrence Welk


Ad hoc: (ad HOK) For a particular purpose only (as opposed to a wider application); impromptu. From Latin ad hoc (for this). 

Greetings NYCPlaywrights


A Day in the Death of Joe Egg by Peter Nichols
The Night Shift Theatre
Thursday, September 10 at 7PM
The Alchemical Theatre Laboratory
104 W 14th Street, NYC 10011
Studio A
Please join us for this FREE event as we explore this challenging and exciting play. We invite you to stay afterwards for a Q&A with the cast and director to share your thoughts and experiences as you encounter this piece. Space is limited so be sure to arrive early! Attendance is free, but donations to support The Night Shift and further exciting events such as this are welcome.
Space is limited, so reserve your seat today by emailing your name and number of tickets requested to: jonathan@thenightshifttheatre.org

More information:

*** Write Your Solo Show at Primary Stages ESPA ***

In SOLO PERFORMANCE at Primary Stages Einhorn School of Performing Arts, Emmy Award-winning actor, comedian, and solo performer Judy Gold will help you create engaging characters and craft solo sketches. Like Anna Deavere Smith, Mike Daisey, Nilaja Sun, John Leguizamo, Eric Bogosian, Sarah Jones, Daniel Beaty, and other brave solo performers who have come before you, you will be encouraged to theatricalize your personal stories by learning the necessary structural and performative elements of the medium. You will leave this 8-week class with a performance piece based on your own fascinating life and a new perspective on the art of solo storytelling.
Instructor: Judy Gold (Actor/Co-Writer, The Judy Show at DR2 Theatre)
Thursdays from 11:00am – 2:00pm
September 17, October 1, 8, 15, 29, November 5, 12, 19
More Info: http://primarystages.org/espa/acting/solo-performance

ESPA is a home for all artists, in all stages of their careers. We provide students easy and convenient payment plans to break up tuition. For more information, call 212.840.9705 x211 or email espa@primarystages.org.


Lama Theater Company (NYC) and the Playwrights Project (Israel) presents:
The Monthly Swap October 2015
We are NOW accepting submissions for The Monthly Swap!
It is very similar to Lama Theater Company’s Monthly Question (Our cold reading series of new and bold writing around Lama’s monthly question) but this time the question is with a TWIST...
Throughout the month of September we are going to ask the same question in New York and in Tel Aviv, and receive submissions of short plays /Monologues/Poems and songs until the beginning of October.
We will choose five/ six pieces that address the question differently from each country.
THEN… we SWAP the artist’s work so that Israeli artists work will be pres ented in New York and the American artists work will be presented in Tel Aviv.

Manhattan Reading Competition
Best Play or Musical : $1,000
No submission fee to participate in this competition
Scripts accepted from all over the U.S.
In order to submit a play please send the following via email:
1. A 100 word synopsis of the play
2. The complete script + character breakdown
3. Your telephone number and home address, plus the phone number of
one other person in your production that we can contact
4. Your bio.
5. All genres of shows are welcome to submit to our festivals.
6. All Plays and Musicals must never have had a reading in the Tristate area.

Amy’s Horse is seeking short plays, up to 15 minutes in length, to be produced as part of our podcast.
Amy’s Horse is a bi-weekly theatre podcast that produces two short plays per episode. Actors in multiple locations connect to our Vermont studio via the internet for the live recording of the show. The podcast launched in June, and we've produced 8 plays over 4 episodes. These are available on our website or through the iTunes Store.
The goal is to bring together emerging playwrights and established actors to read new works, then chat about them. At the end of each reading, the actors and author stick around to speak about the play and promote their current projects. It’s a very light-hearted and relaxed environment.

*** FOR MORE INFORMATION on these and other opportunities see the web site athttp://www.nycplaywrights.org ***


In the 1920s 'agitprop' theatre was developing as a vehicle for political agitation and engagement with working class audiences. What was being promoted was a focus on street theatre, on short sketches and satires, politically challenging, inviting audience responses and seeking to stir up enthusiasm for the cause.



Political Theatre in the Early 20th Century

The Pioneer Players, Kingsway Theatre, London, 1911
The Pioneer Players, Kingsway Theatre, London, 1911. This image is from the Pioneer Players' production The First Actress, a one-act play about Margaret Hughes, one of the first professional English actresses. Auriol Lee (on the left) played Madame Vestris, famous for her breeches parts. Ellen Terry played Nell Gwyn in this production.
At the turn of the century an interest in theatre that explored the moral and social issues of contemporary society had developed. During Granville Barker's management of the Royal Court between 1903 and 1907 the work of Fabian George Bernard Shaw began to be popular. Granville Barker also produced the work of feminist writers such as Cicely Hamilton who also wrote for the suffrage cause with The Pioneer Players. In the regions socialist writers Stanley Houghton and Harold Brighouse (known as the Manchester School) wrote plays such as 'Hindle Wakes' with working class protagonists.

Socialist theatres

At a more grass roots level the Socialist movement and the early Labour Party used cultural activities to further their cause. Cooperative societies also ran drama groups. In 1912 the National Association of Clarion Dramatic Clubs established the People's Theatre in Newcastle. Other theatre groups aimed at promoting the socialist cause sprang up across the regions.



Staged Action: Six Plays From the American Workers' Theatre



The Federal Theatre Project (1935–39) was a New Deal program to fund theatre and other live artistic performances and entertainment programs in the United States during the Great Depression. It was one of five Federal Project Number One projects sponsored by the Works Progress Administration. It was created not as a cultural activity but as a relief measure to employ artists, writers, directors and theater workers. It was shaped by national director Hallie Flanagan into a federation of regional theatres that created relevant art, encouraged experimentation in new forms and techniques, and made it possible for millions of Americans to see live theatre for the first time. The Federal Theatre Project ended when its funding was canceled after strong Congressional objections to the left-wing political tone of a small percentage of its productions.




The Cradle Will Rock is a 1937 musical by Marc Blitzstein. Originally a part of the Federal Theatre Project, it was directed by Orson Welles, and produced by John Houseman. The musical is a Brechtian allegory of corruption and corporate greed and includes a panoply of societal figures. Set in "Steeltown, USA", it follows the efforts of Larry Foreman to unionize the town's workers and combat wicked, greedy businessman Mr. Mister, who controls the town's factory, press, church and social organization. The piece is almost entirely sung-through, giving it many operatic qualities, although Blitzstein included popular song styles of the time.

