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John William Tuohy lives in Washington DC

I'M EXPLAINING A FEW THINGS by Pablo Neruda




You are going to ask: and where are the lilacs?
and the poppy-petalled metaphysics ?
and the rain repeatedly spattering
its words and drilling them full
of apertures and birds?'

I’ll tell you all the news.

I lived in a suburb,
a suburb of Madrid, with bells,
and clocks and trees.

From there you could look out
Over Castille’s dry face:              
a leather ocean.   
                       My house was called
the house of flowers, because in every cranny
geraniums burst: it was
a good-looking house
with its dogs and children.
Remember, Raúl?
Eh, Rafael?
Federico, do you remember
from under the ground
where the light of June drowned flowers in your mouth?

Brother, my brother!
Everything
loud with big voices, the salt of merchandises,
pile-ups of palpitating bread,
the stalls of my suburb of Argüelles with its statue
Like a drained inkwell in a swirl of hake:
oil flowed into spoons,
a deep baying
of feet and hands swelled in the streets,
metres, litres, the sharp
measure of life,
stacked-up fish,
the texture of roofs with a cold sun in which
the weather vane falters,
the fine, frenzied ivory of potatoes,
wave on wave of tomatoes rolling down to the sea.

And one morning all that was burning,
one morning the bonfires
leapt out of the earth
devouring human beings -
and from then on fire,
gunpowder from then on,
and from then on blood.
Bandits with planes and Moors,
Bandits with finger-rings and duchesses,
Bandits with black friars spattering blessings
came through the sky to kill children
and the blood of children ran through the streets
without fuss, like children's blood.

Jackals that the jackals would despise,
stones that the dry thistle would bite on and spit out,
vipers that the vipers would abominate!

Face to face with you I have seen the blood
of Spain tower like a tide
to drown you in one wave
of pride and knives!

Treacherous
generals:
see my dead house,
look at broken Spain:

from every house burning metal flows
instead of flowers,
from every socket of Spain
Spain emerges
and from every dead child a rifle with eyes,
and from every crime bullets are bom
which will one day find
the bull's eye of your hearts.

And you will ask: why doesn’t his poetry
speak of dreams and leaves
and the great volcanoes of his native land?

Come and see the blood in the streets.
Come and see
the blood in the streets.
Come and see the blood
in the streets!


EXPLICO ALGUNAS COSAS
Preguntaréis: Y dónde están las lilas?
Y la metafísica cubierta de amapolas ?
Y la lluvia que a menudo golpeaba
sus palabras llenándolas
de agujeros y pájaros?

Os voy a contar todo lo que me pasa.

Yo vivía en un barrio
de Madrid, con campanas,
con relojes, con árboles.

Desde allí se veía
el rostro seco de Castilla
como un océano de cuero.
Mi casa era llamada
la casa de las flores, porque por todas partes
estallaban geranios: era
una bella casa
con perros y chiquillos.
Raúl, te acuerdas?
Te acuerdas, Rafael?
 Federico, te acuerdas
debajo de la tierra,           
te acuerdas de mi casa con balcones en donde
la luz de Junio ahogaba flores en tu boca?
Hermano, hermano!
Todo
eran grandes voces, sal de mercaderías,
aglomeraciones de pan palpitante,
mercados de mi barrio de Argüelles con su estatua
como un tintero pálido entre las merluzas:
el aceite llegaba a las cucharas,
un profundo latido
de pies y manos llenaba las calles,
metros, litros, esencia
aguda de la vida,
pescados hacinados,
contextura de techos con sol frío en el cual
la flecha se fatiga,
delirante marfil fino de las patatas,
tomates repetidos hasta el mar.

Y una mañana todo estaba ardiendo
Y una mañana las hogueras
salian de la tierra
devorando seres,
y desde entonces fuego,
pólvora desde entonces,
y desde entonces sangre.
Bandidos con aviones y con moros,
bandidos con sortijas y duquesas,
bandidos con frailes negros bendiciendo
venían por el cielo a matar niños,
y por las calles la sangre de los niños
corría simplemente, como sangre de niños.

Chacales que el chacal rechazaría,
piedras que el cardo seco mordería escupiendo,
víboras que las víboras odiaran!

