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John William Tuohy lives in Washington DC

A Temporary Matter. A short story by Jhumpa Lahira

 

The notice informed them that it was a temporary matter: for five days their electricity would be cut off for one hour, beginning at eight P.M. A line had gone down in the last snowstorm, and the repairmen were going to take advantage of the milder evenings to set it right. The work would affect only the houses on the quiet tree-lined street, within walking distance of a row of brick-faced stores and a trolley stop, where Shoba and Shukumar had lived for three years.

    "It's good of them to warn us," Shoba conceded after reading the notice aloud, more for her own benefit than Shukumar's. She let the strap of her leather satchel, plump with files, slip from her shoulders, and left it in the hallway as she walked into the kitchen. She wore a navy blue poplin raincoat over gray sweatpants and white sneakers, looking, at thirty-three, like the type of woman she'd once claimed she would never resemble.

    She'd come from the gym. Her cranberry lipstick was visible only on the outer reaches of her mouth, and her eyeliner had left charcoal patches beneath her lower lashes. She used to look this way sometimes, Shukumar thought, on mornings after a party or a night at a bar, when she'd been too lazy to wash her face, too eager to collapse into his arms. She dropped a sheaf of mail on the table without a glance. Her eyes were still fixed on the notice in her other hand. "But they should do this sort of thing during the day."

    "When I'm here, you mean," Shukumar said. He put a glass lid on a pot of lamb, adjusting it so only the slightest bit of steam could escape. Since January he'd been working at home, trying to complete the final chapters of his dissertation on agrarian revolts in India. "When do the repairs start?"

    "It says March nineteenth. Is today the nineteenth?" Shoba walked over to the framed corkboard that hung on the wall by the fridge, bare except for a calendar of William Morris wallpaper patterns. She looked at it as if for the first time, studying the wallpaper pattern carefully on the top half before allowing her eyes to fall to the numbered grid on the bottom. A friend had sent the calendar in the mail as a Christmas gift, even though Shoba and Shukumar hadn't celebrated Christmas that year.

    "Today then," Shoba announced. "You have a dentist appointment next Friday, by the way."

    He ran his tongue over the tops of his teeth; he'd forgotten to brush them that morning. It wasn't the first time. He hadn't left the house at all that day, or the day before. The more Shoba stayed out, the more she began putting in extra hours at work and taking on additional projects, the more he wanted to stay in, not even leaving to get the mail, or to buy fruit or wine at the stores by the trolley stop.

    Six months ago, in September, Shukumar was at an academic conference in Baltimore when Shoba went into labor, three weeks before her due date. He hadn't wanted to go to the conference, but she had insisted; it was important to make contacts, and he would be entering the job market next year. She told him that she had his number at the hotel, and a copy of his schedule and flight numbers, and she had arranged with her friend Gillian for a ride to the hospital in the event of an emergency. When the cab pulled away that morning for the airport, Shoba stood waving good-bye in her robe, with one arm resting on the mound of her belly as if it were a perfectly natural part of her body.

    Each time he thought of that moment, the last moment he saw Shoba pregnant, it was the cab he remembered most, a station wagon, painted red with blue lettering. It was cavernous compared to their own car. Although Shukumar was six feet tall, with hands too big ever to rest comfortably in the pockets of his jeans, he felt dwarfed in the back seat. As the cab sped down Beacon Street, he imagined a day when he and Shoba might need to buy a station wagon of their own, to cart their children back and forth from music lessons and dentist appointments. He imagined himself gripping the wheel, as Shoba turned around to hand the children juice boxes. Once, these images of parenthood had troubled Shukumar, adding to his anxiety that he was still a student at thirty-five. But that early autumn morning, the trees still heavy with bronze leaves, he welcomed the image for the first time.

    A member of the staff had found him somehow among the identical convention rooms and handed him a stiff square of stationery. It was only a telephone number, but Shukumar knew it was the hospital. When he returned to Boston it was over. The baby had been born dead. Shoba was lying on a bed, asleep, in a private room so small there was barely enough space to stand beside her, in a wing of the hospital they hadn't been to on the tour for expectant parents. Her placenta had weakened and she'd had a cesarean, though not quickly enough. The doctor explained that these things happen. He smiled in the kindest way it was possible to smile at people known only professionally. Shoba would be back on her feet in a few weeks. There was nothing to indicate that she would not be able to have children in the future.