The WPA temporarily shut down the project a few days before it was to open on Broadway, so to avoid government and union restrictions, the show was performed with Blitzstein playing piano onstage and the cast members singing their parts from the audience.[1]



The Cradle Will Rock - excerpt from 1964 revival performed by Jerry Orbach



Cradle Will Rock is a 1999 drama film written, directed, and produced by Tim Robbins. The film fictionalizes the true events that surrounded the production of the 1937 musical The Cradle Will Rock by Marc Blitzstein; it adapts history to create a fictionalized account of the original production, bringing in other stories of the time to produce this commentary on the role of art and power in the 1930s, particularly amidst the struggles of the 1930s labor movement and the corresponding appeal of socialism and communism among many intellectuals and working-class people of that time.

The film is not based on Orson Welles's script The Cradle Will Rock, which was to be an autobiographical account of the play's production. It went into pre-production in 1983 with Rupert Everett on board to play Welles before the backers pulled out and the production collapsed.[2]



Cradle Will Rock
Ventriloquist Bill Murray sings the Internationale


Cradle Will Rock
The entire movie
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Happiness cannot be traveled to, owned, earned, worn or consumed. Happiness is the spiritual experience of living every minute with love, grace, and gratitude. Denis Waitley


The Lives of the Heart
by Jane Hirshfield

Are ligneous, muscular, chemical.
Wear birch-colored feathers,
green tunnels of horse-tail reed.
Wear calcified spirals, Fibonaccian spheres.
Are edible;are glassy;are clay;blue schist.
Can be burned as tallow, as coal,
can be skinned for garnets, for shoes.
Cast shadows or light;
shuffle;snort;cry out in passion.
Are salt, are bitter,
tear sweet grass with their teeth.
Step silently into blue needle-fall at dawn.
Thrash in the net until hit. .
Rise up as cities, as serpentined magma, as maples,
hiss lava-red into the sea.
Leave the strange kiss of their bodies
in Burgess Shale. Can be found, can be lost,
can be carried, broken, sung.
Lie dormant until they are opened by ice,
by drought. Go blind in the service of lace.
Are starving, are sated, indifferent, curious, mad.
Are stamped out in plastic, in tin.
Are stubborn, are careful, are slipshod,
are strung on the blue backs of flies
on the black backs of cows.
Wander the vacant whale-roads, the white thickets
heavy with slaughter.
Wander the fragrant carpets of alpine flowers.,
Not one is not held in the arms of the rest, to blossom.
 Not one is not given to ecstasy's lions.
Not one does not grieve.
Each of them opens and closes, closes and opens
the heavy gate --violent, serene, consenting, suffering it all.

Jane Hirshfield (born 24 February 1953)
Jane Hirshfield was born on East 20th Street, New York City. She received her bachelor's degree from Princeton University in the school's first graduating class to include women.
Hirshfield's seven books of poetry have each received numerous awards. Her fifth book, Given Sugar, Given Salt, was a finalist for the National Book Critics Circle Award and her sixth collection, After, was shortlisted for the T.S. Eliot Prize (UK) and named a 'best book of 2006' by The Washington Post, The San Francisco Chronicle, and the Financial Times. She has written a book of essays, Nine Gates: Entering the Mind of Poetry. The Ink Dark Moon, her co-translation of the work of the two foremost women poets of classical-era Japan, was instrumental in bringing tanka (a 31-syllable Japanese poetic form) to the attention of American poets. She has edited four books collecting the work of poets from the past and is noted as being "part of a wave of important scholarship then seeking to recover the forgotten history of women writers."
 She received a Guggenheim Fellowship in 1985, the Academy of American Poets’ 2004 Fellowship for Distinguished Achievement, a National Endowment for the Arts fellowship in 2005, and the Donald Hall-Jane Kenyon Award in American Poetry in 2012.
Never a full-time academic, Hirshfield has taught at the University of California, Berkeley, University of San Francisco, The Bennington Writing Seminars, and as the Elliston Visiting Poet at the University of Cincinnati. She has also taught at many writers conferences, including Bread Loaf and The Napa Valley Writers Conference and has served as both core and associate faculty in the Bennington Master of Fine Arts Writing Seminars.
Hirshfield appears frequently in literary festivals both in America and abroad, including the Geraldine R. Dodge Poetry Festival, the National Book Festival, the Los Angeles Times Festival of Books, Poetry International (London, UK), the China Poetry Festival (Xi'an, China), and the Second International Gathering of the Poets [Kraków, Poland]. She is also a contributing editor at The Alaska Quarterly Review and Ploughshares, a former guest editor of The Pushcart Prize Anthology and an advisory editor at Orion and Tricycle.
In 2012, Hirshfield was elected a Chancellor of the Academy of American Poets.
In 1979, Hirshfield received lay ordination in Soto Zen at the San Francisco Zen Center.


Everyone has inside of him a piece of good news. The good news is that you don't know how great you can be! How much you can love! What you can accomplish! And what your potential is! Anne Frank


Finish each day and be done with it. You have done what you could. Some blunders and absurdities no doubt crept in; forget them as soon as you can. Tomorrow is a new day. You shall begin it serenely and with too high a spirit to be encumbered with your old nonsense. Ralph Waldo Emerson

Every time you smile at someone, it is an action of love, a gift to that person, a beautiful thing.  Mother Teresa