Frente a vosotros he visto la sangre
de España levantarse
para ahogaros en una sola ola
de orgullo y de cuchillos!

Generales
traidores:
mirad mi casa muerta,
mirad España rota:

pero de cada casa muerta sale metal ardiendo
en vez de flores,
pero de cada hueco de España
sale España,
pero de cada niño muerto sale un fusil con ojos,
pero de cada crimen nacen balas
que os hallarán un dia el sitio
del corazón.

Preguntaréis por qué su poesía
no nos habla del sueño, de las hojas,
de los grandes volcanes de su país natal ?

Venid a ver la sangre por las calles.
venid a ver
la sangre por las calles,
venid a ver la sangre
por las calles!

TO THE PERSON SITTING IN DARKNESS BY MARK TWAIN


 FEBRUARY, 1901

TO THE PERSON SITTING IN DARKNESS.
BY MARK TWAIN.
Extending the Blessings of Civilization to our Brother who Sits in Darkness has been a good trade and has paid well, on the whole; and there is money in it yet, if carefully worked—but not enough, in my judgment, to make any considerable risk advisable. The People that Sit in Darkness are getting to be too scarce—too scarce and too shy. And such darkness as is now left is really of but an indifferent quality, and not dark enough for the game. The most of those People that Sit in Darkness have been furnished with more light than was good for them or profitable for us. We have been injudicious.
The Blessings-of-Civilization Trust, wisely and cautiously administered, is a Daisy. There is more money in it, more territory, more sovereignty and other kinds of emolument, than there is in any other game that is played. But Christendom has been playing it badly of late years, and must certainly suffer by it, in my opinion. She has been so eager to get every stake that appeared on the green cloth, that the People who Sit in Darkness have noticed it—they have noticed it, and have begun to show alarm. They have become suspicious of the Blessings of Civilization. More—they have begun to examine them. This is not well. The Blessings of Civilization are all right, and a good commercial property; there could not be a better, in a dim light. In the right kind of a light, and at a proper distance, with the goods a little out of focus, they furnish 3this desirable exhibit to the Gentlemen who Sit in Darkness:
LOVE, JUSTICE, GENTLENESS, CHRISTIANITY, PROTECTION TO THE WEAK, TEMPERANCE, LAW AND ORDER, LIBERTY, EQUALITY, HONORABLE DEALING, MERCY, EDUCATION,
—and so on.
There. Is it good? Sir, it is pie. It will bring into camp any idiot that sits in darkness anywhere. But not if we adulterate it. It is proper to be emphatic upon that point. This brand is strictly for Export—apparently. Apparently. Privately and confidentially, it is nothing of the kind. Privately and confidentially, it is merely an outside cover, gay and pretty and attractive, displaying the special patterns of our Civilization which we reserve for Home Consumption, while inside the bale is the Actual Thing that the Customer Sitting in Darkness buys with his blood and tears and land and liberty. That Actual Thing is, indeed, Civilization, but it is only for Export. Is there a difference between the two brands? In some of the details, yes.
We all know that the Business is being ruined. The reason is not far to seek. It is because our Mr. McKinley, and Mr. Chamberlain, and the Kaiser, and the Czar, and the French have been exporting the Actual Thing with the outside cover left off. This is bad for the Game. It shows that these new players of it are not sufficiently acquainted with it.
It is a distress to look on and note the mismoves, they are so strange and so awkward. Mr. Chamberlain manufactures a war out of materials so inadequate and so fanciful that they make the boxes grieve and the gallery laugh, and he tries hard to persuade himself that it isn’t purely a private raid for cash, but has a sort of dim, vague respectability about it somewhere, if he could only find the spot; 4and that, by and by, he can scour the flag clean again after he has finished dragging it through the mud, and make it shine and flash in the vault of heaven once more as it had shone and flashed there a thousand years in the world’s respect until he laid his unfaithful hand upon it. It is bad play—bad. For it exposes the Actual Thing to Them that Sit in Darkness, and they say: “What! Christian against Christian? And only for money? Is this a case of magnanimity, forbearance, love, gentleness, mercy, protection of the weak—this strange and over-showy onslaught of an elephant upon a nest of field-mice, on the pretext that the mice had squeaked an insolence at him—conduct which ‘no self-respecting government could allow to pass unavenged?’ as Mr. Chamberlain said. Was that a good pretext in a small case, when it had not been a good pretext in a large one?—for only recently Russia had affronted the elephant three times and survived alive and unsmitten. Is this Civilization and Progress? Is it something better than we already possess? These harryings and burnings and desert-makings in the Transvaal—is this an improvement on our darkness? Is it, perhaps, possible that there are two kinds of Civilization—one for home consumption and one for the heathen market?”
Then They that Sit in Darkness are troubled, and shake their heads; and they read this extract from a letter of a British private, recounting his exploits in one of Methuen’s victories, some days before the affair of Magersfontein, and they are troubled again:
“We tore up the hill and into the intrenchments, and the Boers saw we had them; so they dropped their guns and went down on their knees and put up their hands clasped, and begged for mercy. And we gave it them—with the long spoon.”
The long spoon is the bayonet. See Lloyd’s 5Weekly, London, of those days. The same number—and the same column—contains some quite unconscious satire in the form of shocked and bitter upbraidings of the Boers for their brutalities and inhumanities!
Next to our heavy damage, the Kaiser went to playing the game without first mastering it. He lost a couple of missionaries in a riot in Shantung, and in his account he made an overcharge for them. China had to pay a hundred thousand dollars apiece for them, in money; twelve miles of territory, containing several millions of inhabitants and worth twenty million dollars, and to build a monument and also a Christian Church; whereas the people of China could have been depended upon to remember the missionaries without the help of these expensive memorials. This was all bad play. Bad, because it would not, and could not, and will not now or ever, deceive the Person Sitting in Darkness. He knows that it was an overcharge. He knows that a missionary is like any other man; he is worth merely what you can supply his place for, and no more. He is useful, but so is a doctor, so is a sheriff, so is an editor; but a just Emperor does not charge war-prices for such. A diligent, intelligent, but obscure missionary, and a diligent, intelligent country editor are worth much, and we know it; but they are not worth the earth. We esteem such an editor, and we are sorry to see him go; but, when he goes, we should consider twelve miles of territory, and a church, and a fortune, over-compensation for his loss. I mean, if he was a Chinese editor, and we had to settle for him. It is no proper figure for an editor or a missionary; one can get shop-worn kings for less. It was bad play on the Kaiser’s part. It got this property, true; but it produced the Chinese revolt, the indignant uprising of China’s traduced patriots, the Boxers. The results have been expensive to Germany, and to the other 6Disseminators of Progress and the Blessings of Civilization.
The Kaiser’s claim was paid, yet it was bad play, for it could not fail to have an evil effect upon Persons Sitting in Darkness in China. They would muse upon the event, and be likely to say: “Civilization is gracious and beautiful, for such is its reputation; but can we afford it? There are rich Chinamen, perhaps they could afford it; but this tax is not laid upon them, it is laid upon the peasants of Shantung; it is they that must pay this mighty sum, and their wages are but four cents a day. Is this a better civilization than ours, and holier and higher and nobler? Is not this rapacity? Is not this extortion? Would Germany charge America two hundred thousand dollars for two missionaries, and shake the mailed fist in her face, and send warships, and send soldiers, and say: ‘Seize twelve miles of territory, worth twenty millions of dollars, as additional pay for the missionaries; and make those peasants build a monument to the missionaries, and a costly Christian church to remember them by?’ And later would Germany say to her soldiers: ‘March through America and slay, giving no quarter; make the German face there, as has been our Hun-face here, a terror for a thousand years; march through the Great Republic and slay, slay, slay, carving a road for our offended religion through its heart and bowels?’ Would Germany do like this to America, to England, to France, to Russia? Or only to China the helpless—imitating the elephant’s assault upon the field-mice? Had we better invest in this Civilization—this Civilization which called Napoleon a buccaneer for carrying off Venice’s bronze horses, but which steals our ancient astronomical instruments from our walls, and goes looting like common bandits—that is, all the alien soldiers except America’s; and (Americans again excepted) storms frightened villages and cables the 7result to glad journals at home every day: ‘Chinese losses, 450 killed; ours, one officer and two men wounded. Shall proceed against neighboring village to-morrow, where a massacre is reported.’ Can we afford Civilization?”
And, next, Russia must go and play the game injudiciously. She affronts England once or twice—with the Person Sitting in Darkness observing and noting; by moral assistance of France and Germany, she robs Japan of her hard-earned spoil, all swimming in Chinese blood—Port Arthur—with the Person again observing and noting; then she seizes Manchuria, raids its villages, and chokes its great rivers with the swollen corpses of countless massacred peasants—that astonished Person still observing and noting. And perhaps he is saying to himself: “It is yet another Civilized Power, with its banner of the Prince of Peace in one hand and its loot-basket and its butcher-knife in the other. Is there no salvation for us but to adopt Civilization and lift ourselves down to its level?”