    These days Shoba was always gone by the time Shukumar woke up. He would open his eyes and see the long black hairs she shed on her pillow and think of her, dressed, sipping her third cup of coffee already, in her office downtown, where she searched for typographical errors in textbooks and marked them, in a code she had once explained to him, with an assortment of colored pencils. She would do the same for his dissertation, she promised, when it was ready. He envied her the specificity of her task, so unlike the elusive nature of his. He was a mediocre student who had a facility for absorbing details without curiosity. Until September he had been diligent if not dedicated, summarizing chapters, outlining arguments on pads of yellow lined paper. But now he would lie in their bed until he grew bored, gazing at his side of the closet which Shoba always left partly open, at the row of the tweed jackets and corduroy trousers he would not have to choose from to teach his classes that semester. After the baby died it was too late to withdraw from his teaching duties. But his adviser had arranged things so that he had the spring semester to himself. Shukumar was in his sixth year of graduate school. "That and the summer should give you a good push," his adviser had said. "You should be able to wrap things up by next September."

    But nothing was pushing Shukumar. Instead he thought of how he and Shoba had become experts at avoiding each other in their three-bedroom house, spending as much time on separate floors as possible. He thought of how he no longer looked forward to weekends, when she sat for hours on the sofa with her colored pencils and her files, so that he feared that putting on a record in his own house might be rude. He thought of how long it had been since she looked into his eyes and smiled, or whispered his name on those rare occasions they still reached for each other's bodies before sleeping.

    In the beginning he had believed that it would pass, that he and Shoba would get through it all somehow. She was only thirty-three. She was strong, on her feet again. But it wasn't a consolation. It was often nearly lunchtime when Shukumar would finally pull himself out of bed and head downstairs to the coffeepot, pouring out the extra bit Shoba left for him, along with an empty mug, on the countertop.

 

Shukumar gathered onion skins in his hands and let them drop into the garbage pail, on top of the ribbons of fat he'd trimmed from the lamb. He ran the water in the sink, soaking the knife and the cutting board, and rubbed a lemon half along his fingertips to get rid of the garlic smell, a trick he'd learned from Shoba. It was seven-thirty. Through the window he saw the sky, like soft black pitch. Uneven banks of snow still lined the sidewalks, though it was warm enough for people to walk about without hats or gloves. Nearly three feet had fallen in the last storm, so that for a week people had to walk single file, in narrow trenches. For a week that was Shukumar's excuse for not leaving the house. But now the trenches were widening, and water drained steadily into grates in the pavement.

    "The lamb won't be done by eight," Shukumar said. "We may have to eat in the dark."

    "We can light candles," Shoba suggested. She unclipped her hair, coiled neatly at her nape during the days, and pried the sneakers from her feet without untying them. "I'm going to shower before the lights go," she said, heading for the staircase. "I'll be down."

    Shukumar moved her satchel and her sneakers to the side of the fridge. She wasn't this way before. She used to put her coat on a hanger, her sneakers in the closet, and she paid bills as soon as they came. But now she treated the house as if it were a hotel. The fact that the yellow chintz armchair in the living room clashed with the blue-and-maroon Turkish carpet no longer bothered her. On the enclosed porch at the back of the house, a crisp white bag still sat on the wicker chaise, filled with lace she had once planned to turn into curtains.

    While Shoba showered, Shukumar went into the downstairs bathroom and found a new toothbrush in its box beneath the sink. The cheap, stiff bristles hurt his gums, and he spit some blood into the basin. The spare brush was one of many stored in a metal basket. Shoba had bought them once when they were on sale, in the event that a visitor decided, at the last minute, to spend the night.

    It was typical of her. She was the type to prepare for surprises, good and bad. If she found a skirt or a purse she liked she bought two. She kept the bonuses from her job in a separate bank account in her name. It hadn't bothered him. His own mother had fallen to pieces when his father died, abandoning the house he grew up in and moving back to Calcutta, leaving Shukumar to settle it all. He liked that Shoba was different. It astonished him, her capacity to think ahead. When she used to do the shopping, the pantry was always stocked with extra bottles of olive and corn oil, depending on whether they were cooking Italian or Indian. There were endless boxes of pasta in all shapes and colors, zippered sacks of basmati rice, whole sides of lambs and goats from the Muslim butchers at Haymarket, chopped up and frozen in endless plastic bags. Every other Saturday they wound through the maze of stalls Shukumar eventually knew by heart. He watched in disbelief as she bought more food, trailing behind her with canvas bags as she pushed through the crowd, arguing under the morning sun with boys too young to shave but already missing teeth, who twisted up brown paper bags of artichokes, plums, gingerroot, and yams, and dropped them on their scales, and tossed them to Shoba one by one. She didn't mind being jostled, even when she was pregnant. She was tall, and broad-shouldered, with hips that her obstetrician assured her were made for childbearing. During the drive back home, as the car curved along the Charles, they invariably marveled at how much food they'd bought.