“Niagara” by Eugenia Loli

7 Things Every Kid Needs to Hear

1. I love you
2. I’m proud of you
3. I’m sorry
4. I forgive you
5. I’m listening
6. This is your responsibility

7. You’ve got what it takes.

Senate follows House, White House in pushing for paid family leave for feds

By Sam Ufret
September 15, 2015 7:25 pm

Sens. Brian Schatz (D-Hawaii) and Barbara Mikulski (D-Md.) introduced a bill on Tuesday that would give federal employees six weeks of paid parental leave for the birth, adoption or foster placement of a child.
The Federal Employees Paid Parental Leave Act would give new parents the option to switch any type of unpaid leave with six weeks of paid leave, and also let feds take the six weeks as they choose, whether it be at separate times or all in one shot.
Although the Family and Medical Leave Act (FMLA) lets employees take 12 weeks of unpaid leave for medical and family issues, it doesn’t provide a paid parental leave.
“No working parent should be forced to choose between caring for their family and keeping their job,” said Mikulski in a statement. “This legislation will provide a critical lifeline to working moms and dads to provide the care and support infants and children need. ”
The National Treasury Employees Union praised Schatz and Mikulski for introducing the legislation. In a statement, NTEU President Tony Reardon said it would ease the pressure on feds who struggle to be good parents and good public servants.
“These proposals would align federal parental leave policies with the private sector and bring the U.S. closer in line with other industrialized nations,” Reardon said.
The American Federation of Government Employees also praised FEPPLA’s introduction, saying it would serve as a model for U.S. employers to see the economic and family benefit of paid parental leave.
“We cannot continue to hire the best and brightest to care for our veterans, secure our borders and keep our communities safe without offering benefits like these to attract those workers,” said AFGE National President J. David Cox.
The Senate bill is the second introduced this year in a growing push to get federal workers paid leave when they have a new addition to the family. President Barack Obama signed a memo in January telling agencies to advance up to six weeks of leave for new parents. He also urged Congress to pass a bill to make this benefit permanent.
Rep. Carolyn Maloney (D-N.Y.) introduced the original bill H.R. 532 in January, which gives feds a total 12 weeks of combined paid leave. It also amends the Congressional Accountability Act of 1995 and the Family and Medical Leave Act of 1993 to grant the same rights to covered congressional employees, Government Accountability Office employees and employees at the Library of Congress.
“While private companies are beginning to see the benefits of providing paid family leave, America is still the only industrial nation in the world without a program that gives working parents the time off and income they need to care for a new child,” Schatz said.  “Our legislation will provide federal workers with six weeks of paid leave, making sure no federal employee has to make the impossible choice between caring for a newborn child and putting dinner on the table.”

Teaching a Different Shakespeare from the One I Love


My first encounter with Shakespeare — ‘‘As You Like It,’’ in Miss Gillespie’s eighth-grade English class — left me cold. I still remember the words ‘‘I pray thee, Rosalind, sweet my coz, be merry,’’ which I must have been compelled to recite out loud, with a shudder. But not long afterward, I fell in love with him, not through the charm of performance but through the hallucinatory power of his language.

Poor naked wretches, wheresoe’er you are, /
That bide the pelting of this pitiless storm, /
How shall your houseless heads and unfed sides, /
Your looped and windowed raggedness defend you /
From seasons such as these?

It seemed — it still seems — incredible to me that this power and the moral intelligence that it conveyed could come into my possession. If I desired it, it was mine as if by birthright, for the simple reason that English was my native tongue. All that I needed to do was to immerse myself in it passionately. And, equally incredible, as a teacher, I could spend my life sharing this passion with my students.
It is easy enough at the moment to bewail the fate of the humanities. Enrollments in traditional majors like English, history, philosophy and art history are all down from their historic highs and, despite ample evidence to the contrary, students drawn to these fields often fear that they are risking their chances for gainful employment. Left to their own devices, many students avoid serious engagement with the literature, art and thought of the past; ‘‘the past’’ sometimes seeming to them anything earlier than late last night. Anxious to shore up declining enrollments, professors foolishly reinforce this avoidance by jettisoning the requirements that used to compel students to venture into unfamiliar or difficult territory. On those occasions when they do finally enter such territory, they often feel at a loss.

I had only to open the
book and read in order
to enter the kingdom.

Even the highly gifted students in my Shakespeare classes at Harvard are less likely to be touched by the subtle magic of his words than I was so many years ago or than my students were in the 1980s in Berkeley, Calif. What has happened? It is not that my students now lack verbal facility. In fact, they write with ease, particularly if the format is casual and resembles the texting and blogging that they do so constantly. The problem is that their engagement with language, their own or Shakespeare’s, often seems surprisingly shallow or tepid. It is as if the sense of linguistic birthright that I experienced with such wonder had faded and with it an interest in exploiting its infinite resources.
There are many well-rehearsed reasons for the change: the rise of television followed by the triumph of digital technology, the sending of instant messages instead of letters, the ‘‘visual turn’’ in our culture, the pervasive use of social media. In their wake, the whole notion of a linguistic birthright could be called quaint, the artifact of particular circumstances that have now vanished. And in my case at least, the charge is difficult to gainsay. My intoxication with Shakespeare’s language was unquestionably conditioned by my family history: All four of my grandparents were impoverished immigrants from Lithuania (or Russia, as they called it). For my parents, born in Boston, the English language was a treasured sign of arrival and rootedness; for me, a mastery of Shakespeare, the supreme master of that language, was like a purchased coat of arms, a title of gentility tracing me back to Stratford-upon-Avon.
The imaginary pleasure of that line of descent survived even when I discovered, in my years of studying and living in England, that the English themselves could not or would not acknowledge the claim made by someone of my name, background or religion. It did not matter: I had only to open the book and read in order to enter the kingdom.
All of this has, like an insubstantial pageant faded, dissolved and left not a trace behind. It is not that the English language has ceased to be a precious possession; on the contrary, it is far more important now than it ever was in my childhood. But its importance has little or nothing to do any longer with the dream of rootedness. English is the premier international language, the global medium of communication and exchange. In the cafes of Cambridge, Mass., on the Tube in London and at scientific colloquia in São Paulo, Berlin or Kyoto, speakers from worlds apart drop their native tongues and make their way, as best they can, in whatever English they can muster.
Shakespeare has not lost his place in this new world, just as, despite the grim jeremiads of the cultural pessimists, he has not lost his place in colleges and universities. On the contrary, his works (and even his image) turn up everywhere, and students continue to flock to courses that teach him, even when those courses are not required.
But as I have discovered in my teaching, it is a different Shakespeare from the one with whom I first fell in love. Many of my students may have less verbal acuity than in years past, but they often possess highly developed visual, musical and performative skills. They intuitively grasp, in a way I came to understand only slowly, the pervasiveness of songs in Shakespeare’s plays, the strange ways that his scenes flow one into another or the cunning alternation of close-ups and long views. When I ask them to write a 10-page paper analyzing a particular web of metaphors, exploring a complex theme or amassing evidence to support an argument, the results are often wooden; when I ask them to analyze a film clip, perform a scene or make a video, I stand a better chance of receiving something extraordinary. A student with a beautiful voice performed Brahms’s Ophelia songs, with a piano accompaniment by another gifted musician. Students with a knack for creative writing have composed monologues in the voice of the villainous Iago, short stories depicting an awkward reunion of Shylock and his daughter, Jessica, or even additional scenes in Shakespearean verse.