And by and by comes America, and our Master of the Game plays it badly—plays it as Mr. Chamberlain was playing it in South Africa. It was a mistake to do that; also, it was one which was quite unlooked for in a Master who was playing it so well in Cuba. In Cuba, he was playing the usual and regular American game, and it was winning, for there is no way to beat it. The Master, contemplating Cuba, said: “Here is an oppressed and friendless little nation which is willing to fight to be free; we go partners, and put up the strength of seventy million sympathizers, and the resources of the United States: play!” Nothing but Europe combined could call that hand: and Europe cannot combine on anything. There, in Cuba, he was following our great traditions in a way which made us very proud of him, and proud of the deep dissatisfaction which his play was provoking in Continental Europe. 8Moved by a high inspiration, he threw out those stirring words which proclaimed that forcible annexation would be “criminal aggression;” and in that utterance fired another “shot heard round the world.” The memory of that fine saying will be outlived by the remembrance of no act of his but one—that he forgot it within the twelvemonth, and its honorable gospel along with it.
For, presently, came the Philippine temptation. It was strong; it was too strong, and he made that bad mistake: he played the European game, the Chamberlain game. It was a pity; it was a great pity, that error; that one grievous error, that irrevocable error. For it was the very place and time to play the American game again. And at no cost. Rich winnings to be gathered in, too; rich and permanent; indestructible; a fortune transmissible forever to the children of the flag. Not land, not money, not dominion—no, something worth many times more than that dross: our share, the spectacle of a nation of long harassed and persecuted slaves set free through our influence; our posterity’s share, the golden memory of that fair deed. The game was in our hands. If it had been played according to the American rules, Dewey would have sailed away from Manila as soon as he had destroyed the Spanish fleet—after putting up a sign on shore guaranteeing foreign property and life against damage by the Filipinos, and warning the Powers that interference with the emancipated patriots would be regarded as an act unfriendly to the United States. The Powers cannot combine, in even a bad cause, and the sign would not have been molested.
Dewey could have gone about his affairs elsewhere, and left the competent Filipino army to starve out the little Spanish garrison and send it home, and the Filipino citizens to set up the form of government they might prefer, and deal with the friars and their doubtful acquisitions according to 9Filipino ideas of fairness and justice—ideas which have since been tested and found to be of as high an order as any that prevail in Europe or America.
But we played the Chamberlain game, and lost the chance to add another Cuba and another honorable deed to our good record.
The more we examine the mistake, the more clearly we perceive that it is going to be bad for the Business. The Person Sitting in Darkness is almost sure to say: “There is something curious about this—curious and unaccountable. There must be two Americas: one that sets the captive free, and one that takes a once-captive’s new freedom away from him, and picks a quarrel with him with nothing to found it on; then kills him to get his land.”
The truth is, the Person Sitting in Darkness is saying things like that; and for the sake of the Business we must persuade him to look at the Philippine matter in another and healthier way. We must arrange his opinions for him. I believe it can be done; for Mr. Chamberlain has arranged England’s opinion of the South African matter, and done it most cleverly and successfully. He presented the facts—some of the facts—and showed those confiding people what the facts meant. He did it statistically, which is a good way. He used the formula: “Twice 2 are 14, and 2 from 9 leaves 35.” Figures are effective; figures will convince the elect.
Now, my plan is a still bolder one than Mr. Chamberlain’s, though apparently a copy of it. Let us be franker than Mr. Chamberlain; let us audaciously present the whole of the facts, shirking none, then explain them according to Mr. Chamberlain’s formula. This daring truthfulness will astonish and dazzle the Person Sitting in Darkness, and he will take the Explanation down before his mental vision has had time to get back into focus. Let us say to him:
10“Our case is simple. On the 1st of May, Dewey destroyed the Spanish fleet. This left the Archipelago in the hands of its proper and rightful owners, the Filipino nation. Their army numbered 30,000 men, and they were competent to whip out or starve out the little Spanish garrison; then the people could set up a government of their own devising. Our traditions required that Dewey should now set up his warning sign, and go away. But the Master of the Game happened to think of another plan—the European plan. He acted upon it. This was, to send out an army—ostensibly to help the native patriots put the finishing touch upon their long and plucky struggle for independence, but really to take their land away from them and keep it. That is, in the interest of Progress and Civilization. The plan developed, stage by stage, and quite satisfactorily. We entered into a military alliance with the trusting Filipinos, and they hemmed in Manila on the land side, and by their valuable help the place, with its garrison of 8,000 or 10,000 Spaniards, was captured—a thing which we could not have accomplished unaided at that time. We got their help by—by ingenuity. We knew they were fighting for their independence, and that they had been at it for two years. We knew they supposed that we also were fighting in their worthy cause—just