    It never went to waste. When friends dropped by, Shoba would throw together meals that appeared to have taken half a day to prepare, from things she had frozen and bottled, not cheap things in tins but peppers she had marinated herself with rosemary, and chutneys that she cooked on Sundays, stirring boiling pots of tomatoes and prunes. Her labeled mason jars lined the shelves of the kitchen, in endless sealed pyramids, enough, they'd agreed, to last for their grandchildren to taste. They'd eaten it all by now. Shukumar had been going through their supplies steadily, preparing meals for the two of them, measuring out cupfuls of rice, defrosting bags of meat day after day. He combed through her cookbooks every afternoon, following her penciled instructions to use two teaspoons of ground coriander seeds instead of one, or red lentils instead of yellow. Each of the recipes was dated, telling the first time they had eaten the dish together. April 2, cauliflower with fennel. January 14, chicken with almonds and sultanas. He had no memory of eating those meals, and yet there they were, recorded in her neat proofreader's hand. Shukumar enjoyed cooking now. It was the one thing that made him feel productive. If it weren't for him, he knew, Shoba would eat a bowl of cereal for her dinner.

    Tonight, with no lights, they would have to eat together. For months now they'd served themselves from the stove, and he'd taken his plate into his study, letting the meal grow cold on his desk before shoving it into his mouth without pause, while Shoba took her plate to the living room and watched game shows, or proofread files with her arsenal of colored pencils at hand.

    At some point in the evening she visited him. When he heard her approach he would put away his novel and begin typing sentences. She would rest her hands on his shoulders and stare with him into the blue glow of the computer screen. "Don't work too hard," she would say after a minute or two, and head off to bed. It was the one time in the day she sought him out, and yet he'd come to dread it. He knew it was something she forced herself to do. She would look around the walls of the room, which they had decorated together last summer with a border of marching ducks and rabbits playing trumpets and drums. By the end of August there was a cherry crib under the window, a white changing table with mint-green knobs, and a rocking chair with checkered cushions. Shukumar had disassembled it all before bringing Shoba back from the hospital, scraping off the rabbits and ducks with a spatula. For some reason the room did not haunt him the way it haunted Shoba. In January, when he stopped working at his carrel in the library, he set up his desk there deliberately, partly because the room soothed him, and partly because it was a place Shoba avoided.

 

Shukumar returned to the kitchen and began to open drawers. He tried to locate a candle among the scissors, the eggbeaters and whisks, the mortar and pestle she'd bought in a bazaar in Calcutta, and used to pound garlic cloves and cardamom pods, back when she used to cook. He found a flashlight, but no batteries, and a half-empty box of birthday candles. Shoba had thrown him a surprise birthday party last May. One hundred and twenty people had crammed into the house — all the friends and the friends of friends they now systematically avoided. Bottles of vinho verde had nested in a bed of ice in the bathtub. Shoba was in her fifth month, drinking ginger ale from a martini glass. She had made a vanilla cream cake with custard and spun sugar. All night she kept Shukumar's long fingers linked with hers as they walked among the guests at the party.

    Since September their only guest had been Shoba's mother. She came from Arizona and stayed with them for two months after Shoba returned from the hospital. She cooked dinner every night, drove herself to the supermarket, washed their clothes, put them away. She was a religious woman. She set up a small shrine, a framed picture of a lavender-faced goddess and a plate of marigold petals, on the bedside table in the guest room, and prayed twice a day for healthy grandchildren in the future. She was polite to Shukumar without being friendly. She folded his sweaters with an expertise she had learned from her job in a department store. She replaced a missing button on his winter coat and knit him a beige and brown scarf, presenting it to him without the least bit of ceremony, as if he had only dropped it and hadn't noticed. She never talked to him about Shoba; once, when he mentioned the baby's death, she looked up from her knitting, and said, "But you weren't even there."

    It struck him as odd that there were no real candles in the house. That Shoba hadn't prepared for such an ordinary emergency. He looked now for something to put the birthday candles in and settled on the soil of a potted ivy that normally sat on the windowsill over the sink. Even though the plant was inches from the tap, the soil was so dry that he had to water it first before the candles would stand straight. He pushed aside the things on the kitchen table, the piles of mail, the unread library books. He remembered their first meals there, when they were so thrilled to be married, to be living together in the same house at last, that they would just reach for each other foolishly, more eager to make love than to eat. He put down two embroidered place mats, a wedding gift from an uncle in Lucknow, and set out the plates and wineglasses they usually saved for guests. He put the ivy in the middle, the white-edged, star-shaped leaves girded by ten little candles. He switched on the digital clock radio and tuned it to a jazz station.