Students continue to flock
 to courses that teach him,
even when those courses
are not required. But as I
have discovered in my
teaching, it is a different
Shakespeare from the one
with whom I first fell in love.

This does not mean that I should abandon the paper assignment; it is an important form of training for a range of very different challenges that lie in their future. But I see that their deep imaginative engagement with Shakespeare, their intoxication, lies elsewhere. And I should add that no one, as far as I can tell, any longer dreams of establishing symbolic descent from Stratford-upon-Avon to substitute for or displace actual descent from Vilnius or Seoul or Johannesburg. Contrary to my expectations, my students at Harvard are far more diverse, in geographical origin, culture and class, than my students ever were at U.C. Berkeley. They embrace this diversity and confidently expect to make their way through a global environment linked by complex digital networks.
Shakespeare has already mastered this environment, as he once mastered the comparatively tiny world of the Elizabethan theater. AtInternet Shakespeare Editions, a website that originated at the University of Victoria in British Columbia, readers can access old-spelling editions of all the plays and poems, along with a vast, ongoing ‘‘Performance Chronicle’’ and other resources. The M.I.T. Global Shakespeare Project features an electronic archive that includes images of every page of the First Folio of 1623. In the Norton Shakespeare, which I edit, the texts of his plays are now available not only in the massive printed book with which I was initiated but also on a digital platform. One click and you can hear each song as it might have sounded on the Elizabethan stage; another click and you listen to key scenes read by a troupe of professional actors. It is a kind of magic unimagined even a few years ago or rather imaginable only as the book of a wizard like Prospero in ‘‘The Tempest.’’
But it is not the new technology alone that attracts students to Shakespeare; it is still more his presence throughout the world as the common currency of humanity. In Taiwan, Tokyo and Nanjing, in a verdant corner of the Villa Borghese gardens in Rome and in an ancient garden in Kabul, in Berlin and Bangkok and Bangalore, his plays continue to find new and unexpected ways to enchant.
The old desire that was awakened in me has renewed itself, for different reasons but with equal or greater force. In Tehran last November, I spoke for hours with ardent, well-informed and eloquent students eager to grapple with ‘‘Richard III’’ and ‘‘Macbeth.’’ In Abu Dhabi I watched a highly inventive — deliberately fragmented and deconstructed — student adaptation of ‘‘Hamlet,’’ and I learned of comparably imaginative performances in Oman and Mysore, Karachi and Sana. If Shakespeare himself would not have understood the languages or even fully recognized what had happened to his stories, he would, I think, have nonetheless embraced with delight the whole astonishing diffusion of his influence. After all, he called his theater the Globe.

Stephen Greenblatt is the author of ‘‘The Swerve: How the World Became Modern,’’ which won the Pulitzer Prize and the National Book Award.

Hatred does not cease by hatred, but only by love; this is the eternal rule. Buddha

The fundamental philosophical principle of Buddhism is that all our suffering comes about as a result of an undisciplined mind, and this untamed mind itself comes about because of ignorance and negative emotions. For the Buddhist practitioner then, regardless of whether he or she follows the approach of the Fundamental Vehicle, Mahayana or Vajrayana, negative emotions are always the true enemy, a factor that has to be overcome and eliminated. And it is only by applying methods for training the mind that these negative emotions can be dispelled and eliminated. This is why in Buddhist writings and teachings we find such an extensive explanation of the mind and its different processes and functions. Since these negative emotions are states of mind, the method or technique for overcoming them must be developed from within. There is no alternative. They cannot be removed by some external technique, like a surgical operation. The 14th Dalai Lama, Dzogchen: The Heart Essence of the Great Perfection, 2004 

For most of us, happiness is a habit

By Brigid Schulte

HAPPINESS isn't just about feeling good, it's about the joy we feel while striving after our potential.
Researcher Shawn Achor, the author of The Happiness Advantage, has found that choosing simple happiness habits that take no longer than brushing your teeth can boost your mood, make you happier and, as a result, healthier, more productive and creative at work and closer to those you love at home.

1. Three acts of gratitude
Spend two minutes a day scanning the world for three new things you're grateful for. And do that for 21 days. The reason why that's powerful is you're training your brain to scan the world in a new pattern: you're scanning for positives, instead of scanning for threats. It's the fastest way of teaching optimism.

2. The doubler
For two minutes a day, think of one positive experience that's occurred during the past 24 hours. Bullet point each detail you can remember. It works, because the brain can't tell the difference between visualisation and actual experience. So you've just doubled the most meaningful experience in your brain. Do it for 21 days, your brain starts connecting the dots for you, then you have this trajectory of meaning running throughout life.

3. The fun 15
Fifteen minutes of cardiovascular exercise a day. It's the equivalent of taking an anti-depressant for the first six months, but with a 30% lower relapse rate over the next two years.

4. Breathe
We did this at Google. We had them take their hands off their keyboards two minutes a day. And go from multitasking, to simply watching their breath go in and out. This raises accuracy rates. Improves levels of happiness. Drops their stress levels. And it takes two minutes.

5. Conscious acts of kindness
The final habit is the most powerful that we've seen so far. For two minutes each day, start work by writing a two-minute positive email or text praising or thanking one person you know. And do it for a different person each day. People who do this not only get great emails and texts back and are perceived as positive leaders because of the praise and recognition, but their social connection score is at the top end of the scale. Social connection is the greatest predictor of long-term happiness - the study I did at Harvard is 0.7 correlation, which doesn't sound very sexy, but is stronger than the connection between smoking and cancer.