as we had helped the Cubans fight for Cuban independence—and we allowed them to go on thinking so. Until Manila was ours and we could get along without them. Then we showed our hand. Of course, they were surprised—that was natural; surprised and disappointed; disappointed and grieved. To them it looked un-American; un-characteristic; foreign to our established traditions. And this was natural, too; for we were only playing the American Game in public—in private it was the European. It was neatly done, very neatly, and it bewildered them so they could not 11understand it; for we had been so friendly—so affectionate, even—with those simple-minded patriots! We, our own selves, had brought back out of exile their leader, their hero, their hope, their Washington—Aguinaldo; brought him in a warship, in high honor, under the sacred shelter and hospitality of the flag; brought him back and restored him to his people, and got their moving and eloquent gratitude for it. Yes, we had been so friendly to them, and had heartened them up in so many ways! We had lent them guns and ammunition; advised with them; exchanged pleasant courtesies with them; placed our sick and wounded in their kindly care; entrusted our Spanish prisoners to their humane and honest hands; fought shoulder to shoulder with them against “the common enemy” (our own phrase); praised their courage, praised their gallantry, praised their mercifulness, praised their fine and honorable conduct; borrowed their trenches, borrowed strong positions which they had previously captured from the Spaniards; petted them, lied to them—officially proclaiming that our land and naval forces came to give them their freedom and displace the bad Spanish Government—fooled them, used them until we needed them no longer; then derided the sucked orange and threw it away. We kept the positions which we had beguiled them of; by and by, we moved a force forward and overlapped patriot ground—a clever thought, for we needed trouble, and this would produce it. A Filipino soldier, crossing the ground, where no one had a right to forbid him, was shot by our sentry. The badgered patriots resented this with arms, without waiting to know whether Aguinaldo, who was absent, would approve or not. Aguinaldo did not approve; but that availed nothing. What we wanted, in the interest of Progress and Civilization, was the Archipelago, unencumbered by patriots struggling for independence; and the War was what we 12needed. We clinched our opportunity. It is Mr. Chamberlain’s case over again—at least in its motive and intention; and we played the game as adroitly as he played it himself.”
At this point in our frank statement of fact to the Person Sitting in Darkness, we should throw in a little trade-taffy about the Blessings of Civilization—for a change, and for the refreshment of his spirit—then go on with our tale:
“We and the patriots having captured Manila, Spain’s ownership of the Archipelago and her sovereignty over it were at an end—obliterated—annihilated—not a rag or shred of either remaining behind. It was then that we conceived the divinely humorous idea of buying both of these spectres from Spain! [It is quite safe to confess this to the Person Sitting in Darkness, since neither he nor any other sane person will believe it.] In buying those ghosts for twenty millions, we also contracted to take care of the friars and their accumulations. I think we also agreed to propagate leprosy and smallpox, but as to this there is doubt. But it is not important; persons afflicted with the friars do not mind the other diseases.
“With our treaty ratified, Manila subdued, and our Ghosts secured, we had no further use for Aguinaldo and the owners of the Archipelago. We forced a war, and we have been hunting America’s guest and ally through the woods and swamps ever since.”
At this point in the tale, it will be well to boast a little of our war-work and our heroisms in the field, so as to make our performance look as fine as England’s in South Africa; but I believe it will not be best to emphasize this too much. We must be cautious. Of course, we must read the war-telegrams to the Person, in order to keep up our frankness; but we can throw an air of humorousness over them, and that will modify their grim eloquence a 13little, and their rather indiscreet exhibitions of gory exultation. Before reading to him the following display heads of the dispatches of November 18, 1900, it will be well to practice on them in private first, so as to get the right tang of lightness and gaiety into them:
“ADMINISTRATION WEARY OF PROTRACTED HOSTILITIES!”
“REAL WAR AHEAD FOR FILIPINO REBELS!”[1]
“WILL SHOW NO MERCY!”
“KITCHENER’S PLAN ADOPTED!”
1. “Rebels!” Mumble that funny word—don’t let the Person catch it distinctly.
Kitchener knows how to handle disagreeable people who are fighting for their homes and their liberties, and we must let on that we are merely imitating Kitchener, and have no national interest in the matter, further than to get ourselves admired by the Great Family of Nations, in which august company our Master of the Game has bought a place for us in the back row.
Of course, we must not venture to ignore our General MacArthur’s reports—oh, why do they keep on printing those embarrassing things?—we must drop them trippingly from the tongue and take the chances:
“During the last ten months our losses have been 268 killed and 750 wounded; Filipino loss, three thousand two hundred and twenty-seven killed, and 694 wounded.”