    "What's all this?" Shoba said when she came downstairs. Her hair was wrapped in a thick white towel. She undid the towel and draped it over a chair, allowing her hair, damp and dark, to fall across her back. As she walked absently toward the stove she took out a few tangles with her fingers. She wore a clean pair of sweatpants, a T-shirt, an old flannel robe. Her stomach was flat again, her waist narrow before the flare of her hips, the belt of the robe tied in a floppy knot.

    It was nearly eight. Shukumar put the rice on the table and the lentils from the night before into the microwave oven, punching the numbers on the timer.

    "You made rogan josh," Shoba observed, looking through the glass lid at the bright paprika stew.

    Shukumar took out a piece of lamb, pinching it quickly between his fingers so as not to scald himself. He prodded a larger piece with a serving spoon to make sure the meat slipped easily from the bone. "It's ready," he announced.

    The microwave had just beeped when the lights went out, and the music disappeared.

    "Perfect timing," Shoba said.

    "All I could find were birthday candles." He lit up the ivy, keeping the rest of the candles and a book of matches by his plate.

    "It doesn't matter," she said, running a finger along the stem of her wineglass. "It looks lovely."

    In the dimness, he knew how she sat, a bit forward in her chair, ankles crossed against the lowest rung, left elbow on the table. During his search for the candles, Shukumar had found a bottle of wine in a crate he had thought was empty. He clamped the bottle between his knees while he turned in the corkscrew. He worried about spilling, and so he picked up the glasses and held them close to his lap while he filled them. They served themselves, stirring the rice with their forks, squinting as they extracted bay leaves and cloves from the stew. Every few minutes Shukumar lit a few more birthday candles and drove them into the soil of the pot.

    "It's like India," Shoba said, watching him tend his makeshift candelabra. "Sometimes the current disappears for hours at a stretch. I once had to attend an entire rice ceremony in the dark. The baby just cried and cried. It must have been so hot."

    Their baby had never cried, Shukumar considered. Their baby would never have a rice ceremony, even though Shoba had already made the guest list, and decided on which of her three brothers she was going to ask to feed the child its first taste of solid food, at six months if it was a boy, seven if it was a girl.

    "Are you hot?" he asked her. He pushed the blazing ivy pot to the other end of the table, closer to the piles of books and mail, making it even more difficult for them to see each other. He was suddenly irritated that he couldn't go upstairs and sit in front of the computer.

    "No. It's delicious," she said, tapping her plate with her fork. "It really is."

    He refilled the wine in her glass. She thanked him.

    They weren't like this before. Now he had to struggle to say something that interested her, something that made her look up from her plate, or from her proofreading files. Eventually he gave up trying to amuse her. He learned not to mind the silences.

    "I remember during power failures at my grandmother's house, we all had to say something," Shoba continued. He could barely see her face, but from her tone he knew her eyes were narrowed, as if trying to focus on a distant object. It was a habit of hers.

    "Like what?"

    "I don't know. A little poem. A joke. A fact about the world. For some reason my relatives always wanted me to tell them the names of my friends in America. I don't know why the information was so interesting to them. The last time I saw my aunt she asked after four girls I went to elementary school with in Tucson. I barely remember them now."

    Shukumar hadn't spent as much time in India as Shoba had. His parents, who settled in New Hampshire, used to go back without him. The first time he'd gone as an infant he'd nearly died of amoebic dysentery. His father, a nervous type, was afraid to take him again, in case something were to happen, and left him with his aunt and uncle in Concord. As a teenager he preferred sailing camp or scooping ice cream during the summers to going to Calcutta. It wasn't until after his father died, in his last year of college, that the country began to interest him, and he studied its history from course books as if it were any other subject. He wished now that he had his own childhood story of India.

    "Let's do that," she said suddenly.

    "Do what?"

    "Say something to each other in the dark."

    "Like what? I don't know any jokes."

    "No, no jokes." She thought for a minute. "How about telling each other something we've never told before."

    "I used to play this game in high school," Shukumar recalled. "When I got drunk."

    "You're thinking of truth or dare. This is different. Okay, I'll start." She took a sip of wine. "The first time I was alone in your apartment, I looked in your address book to see if you'd written me in. I think we'd known each other two weeks."

    "Where was I?"

