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WHOSE BULLET...........

 

 

 

WHOSE BULLET

 for the

 PROSECUTOR'S WIFE?

 

 

 

It was a one-man war against law and order in

Gainesville, Florida — and who was that man?

 

By L E. Stapleton

 

Special Investigator for ACTUAL DETECTIVE STORIES

 

 

 

SOMEONE had killed the prose-

cuting attorney's wife.

That was the incredible news

phoned in to the sheriff's office in

Gainesville, Florida, very early — Just

after midnight — the morning of August

24. Someone had shot down lovely,

prominent Marilyn Fagan and left her

lying in her own blood on her own front

porch and only a few feet from her un-

suspecting children.

 

What was this? The first step in an

all-out gangland war against law and

authority? Personal vengeance on the

part of some criminal Prosecutor Osee

Fagan had sent to prison? Or something

else, something even darker and more

mysterious?

 

Osee, in his mld-30's. was the Alachua

County prosecutor He was a tall, dis-

tinguished-looking man whose hair was

turning prematurely gray As a prose-

cutor, he'd waged a vigorous campaign

against crime and corruption in the

area. Bollta operators and bootleggers

were his prime target. And he'd done a

good job So good that he had been

unopposed in the primary the previous

May. Osee Fagan was looked upon as a

comer in state politics.

 

Marilyn Fagan. an extremely pretty

woman, was considered a perfect wife

for the young prosecutor. She and Osee

had met in college and married when he

finished law school. She was In her

early 30's. dark-haired and statuesque.

 

Active In church and community af-

fairs, she was considered the perfect

hostess. Maybe lust right for the gover-

nor's mansion

 

The up-and-coming young prosecutor

and his pretty, charming wife and three

children were well respected In the

community. It was a happy marriage.

 

That evening Osee had gone to choir

practice. He returned before midnight,

trying to be extra quiet. He walked

through the kitchen into the living

room. Six-year-old Lynn.-thelr oldest,

was asleep on the couch, with the tele-

vision going. He carried her up to her

room and went back downstairs. Some-

thing was peculiar about Marilyn let-

ting her stay up so late, he thought.

 

He noticed the front door standing

open and went out to the porch. He

went back to the house, dazed, and to

the telephone to call the sheriff.

At breakfast, Governor Leroy Collins

 

read about the slaying of the Alachua

County prosecutor's wife on page one of

the local morning newspaper. He was

shocked. The governor sent a telegram

to the Gainesville police expressing hope

for a speedy solution to the case.

 

The story was on page one of news-

papers throughout the state: the kill-

ing became the number one topic of

conversation. Members of the Eighth

Judicial Bar Association posted a $1,500

reward for the slayer's arrest and con-

viction. The Gainesville Sun contrib-

uted an additional $500.

 

All this put Chief Deputy Lu Hindery

and Lieutenant Bob Angel, conducting

the investigation for the Gainesville

police department, on the spot.

 

Their preliminary investigation at

the scene of the crime the previous

night revealed that Marilyn Fagan was

killed by a .32 -caliber bullet which

went through the left arm into her

heart, causing almost instant death.

ScufT marks were found at the side of

the house near a window. Robbery was

eliminated as a motive since nothing

was missing from the house and an ex-

pensive engagement ring and gold

wedding band were still on the victim's

finger.

 

Lynn, the little girl, had heard the

front doorbell ring at about ten. Ab-

sorbed in the program she was watch-

ing, she'd thought it was a neighbor at

the door She hadn't heard a shot, and

she hadn't seen her mother afterward.

 

A neighbor had seen a stocky man of

medium height and wearing a check-

ered shirt in the neighborhood earlier

in the evening. Another neighbor, a

woman, had seen a blue convertible

parked near the Fagan home about

10:30 that evening. She'd been closing

her window blinds and she saw a couple

get in the car and drive off hurriedly.

When the car passed under a street

light, she noticed that it had white -wall

tires and a "Vote for Collins" sticker on

the rear bumper.

 

Only the day before. Hindery had re-

ceived a telephone call from Detective

Captain Emmet t Lee of the Jacksonville

police about a young couple that had

burglarized a number of the more ex-

pensive homes in the Avondale and

Springfield sections of that city. They

were driving a blue 1955 Plymouth con-

vertible with white -wall tires.