We must stand ready to grab the Person Sitting in Darkness, for he will swoon away at this confession, saying: “Good God, those ‘niggers’ spare their wounded, and the Americans massacre theirs!”
We must bring him to, and coax him and coddle him, and assure him that the ways of Providence are best, and that it would not become us to find fault with them; and then, to show him that we are only imitators, not originators, we must read the following passage from the letter of an American soldier-lad in the Philippines to his mother, published 14in Public Opinion, of Decorah, Iowa, describing the finish of a victorious battle:
“We never left one alive. If one was wounded, we would run our bayonets through him.”
Having now laid all the historical facts before the Person Sitting in Darkness, we should bring him to again, and explain them to him. We should say to him:
“They look doubtful, but in reality they are not. There have been lies; yes, but they were told in a good cause. We have been treacherous; but that was only in order that real good might come out of apparent evil. True, we have crushed a deceived and confiding people; we have turned against the weak and the friendless who trusted us; we have stamped out a just and intelligent and well-ordered republic; we have stabbed an ally in the back and slapped the face of a guest; we have bought a Shadow from an enemy that hadn’t it to sell; we have robbed a trusting friend of his land and his liberty; we have invited our clean young men to shoulder a discredited musket and do bandit’s work under a flag which bandits have been accustomed to fear, not to follow; we have debauched America’s honor and blackened her face before the world; but each detail was for the best. We know this. The Head of every State and Sovereignty in Christendom and ninety per cent. of every legislative body in Christendom, including our Congress and our fifty State Legislatures, are members not only of the church, but also of the Blessings-of-Civilization Trust. This world-girdling accumulation of trained morals, high principles, and justice, cannot do an unright thing, an unfair thing, an ungenerous thing, an unclean thing. It knows what it is about. Give yourself no uneasiness; it is all right.”
Now then, that will convince the Person. You will see. It will restore the Business. Also, it will 15elect the Master of the Game to the vacant place in the Trinity of our national gods; and there on their high thrones the Three will sit, age after age, in the people’s sight, each bearing the Emblem of his service: Washington, the Sword of the Liberator; Lincoln, the Slave’s Broken Chains; the Master, the Chains Repaired.
It will give the Business a splendid new start. You will see.
Everything is prosperous, now; everything is just as we should wish it. We have got the Archipelago, and we shall never give it up. Also, we have every reason to hope that we shall have an opportunity before very long to slip out of our Congressional contract with Cuba and give her something better in the place of it. It is a rich country, and many of us are already beginning to see that the contract was a sentimental mistake. But now—right now—is the best time to do some profitable rehabilitating work—work that will set us up and make us comfortable, and discourage gossip. We cannot conceal from ourselves that, privately, we are a little troubled about our uniform. It is one of our prides; it is acquainted with honor; it is familiar with great deeds and noble; we love it, we revere it; and so this errand it is on makes us uneasy. And our flag—another pride of ours, our chiefest! We have worshipped it so; and when we have seen it in far lands—glimpsing it unexpectedly in that strange sky, waving its welcome and benediction to us—we have caught our breath and uncovered our heads, and couldn’t speak, for a moment, for the thought of what it was to us and the great ideals it stood for. Indeed, we must do something about these things: we must not have the flag out there, and the uniform. They are not needed there; we can manage in some other way. England manages, as regards the uniform, and so can we. We have to send soldiers—we can’t get out of that—but we can 16disguise them. It is the way England does in South Africa. Even Mr. Chamberlain himself takes pride in England’s honorable uniform, and makes the army down there wear an ugly and odious and appropriate disguise, of yellow stuff such as quarantine flags are made of, and which are hoisted to warn the healthy away from unclean disease and repulsive death. This cloth is called khaki. We could adopt it. It is light, comfortable, grotesque, and deceives the enemy, for he cannot conceive of a soldier being concealed in it.
And as for a flag for the Philippine Province, it is easily managed. We can have a special one—our States do it: we can have just our usual flag, with the white stripes painted black and the stars replaced by the skull and cross-bones.
And we do not need that Civil Commission out there. Having no powers, it has to invent them, and that kind of work cannot be effectively done by just anybody; an expert is required. Mr. Croker can be spared. We do not want the United States represented there, but only the Game.
By help of these suggested amendments, Progress and Civilization in that country can have a boom, and it will take in the Persons who are Sitting in Darkness, and we can resume Business at the old stand.