Q: Can these little, two-minute habits really make a difference?

Achor: So many people are struggling to create happiness while their brain is inundated by noise. If your brain is receiving too much information, it automatically thinks you're under threat and scans the world for the negative first. Because the brain is limited, whatever you attend to first becomes your reality. What we're finding is that it's not the macro things that matter, but it's the micro choices for happiness that actually sustain happiness the best.


The Rijksmuseum in Amsterdam has lent one of its great treasures—Johannes Vermeer’s "Woman in Blue Reading a Letter" (c. 1663)—to the National Gallery of Art in celebration of the 20th anniversary of the landmark Johannes Vermeer exhibition, which opened here in November 1995. But that is not the only Vermeer that will be delighting new audiences this fall and winter. One of three paintings in the Gallery's collection by Vermeer, "A Lady Writing" (c. 1665), will be on view in “Class Distinctions: Dutch Painting in the Age of Rembrandt and Vermeer,” at the Museum of Fine Arts, Boston from October 11 to January 18.

 5 Mistakes That Will Cause Your Pursuit of Happiness To Backfire

Amy Morin
There are a lot of advantages to being a happy person. Studies consistently show happy people enjoy benefits ranging from better relationships and improved health to enhanced creativity and better problem-solving skills.
It seems as though people are trying harder than ever to be happy these days. Yet, the pursuit of happiness doesn’t always have a happy ending. If you’re making any of these mistakes, your efforts to increase your happiness could backfire:

1. Comparing Yourself to Other People
It can be tempting to compare your life to the lives of those around you – and one of the most common ways people draw social comparisons on social media. But, social media comparisons aren’t a good yardstick for measuring happiness. Comparing your life to someone else’s highlight reel will undermine your well-being.
Scrolling through Facebook FB +0.00% to view other people’s vacation photos, doctored selfies, and proclamations of success can cause you to think your life doesn’t measure up. Studies even show that envying your friends on Facebook can actually lead to depression. So rather than turn your quest for happiness into a competition, stay focused on your own journey to a better life.

2. Placing Too Much Emphasis on Being Happy
A 2011 study concluded, “Valuing happiness may lead people to be less happy just when happiness is within reach.” If you expect that you ‘should’ be happy, you may grow discouraged when your emotions don’t match your expectations. Self-defeating thoughts like, “I’ve got a good marriage, great kids, and a nice job – I should be happier,” will cause you to feel worse.
Avoid judging yourself for not being happy enough. Focus on enjoying the moment. When you stop creating emotional expectations, you’ll experience more contentment.

3. Putting a Timeline on When You’ll be Happy
It’s likely everyone has thought a specific event or change in circumstances would ignite their happiness. While one person may say, “I’ll be happy when I lose weight,” another might assume, “I’ll be happy when I’m retired.” But waiting for – and planning on – external events to make you happy will only lead to disappointment.
Research shows that everyone has some sort of happiness baseline. So while a new chapter in your life may provide an initial boost to your happiness, the positive effect will eventually wear off. So don’t wait until you get married, have a better job, move to a new city, or have kids to be happy – seize the moment and enjoy today.

4. Confusing Success with Happiness
Success and happiness can raise some ‘chicken or the egg’ type questions. Are happy people successful? Or are successful people happy?
Research shows that happy people are more likely to become successful. But being successful doesn’t necessarily make you happy. Unfortunately, people often confuse the order and inadvertently make themselves miserable.
The pursuit of success leads people to accept longer commutes, work more hours, and refrain from social activity. But earning more money or gaining a promotion won’t automatically make you happier. In fact, the steps you may need to take to pursue high levels of achievements are exactly the types of things that can zap your happiness the fastest.
Balance your pursuit of success and your pursuit of happiness in a way that aligns with your values.

5. Thinking You’re Alone
Social support is one of the keys to happiness. But being surrounded by people – even kind and loving friends and family – won’t guarantee happiness. In fact, researchshows your perception of your relationships is what matters most.
People who think things like, “No one likes me,” are more susceptible to negative moods. Those who feel supported – even when it may not be true – are more likely to feel happy. So worry less about filling your social calendar with superficial social engagements, and focus more on forming deeper connections with those that matter.

Choose Happiness
The good news is, everyone has the ability to make choices that foster happiness. Create a meaningful life, filled with positive social relationship, and you’ll be on your way to a happier life. Practice gratitude for the good things you have, and proactively build resilience to help you deal with hardship, and you’ll enjoy more life satisfaction.
Amy Morin is a psychotherapist, keynote speaker, and the author of 13 Things Mentally Strong People Don’t Do, a bestselling book that is being translated into more than 20 languages.

 The move could raise revenue by 130% next year.
September 16, 2015
MEXICO CITY, Mexico – The Mexican Congress is considering a hefty increase in its soda and junk food taxes to help offset a decrease in tax revenue, the Mexican Daily News reports. The hike in the Special Tax on Products and Services (IEPS), which targets high-calorie drink and food products as well as tobacco and alcohol, would generate an estimated 363 billion pesos next year, up from 159 billion in 2015.
Leobardo Brisuela Arce, president of the Mexican Institute of Public Accountants (IMCP), said such a tax increase would push tax revenues up by 130%. “This is a very important figure because we are predicting a 250-billion-peso decrease in income tax revenue while IVA [the value-added tax] is predicted to grow by just 30 billion pesos next year,” he said.
Not everyone is happy about the proposed hike. Manuel Herrera, president of the Confederation of Industrial Chambers, said the increase would unfairly impact the poor, who are more likely to buy snacks and soft drinks.
Mexico began tacking on an 8% tax on sugary drinks and junk in 2013, but many believe the move has not decreased consumption of those foods and beverages. Meanwhile, earlier this summer, Mexico added a 16% tax to all pre-packaged and ready-made food at convenience stores.

People taking pictures of people: I'm an amateur photographer, I travel a lot so some years ago and I noticed that everywhere I went there was someone taking a photo of someone else. It's part of the human condition and I think it’s fun so I started snapping pictures of people taking pictures. 