 

In the Fagan neighborhood a number

of officers had searched the fields, back

yards and trash cans for the murder

gun. Arrangements were also made for

the public works department to search

the sewers. A house-to-house canvass

of the entire northwest section was

made.

 

Nothing had been discovered.

 

In the morning Hindery and Angel

went through court records in hopes of

finding someone who might have had it

in for Fagan.

 

They came up with only two possibles.

One, a man named Sam Boxer, had

threatened the young prosecutor at the

conclusion of his trial for assault.

 

"I remember him," said Angel. "He's

got a nasty temper."

 

"According to the records, he was re-

leased from Raiford three weeks ago."

Hindery said.

 

The other one was Billy Bond, who

in the county jail had told one of the

trusties that he was going to get Fagan.

Bond had been out of prison for more

than four months.

 

"He doesn't seem too hot." Angel said.

"But let's look him up anyway. There's

only one other angle. Somebody in the

country -club section was shooting off a

rifle last night and a bullet went into

a woman's house. Maybe we have one

of those crazy snipers around here."

 

Billy Bond was serving time in Duval

County for breaking and entering and

could not have had anything to do with

the murder. Sam Boxer was picked up

late that afternoon by Deputy Sheriff

Roland Johnson.

 

Miami when we found him." ex-

plained the deputy.

 

"Why were you leaving town?" Hin-

dery asked the man.

 

"Why do you think?" snapped Boxer.

"I got word that you were looking for

me, that's why."

"Where were you last night?"

Boxer denied that he'd had anything

to do with Mrs. Fagan's murder and

claimed he was playing cards with some

friends when the crime was committed.

A quick phone call revealed that he was

telling the truth. When the witness who

had seen a man across the street from

the Fagan home failed to identify him.

he was released.

"How about talking with the woman

who says a sniper shot at her last

night?" suggested Angel. "It's about

the only lead left."

 

They drove to the country-club sec-

tion, where they found the woman on

her patio.

 

After they were seated, Hindery said,

"I'd appreciate it if you'd tell me what

happened last night, ma'am."

 

"I thought I told everything to the

police." she said. "Do I have to go

through it again?"

 

"If you don't mind. You might re-

member something you didn't think of

last night."

 

She shrugged. "It was around a quar-

ter after nine when the doorbell rang.

I went to the door and looked out. but

nobody was there. So I turned away and

I heard the rifle shot and the bullet hit

the wall a few inches from my head.

That's all."

 

The doorbell had rung at Mrs. Fa-

gan's home, too. a few minutes before

she was shot.

 

Angel dug this bullet out of the wall.

It was apparently a .32 caliber — the

same size as the bullet that had killed

Mrs. Fagan.

 

"Do you have any idea who it was?"

he asked the woman.

 

She hesitated. "My husband had

some trouble with one of his employees

awhile back, a deaf mute named Phil

Singer. I don't want to get anyone in

trouble, but it could have been him. He's

got quite a temper, and he's always car-

rying a rifle around."

 

Asked to explain, the woman said that

Singer had been fired from his job in

March because of inefficiency. He had

pestered her husband almost daily aft-

erward to give him his job back. The

whole thing came to a head on April 10,

when Singer created a disturbance at

a Rotary meeting. He was arrested on a

trespassing charge and sentenced to the

city stockade for fifteen days.

 

Fagan. the officers knew, would have

prosecuted such a case.

 

"Do you have Singer's address?"

asked Hindery.

 

"He's got a bungalow on Twelfth Ter-

race."

 

BACK at headquarters, Hindery had a

phone call waiting from Sheriff P. D.

Reddish of Starke, a town about 25

miles northeast.

 

"One of my deputies just picked up a

couple in a motel outside town," Red-

dish said. "They were driving a blue

fifty -five Plymouth convertible, and

they admit being on Eleventh Road in

Gainesville last night around ten

o'clock. They were calling on some

friends who weren't home, they say."

"Any guns?"

"Nope."

 

"I'll check their story and call you

back." said Hindery. "What's the name

of the friends?"

 

The chief deputy needed only ten

minutes to learn that the couple had

been telling the truth. He immediately

relayed the information to Sheriff Red-

dish and the couple was released.