Last known photo of Mark Twain. He said -“I came in with Halley’s Comet in 1835 and I expect to go out with it”. Twain’s prediction was accurate, as he ended up dying of a heart attack on April 21, 1910, just weeks before Halley’s Comet approached the Earth again on May 6.1910

We're back from a week at the beach at Watch Hill in Rhode Island, the guy with the goatee is my cousin Neal.




This is more of a suggestion than an order



Greetings NYCPlaywrights


Greetings NYCPlaywrights


*** FREE THEATER ONLINE ***

NYC Friday Night Footlights® series will present an online reading of FUKT by Emma Goldman Sherman Please join us for the virtual NYC Friday Night Footlights® series, celebrating new dramatic works in progress! This virtual reading will present FUKT by Emma Goldman Sherman.

DG Footlights™ is a program, created and moderated by the Dramatists Guild, that connects dramatists with free space in which to hold a public reading of a new work that is currently in development. This initiative operates on a space-grant model: a representative from the Guild will arrange for a venue to donate space during allocated dates and times, and will ensure that the space is available for dramatists to use to present a self-produced reading to the public, with an optional feedback session following the reading. Attendance is always free and open to all.



*** OPPORTUNITIES FOR PLAYWRIGHTS ***

The So.Queer Playwrights Festival is a competitive, biennial festival of LGBTQ+ works which will lead to the selection of one work by a playwright — a work that RTP will develop further in close collaboration with the chosen playwright. The festival brings RTP to the forefront in the region to inspire and develop new LGBTQ+ musical and non-musical works.

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With theatre activities affected by the Covid-19 pandemic, Carlow Little Theatre Society (CLTS), will be running a new one-act playwriting competition this Autumn to encourage the writing of new play material.
Three finalist plays will be selected from the entries, which will each receive a rehearsed, performed reading by actors from CLTS. An overall winner will then be selected, with a monetary prize of €300 for 1st place, €200 for 2nd place, and €100 for third place.

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Fort Worth Opera wanted to provide librettists with a platform for dramaturgical development and assure the industry and opera lovers everywhere that the storytellers within this incredible art form would not be neglected during the COVID-19 pandemic. The company continues its commitment to supporting the creation of new works, and Frontiers: FWO Libretto Workshop will provide librettists with an exclusive opportunity to hone their craft. Not only will they experience passages of their libretto performed by professional actors, but they will receive real-time feedback from some of the top creative minds in opera. Librettists will also be able to obtain a recording of the Zoom workshop to assist them further in their compositional process. 
This collaborative series is presented free of charge to all participating librettists and auditors.