THE ART OF WAR...............................

Half the lies they tell about me aren't true.”


Compiled by John William Tuohy


I'm a lean, mean, marketing machine.

I have a current passport

I am a great team player I am.

I have lurnt Word Perfect 6.0, computor and spreadsheat progroms.

I flurrish in an environment where there is no inner-office tension and people respect one another.

I never take anything for granite.

I am creative, dependable, and housebroken.

I am a perfectionist and rarely if if ever forget details.

I am an onest and ambitious person, understanding the words as deadline, professional skills, communication with people, seriousity.

I have eight arms and eight legs with excellent interpersonal skills.

I have unsuccessfully raised a dog.

I can adapt to just about any environment from cubicles to fancy IKEA desks.

I'm a rabid typist.

I procrastinate, especially when the task is unpleasant.

I am loyal to my employer at all costs. Please feel free to respond to my resume on my office voice mail.

I am a quick leaner, dependable and motivated.

I have become completely paranoid, trusting completely no one and absolutely nothing.

Excellant at people oriented positi9ons and organizational problem solving.

Minor allergies to house cats and Mongolian sheep.

Very experienced with out-house computers.

Spent several years in the United States Navel Reserve.

1881-1995: Spent my time teaching and going to school for computer science.

At the age of twelve, I began hustling newspapers like many other great Americans had done. The only difference was that they became great.

Instrumental in ruining entire operation for a Midwest chain operation.

Wholly responsible for two (2) failed financial institutions.

It's best for employers that I not work with people.

Failed bar exam with relatively high grades.

Marital status: single. Unmarried. Unengaged. Uninvolved. No Commitments.

As indicted, I have over five years of analyzing investments.


Architecture for the blog of it

Art for the Blog of It

Art for the Pop of it

Photography for the blog of it

Music for the Blog of it

Sculpture this and Sculpture that

The art of War (Propaganda art through the ages)

Album Art (Photographic arts)

Pulp Fiction Trash (The art of Pulp Fiction covers)

Admit it, you want to Read this Book (The art of Pulp Fiction covers)

The Godfather Trilogy BlogSpot

On the Waterfront: The Making of a great American Film

Absolutely blogalicious

The Wee Book of Irish Recipes (Book support site)

Good chowda (New England foods)

Old New England Recipes (Book support site)

And I Love Clams (New England foods)

In Praise of the Rhode Island Wiener (New England foods)

Wicked Cool New England Recipes (New England foods)

Old New England Recipes (New England foods)

Foster Care new and Updates

Aging out of the system

Murder, Death and Abuse in the Foster Care system

Angel and Saints in the Foster Care System

The Foster Children’s Blogs

Foster Care Legislation

The Foster Children’s Bill of Right

Foster Kids own Story

The Adventures of Foster Kid.

Me vs. Diabetes (Diabetes education site)

The Quotable Helen Keller

Teddy Roosevelt's Letters to his children (Book support site)

The Quotable Machiavelli (Book support site)

Whatever you do, don't laugh

The Quotable Grouch Marx

A Big Blog of Irish Literature

The Wee Blog of Irish Jokes (Book support blog)

The Wee Blog of Irish Recipes

The Irish American Gangster

The Irish in their Own Words

When Washington Was Irish

The Wee Book of Irish Recipes (Book support site)

Following Fitzgerald


The Blogable Robert Frost

Charles Dickens

The Beat Poets of the Forever Generation

Holden Caulfield Blog Spot

The Quotable Oscar Wilde

The Quotable Thoreau

Old New England Recipes

Wicked Cool New England Recipes


The New England Mafia

And I Love Clams

In Praise of the Rhode Island Wiener

Watch Hill

York Beach

The Connecticut History Blog

The Connecticut Irish

Good chowda

God, How I hated the 70s

Child of the Sixties Forever

The Kennedy’s in the 60’s

Music of the Sixties Forever

Elvis and Nixon at the White House (Book support site)

Beatles Fan Forever

Year One, 1955

Robert Kennedy in His Own Words

The 1980s were fun

The 1990s. The last decade.

The Russian Mafia

The American Jewish Gangster

The Mob in Hollywood

We Only Kill Each Other

Early Gangsters of New York City

Al Capone: Biography of a self-made Man

The Life and World of Al Capone

The Salerno Report

Guns and Glamour

The St. Valentine’s Day Massacre

Mob Testimony

Recipes we would Die For

The Prohibition in Pictures

The Mob in Pictures

The Mob in Vegas

The Irish American Gangster

Roger Touhy Gangster

Chicago’s Mob Bosses

Chicago Gang Land: It Happened Here

Whacked: One Hundred years of Murder in Gangland

The Mob Across America

Mob Cops, Lawyers and Front Men

Shooting the Mob: Dutch Schultz

Bugsy& His Flamingo: The Testimony of Virginia Hill

After Valachi. Hearings before the US Senate on Organized Crime

Mob Buster: Report of Special Agent Virgil Peterson to the Kefauver Committee (Book support site)

The US Government’s Timeline of Organized Crime (Book support site)

The Kefauver Organized Crime Hearings (Book support site)

Joe Valachi's testimony on the Mafia (Book support site)

Mobsters in the News

Shooting the Mob: Dead Mobsters (Book support site)

The Stolen Years Full Text (Roger Touhy)

Mobsters in Black and White

Mafia Gangsters, Wiseguys and Goodfellas

Whacked: One Hundred Years of Murder and Mayhem in the Chicago Mob (Book support site)

Gangland Gaslight: The Killing of Rosy Rosenthal (Book support site)

The Best of the Mob Files Series (Book support site)

It’s All Greek Mythology to me

Psychologically Relevant

The Rarifieid Tribe

Perfect Behavior

The Upscale Traveler

The Mish Mosh Blog

DC Behind the Monuments

Washington Oddities

When Washington Was Irish

Litchfield Literary Books. A really small company run by writers.