    "You went to answer the telephone in the other room. It was your mother, and I figured it would be a long call. I wanted to know if you'd promoted me from the margins of your newspaper."

    "Had I?"

    "No. But I didn't give up on you. Now it's your turn."

    He couldn't think of anything, but Shoba was waiting for him to speak. She hadn't appeared so determined in months. What was there left to say to her? He thought back to their first meeting, four years earlier at a lecture hall in Cambridge, where a group of Bengali poets were giving a recital. They'd ended up side by side, on folding wooden chairs. Shukumar was soon bored; he was unable to decipher the literary diction, and couldn't join the rest of the audience as they sighed and nodded solemnly after certain phrases. Peering at the newspaper folded in his lap, he studied the temperatures of cities around the world. Ninety-one degrees in Singapore yesterday, fifty-one in Stockholm. When he turned his head to the left, he saw a woman next to him making a grocery list on the back of a folder, and was startled to find that she was beautiful.

    "Okay" he said, remembering. "The first time we went out to dinner, to the Portuguese place, I forgot to tip the waiter. I went back the next morning, found out his name, left money with the manager."

    "You went all the way back to Somerville just to tip a waiter?"

    "I took a cab."

    "Why did you forget to tip the waiter?"

    The birthday candles had burned out, but he pictured her face clearly in the dark, the wide tilting eyes, the full grape-toned lips, the fall at age two from her high chair still visible as a comma on her chin. Each day, Shukumar noticed, her beauty, which had once overwhelmed him, seemed to fade. The cosmetics that had seemed superfluous were necessary now, not to improve her but to define her somehow.

    "By the end of the meal I had a funny feeling that I might marry you," he said, admitting it to himself as well as to her for the first time. "It must have distracted me."

 

The next night Shoba came home earlier than usual. There was lamb left over from the evening before, and Shukumar heated it up so that they were able to eat by seven. He'd gone out that day, through the melting snow, and bought a packet of taper candles from the corner store, and batteries to fit the flashlight. He had the candles ready on the countertop, standing in brass holders shaped like lotuses, but they ate under the glow of the copper-shaded ceiling lamp that hung over the table.

    When they had finished eating, Shukumar was surprised to see that Shoba was stacking her plate on top of his, and then carrying them over to the sink. He had assumed she would retreat to the living room, behind her barricade of files.

    "Don't worry about the dishes," he said, taking them from her hands.

    "It seems silly not to," she replied, pouring a drop of detergent onto a sponge. "It's nearly eight o'clock."

    His heart quickened. All day Shukumar had looked forward to the lights going out. He thought about what Shoba had said the night before, about looking in his address book. It felt good to remember her as she was then, how bold yet nervous she'd been when they first met, how hopeful. They stood side by side at the sink, their reflections fitting together in the frame of the window. It made him shy, the way he felt the first time they stood together in a mirror. He couldn't recall the last time they'd been photographed. They had stopped attending parties, went nowhere together. The film in his camera still contained pictures of Shoba, in the yard, when she was pregnant.

    After finishing the dishes, they leaned against the counter, drying their hands on either end of a towel. At eight o'clock the house went black. Shukumar lit the wicks of the candles, impressed by their long, steady flames.

    "Let's sit outside," Shoba said. "I think it's warm still."

    They each took a candle and sat down on the steps. It seemed strange to be sitting outside with patches of snow still on the ground. But everyone was out of their houses tonight, the air fresh enough to make people restless. Screen doors opened and closed. A small parade of neighbors passed by with flashlights.

    "We're going to the bookstore to browse," a silver-haired man called out. He was walking with his wife, a thin woman in a windbreaker, and holding a dog on a leash. They were the Bradfords, and they had tucked a sympathy card into Shoba and Shukumar's mailbox back in September. "I hear they've got their power."

    "They'd better," Shukumar said. "Or you'll be browsing in the dark."

    The woman laughed, slipping her arm through the crook of her husband's elbow. "Want to join us?"

    "No thanks," Shoba and Shukumar called out together. It surprised Shukumar that his words matched hers.

    He wondered what Shoba would tell him in the dark. The worst possibilities had already run through his head. That she'd had an affair. That she didn't respect him for being thirty-five and still a student. That she blamed him for being in Baltimore the way her mother did. But he knew those things weren't true. She'd been faithful, as had he. She believed in him. It was she who had insisted he go to Baltimore. What didn't they know about each other? He knew she curled her fingers tightly when she slept, that her body twitched during bad dreams. He knew it was honeydew she favored over cantaloupe. He knew that when they returned from the hospital the first thing she did when she walked into the house was pick out objects of theirs and toss them into a pile in the hallway: books from the shelves, plants from the windowsills, paintings from walls, photos from tables, pots and pans that hung from the hooks over the stove. Shukumar had stepped out of her way, watching as she moved methodically from room to room. When she was satisfied, she stood there staring at the pile she'd made, her lips drawn back in such distaste that Shukumar had thought she would spit. Then she'd started to cry.