 

Meanwhile the lab reported that a

ballistics test of the bullet which killed

Mrs. Fagan and the one that narrowly

had missed the housewife in the coun-

try-club area proved they were both

fired from the same gun.

 

"Let's go talk with Phil Singer." Hin-

dery said.

 

When they arrived at the house, they

learned that the Singers had moved.

"They left a couple of months ago." the

new resident said. "I understand that

the woman next door knew them very

well."

 

She did indeed. "Susan Singer di-

vorced Phil and went back to her

parents in Cleveland while he was in

the stockade," she said. "She stood his

temper tantrums as long as she could,

and I don't blame her. Phil stayed

around town, though. I saw him just

a couple of days ago."

 

"How was he dressed?" Hindery

asked.

 

"Let me see." she said. "Oh. yes. He

was wearing slacks and a checkered

sports shirt."

 

The officers notified Cleveland police

to talk with Mrs. Singer's parents. Fa-

gan, County Judge H. H. McDonald,

who had sentenced Singer, and Sheriff

J. M. Crevasse, who had arrested him.

were given police protection. New York

police were asked to put a 24-hour

watch on the home of Singer's mother.

An a 11 -points bulletin describing the

suspect was broadcast. It said that he

was armed and dangerous.

 

A look into Singer's background dis-

closed that he had been in trouble with

police since he was sixteen and had

spent time in New York, Atlanta and

Miami jails.

 

Cleveland police reported that Singer

had shown up at his in-laws' five days

after being released from the Gaines-

ville stockade and had left again.

 

And there the investigation hit a

snag. Deaf mutes were picked up, ques-

tioned and released. The FBI entered

the case on the premise that Singer had

crossed a state line to avoid prosecution.

Thousands of flyers were distributed.

 

Pressure on the local police was

mounting. Osee Fagan called Hindery

and Angel several times a day to see

how they were doing. A second telegram

from the governor arrived. The news-

papers kept the case alive with constant

stories. Hindery sent the FBI flyer to

every deaf-mute periodical in the coun-

try and Canada.

 

And still he was not found . . .

 

JAMES SMITH finished his lobster

trick as a linotype operator on the

Winnipeg Star and decided to go to the

deaf-mute society on his way home. He

was a vice president of the organization.

 

On the bus he glanced through a pe-

riodical for deaf mutes. There he saw

a picture of Henry Miller, one of the

newer members. Only the caption called

him Phil Singer and said he was a fugi-

tive from justice.

 

Smith jumped off the bus and took a

cab to police headquarters.

 

He wrote a note to the desk lieuten-

ant, pointing to the picture in the paper.

He also jotted down Miller's address and

offered to take the police there.

 

At the boarding house Inspector

James Toal found Singer in bed. fast

asleep. A .32-caliber revolver with two

empty chambers was in a drawer.

 

Singer was arraigned in Winnipeg

Magistrate's Court the next day and

charged with having an unregistered

revolver in his possession. Sixteen days

later, on November 26. he was turned

over to the FBI office In Grand Forks,

North Dakota.

 

On March 5, 1957, Circuit Court

Judge John A. H. Murphree in Gaines-

ville sentenced Singer to die in the elec-

tric chair in Raiford State Prison.

Singer's attorney, Hollis Knight, ap-

pealed the case to the Florida Supreme

Court. A retrial was ordered, and on

June 25, 1959, Singer again was found

guilty, but this time with a recommen-

dation for mercy. Accordingly, he was

sentenced to life imprisonment.

writers advice


 

The creative life





 

my innocence.

 

“I don’t want to repeat my innocence. I want the pleasure of losing it again.”- F. Scott Fitzgerald, This Side of Paradise



Happiness,

 

Happiness, not in another place but this place…not for another hour, but this hour. Walt Whitman




Greetings NYCPlaywrights

 Greetings NYCPlaywrights


*** FREE THEATER ONLINE ***

THE TEMPEST - Thursday, February 25, 7pm PT / 10pm ET Curtain"

A live performance of THE TEMPEST, by William Shakespeare, directed by Patrick Nims. Presented by Zoom Theatre. Free, live and on the web.

During the performance you will will have option of opening your microphone so that the actors can hear your reactions live, as they perform the show.