The Day Nixon Met Elvis
Paperback 46 pages

Theodore Roosevelt: Letters to his Children. 1903-1918
Paperback 194 pages

The Works of Horace
Paperback 174 pages

The Quotable Greeks
Paperback 234 pages

The Quotable Epictetus
Paperback 142 pages

Quo Vadis: A narrative of the time of Nero
Paperback 420 pages

The Porchless Pumpkin: A Halloween Story for Children
A Halloween play for young children. By consent of the author, this play may be performed, at no charge, by educational institutions, neighborhood organizations and other not-for-profit-organizations.
A fun story with a moral
“I believe that Denny O'Day is an American treasure and this little book proves it. Jack is a pumpkin who happens to be very small, by pumpkins standards and as a result he goes unbought in the pumpkin patch on Halloween eve, but at the last moment he is given his chance to prove that just because you're small doesn't mean you can't be brave. Here is the point that I found so wonderful, the book stresses that while size doesn't matter when it comes to courage...ITS OKAY TO BE SCARED....as well. I think children need to hear that, that's its okay to be unsure because life is a ongoing lesson isn't it?”
Paperback: 42 pages

It's Not All Right to be a Foster Kid....no matter what they tell you: Tweet the books contents
Paperback 94 pages

From the Author
I spent my childhood, from age seven through seventeen, in foster care.  Over the course of those ten years, many decent, well-meaning, and concerned people told me, "It's okay to be foster kid."
In saying that, those very good people meant to encourage me, and I appreciated their kindness then, and all these many decades later, I still appreciate their good intentions. But as I was tossed around the foster care system, it began to dawn on me that they were wrong.  It was not all right to be a foster kid.
During my time in the system, I was bounced every eighteen months from three foster homes to an orphanage to a boy's school and to a group home before I left on my own accord at age seventeen.
In the course of my stay in foster care, I was severely beaten in two homes by my "care givers" and separated from my four siblings who were also in care, sometimes only blocks away from where I was living.
I left the system rather than to wait to age out, although the effects of leaving the system without any family, means, or safety net of any kind, were the same as if I had aged out. I lived in poverty for the first part of my life, dropped out of high school, and had continuous problems with the law.
 Today, almost nothing about foster care has changed.  Exactly what happened to me is happening to some other child, somewhere in America, right now.  The system, corrupt, bloated, and inefficient, goes on, unchanging and secretive.
Something has gone wrong in a system that was originally a compassionate social policy built to improve lives but is now a definitive cause in ruining lives.  Due to gross negligence, mismanagement, apathy, and greed, mostly what the foster care system builds are dangerous consequences. Truly, foster care has become our epic national disgrace and a nightmare for those of us who have lived through it.
Yet there is a suspicion among some Americans that foster care costs too much, undermines the work ethic, and is at odds with a satisfying life.  Others see foster care as a part of the welfare system, as legal plunder of the public treasuries.
 None of that is true; in fact, all that sort of thinking does is to blame the victims.  There is not a single child in the system who wants to be there or asked to be there.  Foster kids are in foster care because they had nowhere else to go.  It's that simple.  And believe me, if those kids could get out of the system and be reunited with their parents and lead normal, healthy lives, they would. And if foster care is a sort of legal plunder of the public treasuries, it's not the kids in the system who are doing the plundering.
 We need to end this needless suffering.  We need to end it because it is morally and ethically wrong and because the generations to come will not judge us on the might of our armed forces or our technological advancements or on our fabulous wealth.
 Rather, they will judge us, I am certain, on our compassion for those who are friendless, on our decency to those who have nothing and on our efforts, successful or not, to make our nation and our world a better place.  And if we cannot accomplish those things in the short time allotted to us, then let them say of us "at least they tried."
You can change the tragedy of foster care and here's how to do it.  We have created this book so that almost all of it can be tweeted out by you to the world.  You have the power to improve the lives of those in our society who are least able to defend themselves.  All you need is the will to do it.
 If the American people, as good, decent and generous as they are, knew what was going on in foster care, in their name and with their money, they would stop it.  But, generally speaking, although the public has a vague notion that foster care is a mess, they don't have the complete picture. They are not aware of the human, economic and social cost that the mismanagement of the foster care system puts on our nation.
By tweeting the facts laid out in this work, you can help to change all of that.  You can make a difference.  You can change things for the better.
We can always change the future for a foster kid; to make it better ...you have the power to do that. Speak up (or tweet out) because it's your country.  Don't depend on the "The other guy" to speak up for these kids, because you are the other guy.
We cannot build a future for foster children, but we can build foster children for the future and the time to start that change is today.

No time to say Goodbye: Memoirs of a life in foster 
Paperbook 440 Books

On the Waterfront: The Making of a Great American Film
Paperback: 416 pages


Scotish Ghost Stories
Paperback 186 pages

The Book of funny odd and interesting things people say
Paperback: 278 pages

The Wee Book of Irish Jokes

Perfect Behavior: A guide for Ladies and Gentlemen in all Social Crises


You Don’t Need a Weatherman. Underground 1969
Paperback 122 pages

Baby Boomers Guide to the Beatles Songs of the Sixties

Baby Boomers Guide to Songs of the 1960s

The Connecticut Irish
Paper back 140 pages

 The Wee Book of Irish Jokes

The Wee Book of Irish Recipes 
 The Wee Book of the American-Irish Gangsters

 The Wee book of Irish Blessings... 

The Wee Book of the American Irish in Their Own Words

Everything you need to know about St. Patrick
Paperback 26 pages

A Reading Book in Ancient Irish History
Paperback 147pages

The Book of Things Irish

Poets and Dreamer; Stories translated from the Irish
Paperback 158 pages

The History of the Great Irish Famine: Abridged and Illustrated
Paperback 356 pages


The New England Mafia

Wicked Good New England Recipes

The Connecticut Irish
Paper back 140 pages

The Twenty-Fifth Regiment Connecticut Volunteers
Paperback 64 pages

The Life of James Mars
Paperback 54 pages

Stories of Colonial Connecticut
Paperback 116 pages

What they Say in Old New England
Paperback 194 pages


Chicago Organized Crime

The Mob Files: It Happened Here: Places of Note in Chicago gangland 1900-2000

An Illustrated Chronological History of the Chicago Mob. Time Line 1837-2000

Mob Buster: Report of Special Agent Virgil Peterson to the Kefauver Committee

The Mob Files. Guns and Glamour: The Chicago Mob. A History. 1900-2000

Shooting the Mob: Organized crime in photos. Crime Boss Tony Accardo

Shooting the Mob: Organized Crime in Photos: The Saint Valentine’s Day Massacre.