    He began to feel cold as he sat there on the steps. He felt that he needed her to talk first, in order to reciprocate.

    "That time when your mother came to visit us," she said finally. "When I said one night that I had to stay late at work, I went out with Gillian and had a martini."

    He looked at her profile, the slender nose, the slightly masculine set of her jaw. He remembered that night well; eating with his mother, tired from teaching two classes back to back, wishing Shoba were there to say more of the right things because he came up with only the wrong ones. It had been twelve years since his father had died, and his mother had come to spend two weeks with him and Shoba, so they could honor his father's memory together. Each night his mother cooked something his father had liked, but she was too upset to eat the dishes herself, and her eyes would well up as Shoba stroked her hand. "It's so touching," Shoba had said to him at the time. Now he pictured Shoba with Gillian, in a bar with striped velvet sofas, the one they used to go to after the movies, making sure she got her extra olive, asking Gillian for a cigarette. He imagined her complaining, and Gillian sympathizing about visits from in-laws. It was Gillian who had driven Shoba to the hospital.

    "Your turn," she said, stopping his thoughts.

    At the end of their street Shukumar heard sounds of a drill and the electricians shouting over it. He looked at the darkened facades of the houses lining the street. Candles glowed in the windows of one. In spite of the warmth, smoke rose from the chimney.

    "I cheated on my Oriental Civilization exam in college," he said. "It was my last semester, my last set of exams. My father had died a few months before. I could see the blue book of the guy next to me. He was an American guy, a maniac. He knew Urdu and Sanskrit. I couldn't remember if the verse we had to identify was an example of a ghazal or not. I looked at his answer and copied it down."

    It had happened over fifteen years ago. He felt relief now, having told her.

    She turned to him, looking not at his face, but at his shoes — old moccasins he wore as if they were slippers, the leather at the back permanently flattened. He wondered if it bothered her, what he'd said. She took his hand and pressed it. "You didn't have to tell me why you did it," she said, moving closer to him.

    They sat together until nine o'clock, when the lights came on. They heard some people across the street clapping from their porch, and televisions being turned on. The Bradfords walked back down the street, eating ice-cream cones and waving. Shoba and Shukumar waved back. Then they stood up, his hand still in hers, and went inside.

 

Somehow, without saying anything, it had turned into this. Into an exchange of confessions — the little ways they'd hurt or disappointed each other, and themselves. The following day Shukumar thought for hours about what to say to her. He was torn between admitting that he once ripped out a photo of a woman in one of the fashion magazines she used to subscribe to and carried it in his books for a week, or saying that he really hadn't lost the sweater-vest she bought him for their third wedding anniversary but had exchanged it for cash at Filene's, and that he had gotten drunk alone in the middle of the day at a hotel bar. For their first anniversary, Shoba had cooked a ten-course dinner just for him. The vest depressed him. "My wife gave me a sweater-vest for our anniversary," he complained to the bartender, his head heavy with cognac. "What do you expect?" the bartender had replied. "You're married."

    As for the picture of the woman, he didn't know why he'd ripped it out. She wasn't as pretty as Shoba. She wore a white sequined dress, and had a sullen face and lean, mannish legs. Her bare arms were raised, her fists around her head, as if she were about to punch herself in the ears. It was an advertisement for stockings. Shoba had been pregnant at the time, her stomach suddenly immense, to the point where Shukumar no longer wanted to touch her. The first time he saw the picture he was lying in bed next to her, watching her as she read. When he noticed the magazine in the recycling pile he found the woman and tore out the page as carefully as he could. For about a week he allowed himself a glimpse each day. He felt an intense desire for the woman, but it was a desire that turned to disgust after a minute or two. It was the closest he'd come to infidelity.

    He told Shoba about the sweater on the third night, the picture on the fourth. She said nothing as he spoke, expressed no protest or reproach. She simply listened, and then she took his hand, pressing it as she had before. On the third night, she told him that once after a lecture they'd attended, she let him speak to the chairman of his department without telling him that he had a dab of pâté on his chin. She'd been irritated with him for some reason, and so she'd let him go on and on, about securing his fellowship for the following semester, without putting a finger to her own chin as a signal. The fourth night, she said that she never liked the one poem he'd ever published in his life, in a literary magazine in Utah. He'd written the poem after meeting Shoba. She added that she found the poem sentimental.