The lobby will open at 6:30pm PT / 9:30pm ET. The performance will begin at 7pm PT / 10pm ET. Please login at least 15 minutes before the start of the performance to insure you have no problems connecting. There will be no late admittance.

You can watch the show from any Zoom supported device, but we strongly recommend watching the show on a computer or on a TV connected to a computer if possible.  If you have not used Zoom software before, we recommend that you test your computer at https://zoom.us/test before the show. 

Thanks and we hope you enjoy the show!
=Feb 25, 2021 06:30 PM in Pacific Time (US and Canada)

*** PRIMARY STAGES ***

STARTING IN FEBRUARY: Online Classes at Primary Stages ESPA! 

Start a First Draft, write your own Hamlet, learn techniques of Writing for Zoom, or try your hand at an Adaptation. PLUS! New classes just announced: Playwriting Structure, Fundamentals of Playwriting, Storytelling of Marginalized People, and How to Create a Collaborative Virtual Space. Faculty includes ABE KOOGLER (Obie Winner, Fulfillment Center), NIKKOLE SALTER (Pulitzer-nominated In the Continuum), CARIDAD SVICH (OBIE Winner for Lifetime Achievement), and many other award-winning writers who provide expert guidance in a collaborative atmosphere. 

Classes begin mid-February. Flexible, artist-friendly payment plans available. 


*** OPPORTUNITIES FOR PLAYWRIGHTS ***

2021 One Act Play Festival (OAPF) Presented by Artists’ Exchange
Seeking Short Plays: Comedic, absurd, dramatic, satirical, farcical, musical, etc. are all welcome for review. Works for actors of all ages (children thru seniors) and abilities are strongly encouraged. Selected plays will be performed outdoors by Artists’ Exchange in Cranston, Rhode Island in late June 2021 (details TBD).

***
Shellscrape Theatre Company seeks New Play Submissions for our upcoming Virtual Play Reading. Our goal for this virtual production is to assist the development of an unproduced work with an emerging playwright. Through this we hope to be able to provide logistical support, facilitate casting and provide exposure to our audience base. 

***
The Brooklyn Review is looking for innovative new poetry, fiction, performance texts, nonfiction and visual art. We are particularly interested in featuring BIPOC voices and perspectives.
All submissions will be considered for both our site and print issues.

*** FOR MORE INFORMATION about these and other opportunities see the web site at https://www.nycplaywrights.org ***

*** MOVIES ABOUT THEATER ***

"Shakespeare in Love" is set in late Elizabethan England (the queen, played as a young woman by Cate Blanchett in "Elizabeth," is played as an old one here by Judi Dench). Theater in London is booming--when the theaters aren't closed, that is, by plague warnings or bad debts. Shakespeare (Joseph Fiennes) is not as successful as the popular Marlowe (Rupert Everett), but he's a rising star, in demand by the impecunious impresario Henslowe (Geoffrey Rush), whose Rose Theater is in hock to a money lender, and Richard Burbage (Martin Clunes), whose Curtain Theater has Marlowe and would like to sign Shakespeare.

More...

***
Actor Tim Robbins adds to his writing and directing laurels with this film set in an era when art and theater really mattered. The time is the  mid-1930’s, and the place is Manhattan (with scenes from Washington D.C. where the infamous Dies Committee is riding the crest of anti-Communist hysteria). Hallie Flanagan (Cherry Jones) as director of the WPA-spawned Federal Theater Project is attending to the multitude of details involved in mounting dozens of plays around the country that employed thousands of out of work artists and actors. The FTP lasted only four years before it was terminated by the anti-New Deal Congress, but its cultural impact has been enormous, many actors and directors going on to win great acclaim in the theater and film. Until now the amazing story of the FTP, and especially of its controversial production “The Cradle Will Rock,” was little know beyond theater circles–and even there only known in part. Tim Robbins and company, through their meticulous research and engaging performances, have done us a real service in bringing to life this stirring moment in our history.

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***
Mel Brooks certainly laid it all on the line for his debut feature, The Producers! It’s hard to think of anything as fresh as this hard-hitting satire before or since. Even today, 51 years later, its audacity is astonishing. If it still seems outrageous now, it’s hard to imagine the impact it had on audiences in the late-1960s.
Given the subject matter — fraud and funny Nazis — it should be offensive, but of course, it isn’t. Perhaps that’s because almost the entire cast and crew appear to be Jewish. Though this is never directly referred to in the script. Who else could get away with such a zealous send up of the Third Reich? Who else has the licence to lampoon what led to the extermination of millions of Jews without causing an uproar? Well, there was Charlie Chaplin’s The Great Dictator (1940), a brave and prescient satire which did tackle similar themes, but that was before the holocaust.