*** FOR MORE INFORMATION about these and other opportunities see the web site at https://www.nycplaywrights.org ***


*** THE PANSY CRAZE *** 

This period, during the late 1920s and the early 1930s, was a golden era in Los Angeles for gay performers, entertainers in drag and the crowds of Angelenos – gay, straight, rich and poor – that loved them. It was during Prohibition and all the clubs were underground; but the culture was completely open and vibrant, filled with fluid sexuality and music that was often coded. It was called the Pansy Craze and it swept up not only Los Angeles, but many of the major cities nationwide.

Lillian Faderman, co-author of “Gay LA: a History of Sexual Outlaws, Power Politics and Lipstick Lesbians,” said of the era, “I think that sexuality was very fluid in Hollywood, particularly in the movie industry in the 1920s and the 1930s. These upscale nightclubs that featured female impersonators and male impersonators were a real draw for bohemian Hollywood.”

More...

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During the Pansy Craze, people in the LGBTQ community performed on stages in cities around the world, but New York’s Greenwich Village, Times Square and Harlem were at its centre, hosting some of the most renowned drag acts of the 1920s.

It was the early 1930s, however, when gay subculture became mainstream and rose to prominence on the stages of Manhattan.

Why? Well, prohibition in the US had a large part to play in things. How come? Because everyone was in search of a delicious drink, of course.

Rather than doing what it was supposed to do, prohibition actually played a part in getting the party started. Because, unsurprisingly, alcohol brought people from all walks of life together in speakeasies and underground culture.

“It’s not just that they were visible, but that popular culture and newspapers at the time remarked on their visibility – everyone knew that they were visible,” says Chad Heap, a professor at George Washington University.

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When Mae West’s play The Drag was first performed, in Connecticut in 1927, its author was starring as a prostitute in the scandalous Broadway hit Sex. That show was soon deemed indecent, earning her a 10-day jail sentence. She took a limo to prison and said she wore silk underwear throughout her detention. The Drag proved no less controversial: it lasted for 10 performances before it was banned.

Why the fuss? Partly because West was a woman writing about sexuality and, in particular, gay male sexuality. The Drag, subtitled A Homosexual Comedy in Three Acts and written under the pseudonym Jane Mast, is about the cost of living with a secret life. Its hero is a closeted gay socialite, Rolly Kingsbury, who comes “from one of the finest families” and is trapped in a loveless marriage. Rolly’s father is a homophobic judge, his father-in-law a therapist who specialises in gay conversion. West herself had been a male impersonator early in her career, and the play culminates in an elaborate drag ball, with largely improvised dialogue and a jazz band on stage.

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Gladys Bentley left home at 16 and ended up in New York, the capital of "The New Negro" and the Harlem Renaissance.  For Bentley, her sexuality and the large Homosexual population in the 1920s made her need to strike out on her own all the more urgent.  In Harlem this great creative outpouring was also a celebration of optimism about the future of Black America.

Audiences of the prohibition era were often craving something new.  There was a "fashion of the Negro”, accompanied by a curiosity for "Pansy Acts" and "Hot Mama" lesbian or bisexual singers.  Bentley carved out a place for herself around this curiosity.  She would transform popular tunes of the day with bawdy mischievous playful lyrics. Dressed in signature tux and top hat, she openly and riotously flirted with women in the audience. Her popularity and salary climbed, as she was frequently mentioned in many of the entertainment columns of the day and characters based on her appeared in novels.

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The Pansy Craze: A New Musical by bright talent Avery Jean Brennan, welcomes us to the early 1930s, a time when the appetite for drag performances and “nance” roles (foppish, effeminate men) crested in vaudeville and burlesque shows, especially in underground clubs serving illegal liquor, where much was permitted (especially, it seems, that which was forbidden elsewhere). 

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"Hip Zip Hooray" is a comedy short made in 1933.  It features female impersonator and Pansy Craze artist Ray (Rae) Bourbon in a supporting role.  Ray plays the designer in the underwear shop and is in several slapstick sequences in the second half.


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Gene Malin - Pansy Craze - "I'd Rather Be Spanish" 1932

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