The Life and World of Al Capone in Photos

AL CAPONE: The Biography of a Self-Made Man.: Revised from the 0riginal 1930 edition.Over 200 new photographs
Paperback: 340 pages

Whacked. One Hundred Years Murder and Mayhem in the Chicago Outfit
Paperback: 172 pages

Las Vegas Organized Crime
The Mob in Vegas

Bugsy & His Flamingo: The Testimony of Virginia Hill

Testimony by Mobsters Lewis McWillie, Joseph Campisi and Irwin Weiner (The Mob Files Series)

Rattling the Cup on Chicago Crime.
Paperback 264 pages

The Life and Times of Terrible Tommy O’Connor.
Paperback 94 pages

The Mob, Sam Giancana and the overthrow of the Black Policy Racket in Chicago
Paperback 200 pages

When Capone’s Mob Murdered Roger Touhy. In Photos
Paperback 234 pages

Organized Crime in Hollywood
The Mob in Hollywood

The Bioff Scandal
Paperback 54 pages

Organized Crime in New York
Joe Pistone’s war on the mafia

Mob Testimony: Joe Pistone, Michael Scars DiLeonardo, Angelo Lonardo and others

The New York Mafia: The Origins of the New York Mob

The New York Mob: The Bosses

Organized Crime 25 Years after Valachi. Hearings before the US Senate

Shooting the mob: Dutch Schultz

Gangland Gaslight: The Killing of Rosy Rosenthal. (Illustrated)

Early Street Gangs and Gangsters of New York City
Paperback 382 pages

The Russian Mafia in America

The Threat of Russian Organzied Crime
Paperback 192 pages

Organized Crime/General
Best of Mob Stories

Best of Mob Stories Part 2


Mob Recipes to Die For. Meals and Mobsters in Photos

More Mob Recipes to Die For. Meals and Mobs

The New England Mafia

Shooting the mob. Organized crime in photos. Dead Mobsters, Gangsters and Hoods.

The Salerno Report: The Mafia and the Murder of President John F. Kennedy

The Mob Files: Mob Wars. "We only kill each other"

The Mob across America

The US Government’s Time Line of Organzied Crime 1920-1987

Early Street Gangs and Gangsters of New York City: 1800-1919. Illustrated

The Mob Files: Mob Cops, Lawyers and Informants and Fronts

Gangster Quotes: Mobsters in their own words. Illustrated
Paperback: 128 pages

The Book of American-Jewish Gangsters: A Pictorial History.
Paperback: 436 pages

The Mob and the Kennedy Assassination
Paperback 414 pages


The Last Outlaw: The story of Cole Younger, by Himself
Paperback 152 pages

Chicago: A photographic essay.
 Paperback: 200 pages

Boomers on a train: A ten minute play
Paperback 22 pages

Four Short Plays
By John William Tuohy

Four More Short Plays
By John William Tuohy

High and Goodbye: Everybody gets the Timothy Leary they deserve. A full length play
By John William Tuohy

Cyberdate. An Everyday Love Story about Everyday People
By John William Tuohy

The Dutchman's Soliloquy: A one Act Play based on the factual last words of Gangster Dutch Schultz.
By John William Tuohy

Fishbowling on The Last Words of Dutch Schultz: Or William S. Burroughs intersects with Dutch Schultz
Print Length: 57 pages

American Shakespeare: August Wilson in his own words. A One Act Play
By John William Tuohy

She Stoops to Conquer

The Seven Deadly Sins of Gilligan’s Island: A ten minute play
Print Length: 14 pages

OUT OF CONTROL: An Informal History of the Fairfax County Police

McLean Virginia. A short informal history


The Quotable Emerson: Life lessons from the words of Ralph Waldo Emerson: Over 300 quotes

The Quotable John F. Kennedy

The Quotable Oscar Wilde

The Quotable Machiavelli

The Quotable Confucius: Life Lesson from the Chinese Master

The Quotable Henry David Thoreau

The Quotable Robert F. Kennedy

The Quotable Writer: Writers on the Writers Life

The words of Walt Whitman: An American Poet
Paperback: 162 pages

Gangster Quotes: Mobsters in their own words. Illustrated
Paperback: 128 pages

The Quotable Popes
Paperback 66 pages

The Quotable Kahlil Gibran with Artwork from Kahlil Gibran
Paperback 52 pages
Kahlil Gibran, an artist, poet, and writer was born on January 6, 1883 n the north of modern-day Lebanon and in what was then part of Ottoman Empire. He had no formal schooling in Lebanon. In 1895, the family immigrated to the United States when Kahlil was a young man and settled in South Boston. Gibran enrolled in an art school and was soon a member of the avant-garde community and became especially close to Boston artist, photographer, and publisher Fred Holland Day who encouraged and supported Gibran’s creative projects. An accomplished artist in drawing and watercolor, Kahlil attended art school in Paris from 1908 to 1910, pursuing a symbolist and romantic style. He held his first art exhibition of his drawings in 1904 in Boston, at Day's studio. It was at this exhibition, that Gibran met Mary Elizabeth Haskell, who ten years his senior. The two formed an important friendship and love affair that lasted the rest of Gibran’s short life. Haskell influenced every aspect of Gibran’s personal life and career. She became his editor when he began to write and ushered his first book into publication in 1918, The Madman, a slim volume of aphorisms and parables written in biblical cadence somewhere between poetry and prose. Gibran died in New York City on April 10, 1931, at the age of 48 from cirrhosis of the liver and tuberculosis.

The Quotable Dorothy Parker
Paperback 86 pages

The Quotable Machiavelli
Paperback 36 pages

The Quotable Greeks
Paperback 230 pages

The Quotabe Oscar Wilde
Paperback 24 pages

The Quotable Helen Keller
Paperback 66 pages

The Art of War: Sun Tzu
Paperback 60 pages

The Quotable Shakespeare
Paperback 54 pages

The Quotable Gorucho Marx
Paperback 46 pages