More...

***
A master of the slow burn and the exaggerated double take, Jack Benny may have been the greatest of all persona comedians on radio and television. The persona was preposterously vain. He played the violin, badly. He would never admit to being older than 39. Above all else, he was cheap.

In his most celebrated radio routine, Jack is walking along carrying a borrowed Oscar award. A mugger stops him, asks him for a light, and then demands: “Your money or your life.” There ensues a lengthy silence. Finally the mugger says “Look, bud! I said your money or your life!” And Benny replies: “I’m thinking, I’m thinking!”

Benny plays five roles in Ernst Lubitsch’s comic masterpiece, To Be or Not To Be (1942), and in each of them, he is Jack Benny. We are in Warsaw in August 1939, and Benny is an actor in a troupe—in his own words, “that great, great actor Josef Tura,” whose ambition is to play Hamlet. Behind the scenes, he is the jealous husband of actress Maria Tura (the charming and justly acclaimed Carole Lombard, in her last film appearance), afraid he is being cuckolded. During the course of the film, he also plays a fictional Nazi colonel on stage, impersonates a real Nazi colonel, albeit badly, and impersonates a bewhiskered Professor Siletski (Stanley Ridges), who has passed himself off as a Polish resistance leader but is actually a Nazi spy.

More...

***
Topsy-Turvy marked the first time the acclaimed writer-director Mike Leigh made a period drama, turning his gaze from his usual working-class contemporary Britain setting to the pomp and splendour of the Victorian theatre, in particular the then immensely popular comic operas of Gilbert and Sullivan.

Despite this vastly different setting, Leigh envisioned the film as looking at his own work and that of other fellow filmmakers and theatre companies, throughout the ages. He stated in an interview that, “I’m not given to making films about filmmakers or artists, but I decided that it would be good to make a film about what we do, what we all go through.” Through presenting the immense amount of work, stress and drama that likely went into writing and putting on one of Gilbert and Sullivan’s audience-friendly “chocolate-box” productions, Leigh planned to show how he and his fellow artists “slave ourselves to death and go to hell and back creating profound trivia for the laughing public”.

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***
Fuck All About Eve. The real masterpiece about women and theater is Gregory La Cava’s Stage Door, a film which casts Katharine Hepburn, Ginger Rogers, Eve Arden, Lucille Ball and many other RKO women of the era as out-of-work actresses in a theatrical boarding house called The Footlights Club. Excitingly feminist, marked by the Depression, and obsessed by the sound of women talking, yelping, singing and generally whooping it up, Stage Door, though well-loved by many, has never garnered a big reputation, probably because La Cava himself has been overlooked in studies of major directors of the period.

More...

***
The Salesman is the story of a play that outplays a play. Asghar Farhadi’s postmodern version of Death of a Salesman portrays the true face of a developing society, in which tradition and modernity encounter in chaotic patterns. The play within a play is the story of Arthur Miller’s modern drama, but it is also the story of many Iranians, who fall in the schism of a changing society. Filming began in 2015 in Tehran, and the movie was released initially on May 21, 2017, at the 69th Cannes Festival. It stars Shahab Hosseini (Emad Etesami) and Taraneh Alidoosti (Rana Etesami) as a married couple, who are also the actors of Miller’s characters, Willy and Linda. The Salesman is not only an adaptation of the important scenes in Death of a Salesman but also a realistic problem drama, which voices the cultural challenges in Iran today. The film could have taken Farhadi to the Oscars for a second time, after his 2012 A Separation. However, Farhadi boycotted the ceremony, refusing to receive his award due to political differences triggered by Donald Trump’s Executive Order 13769, believing that such measurements against Iranians are unjust and therefore objectionable. Similarly, in his movies, he tries to implicitly show the real ambience of Iranians’ lives, when going through national and international changes, caused and influenced by global issues and policies.

More...

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It snowed!!!!!!



 

Reading often puts me sleep too