    Something happened when the house was dark. They were able to talk to each other again. The third night after supper they'd sat together on the sofa, and once it was dark he began kissing her awkwardly on her forehead and her face, and though it was dark he closed his eyes, and knew that she did, too. The fourth night they walked carefully upstairs, to bed, feeling together for the final step with their feet before the landing, and making love with a desperation they had forgotten. She wept without sound, and whispered his name, and traced his eyebrows with her finger in the dark. As he made love to her he wondered what he would say to her the next night, and what she would say, the thought of it exciting him. "Hold me," he said, "hold me in your arms," By the time the lights came back on downstairs, they'd fallen asleep.

 

The morning of the fifth night Shukumar found another notice from the electric company in the mailbox. The line had been repaired ahead of schedule, it said. He was disappointed. He had planned on making shrimp malai for Shoba, but when he arrived at the store he didn't feel like cooking anymore. It wasn't the same, he thought, knowing that the lights wouldn't go out. In the store the shrimp looked gray and thin. The coconut milk tin was dusty and overpriced. Still, he bought them, along with a beeswax candle and two bottles of wine.

    She came home at seven-thirty. "I suppose this is the end of our game," he said when he saw her reading the notice.

    She looked at him. "You can still light candles if you want." She hadn't been to the gym tonight. She wore a suit beneath the raincoat. Her makeup had been retouched recently.

    When she went upstairs to change, Shukumar poured himself some wine and put on a record, a Thelonius Monk album he knew she liked.

    When she came downstairs they ate together. She didn't thank him or compliment him. They simply ate in a darkened room, in the glow of a beeswax candle. They had survived a difficult time. They finished off the shrimp. They finished off the first bottle of wine and moved on to the second. They sat together until the candle had nearly burned away. She shifted in her chair, and Shukumar thought that she was about to say something. But instead she blew out the candle, stood up, turned on the light switch, and sat down again.

    "Shouldn't we keep the lights off?" Shukumar asked. She set her plate aside and clasped her hands on the table. "I want you to see my face when I tell you this," she said gently.

    His heart began to pound. The day she told him she was pregnant, she had used the very same words, saying them in the same gentle way, turning off the basketball game he'd been watching on television. He hadn't been prepared then. Now he was.

    Only he didn't want her to be pregnant again. He didn't want to have to pretend to be happy.

    "I've been looking for an apartment and I've found one," she said, narrowing her eyes on something, it seemed, behind his left shoulder. It was nobody's fault, she continued. They'd been through enough. She needed some time alone. She had money saved up for a security deposit. The apartment was on Beacon Hill, so she could walk to work. She had signed the lease that night before coming home.

    She wouldn't look at him, but he stared at her. It was obvious that she'd rehearsed the lines. All this time she'd been looking for an apartment, testing the water pressure, asking a Realtor if heat and hot water were included in the rent. It sickened Shukumar, knowing that she had spent these past evenings preparing for a life without him. He was relieved and yet he was sickened. This was what she'd been trying to tell him for the past four evenings. This was the point of her game.

    Now it was his turn to speak. There was something he'd sworn he would never tell her, and for six months he had done his best to block it from his mind. Before the ultrasound she had asked the doctor not to tell her the sex of their child, and Shukumar had agreed. She had wanted it to be a surprise.

    Later, those few times they talked about what had happened, she said at least they'd been spared that knowledge. In a way she almost took pride in her decision, for it enabled her to seek refuge in a mystery. He knew that she assumed it was a mystery for him, too. He'd arrived too late from Baltimore — when it was all over and she was lying on the hospital bed. But he hadn't. He'd arrived early enough to see their baby, and to hold him before they cremated him. At first he had recoiled at the suggestion, but the doctor said holding the baby might help him with the process of grieving. Shoba was asleep. The baby had been cleaned off, his bulbous lids shut tight to the world.

    "Our baby was a boy," he said. "His skin was more red than brown. He had black hair on his head. He weighed almost five pounds. His fingers were curled shut, just like yours in the night."

    Shoba looked at him now, her face contorted with sorrow. He had cheated on a college exam, ripped a picture of a woman out of a magazine. He had returned a sweater and got drunk in the middle of the day instead. These were the things he had told her. He had held his son, who had known life only within her, against his chest in a darkened room in an unknown wing of the hospital. He had held him until a nurse knocked and took him away, and he promised himself that day that he would never tell Shoba, because he still loved her then, and it was the one thing in her life that she had wanted to be a surprise.

    Shukumar stood up and stacked his plate on top of hers. He carried the plates to the sink, but instead of running the tap he looked out the window. Outside the evening was still warm, and the Bradfords were walking arm in arm. As he watched the couple the room went dark, and he spun around. Shoba had turned the lights off. She came back to the table and sat down, and after a moment Shukumar joined her. They wept together, for the things they now knew.

 


Andrew Hill, Jazzman


 

Mob moll Estelle Cary

Albert Goring, the monsters brother.

It's all I have to bring today, a poem by Emily Dickenson

Birds under and above my office window








 

The Photography of Eddie Adams

When fiction becomes fact: Aliens took over British television and left a message for the people of earth.

 


On the night of November 26, 1977,  service of Southern Television broadcast, which covered parts of southern England, was interrupted by a scratchy sounding voice claiming to represent the 'Ashtar Galactic Command', delivering a message instructing humanity to abandon its weapons so it could participate in a 'future awakening' and 'achieve a higher state of evolution. After six minutes, the broadcast returned to its scheduled program.

The six-minute message was from a male voice who claimed to be Vrillon, a representative of the Ashtar Galactic Command. It’s interesting that Vrillon had a British accent.

So was it the real thing?

No.

Simply put, Southern Television broadcast was hacked, and, apparently, it was relatively easy to do. Evidence showed that the transmitter of the Independent Broadcasting Authority had rebroadcasted the signal from a small, nearby unauthorized transmitter. The hoaxer, who was never identified, jammed the transmitter in North Hampshire by taking another transmitter very close to it

 

You tell em Heman


 

The star of the county down....great song

 


Near Banbridge town, in the County Down
One morning last July
Down a boreen green came a sweet colleen
And she smiled as she passed me by
She looked so sweet from her two bare feet
To the sheen of her nut brown hair
Such a winsome elf, I'm ashamed of myself
For the see of her standing there
From Bantry Bay of the Derry's Quay
From Galway to Dublin town
No maid I've seen like the fair colleen
That I met in the County Down
As she onward sped, sure I scratched my head
And I looked with a feelin' rare
And I says, says I, to a passer-by
"Who's the maid with the nut brown hair?"
Well he looked at me and he said to me
"That's the gem of Ireland's crown
Young Rosie McCann from the banks of the Bann
She's the star of the County Down"
From Bantry Bay of the Derry's Quay
From Galway to Dublin town
No maid I've seen like the fair colleen
That I met in the County Down
She had soft brown eyes with a look so shy
And a smile like the rose in June
And she sang so sweet, what a lovely treat
As she lilted an Irish tune
At the Lammas dance, I was in a trance
As she whirled with the lads of the town
And my heart did race just to see the face
Of the star of the County Down
From Bantry Bay of the Derry's Quay
From Galway to Dublin town
No maid I've seen like the fair colleen
That I met in the County Down
At the Harvest Fair she'll be surely there
So I'll dress in my Sunday clothes
With my shoes shone bright and my hat cocked right
For a smile from my nut brown rose
No pipe I'll smoke, no horse I'll yoke
'Til my plough was a rust colour brown
And a smiling bride by my own fireside
Sits the star of the County Down
From Bantry Bay of the Derry's Quay
From Galway to Dublin town
No maid I've seen like the fair colleen
That I met in the County Down
From Bantry Bay of the Derry's Quay
From Galway to Dublin town
No maid I've seen like the fair colleen
That I met in the County Down

The works of Alec Soth, photographer

*** OPPORTUNITIES FOR PLAYWRIGHTS ***

*** OPPORTUNITIES FOR PLAYWRIGHTS ***The 2022 Marion Thauer Brown Audio Drama Scriptwriting Competition is accepting adventure and comedy entries. The MTB Audio Drama Scriptwriting Competition celebrates exciting aural storytelling with a $250 first prize and $100 second-place prize.***
Northern Starz Center for the Performing Arts is proud to unveil our newest program: The Willow Tree Project.Our mission is to create opportunities for people age 55 and up to participate in the performing arts, regardless of their previous experience. Through the stories we tell, we will honor the wisdom we gather as we age, and celebrate the experience of getting older.***Act One: One Act Festival is now accepting plays for its 2022 festival. The Secret Theatre seeks to promote new work and emerging playwrights through our annual One Act Festival. We are delighted to be back after a 2 year hiatus due to Covid.• $250 Cash Prize for Best Play• $100 Cash Prize for Best Director• $75 Cash Prize for Best Actor• $75 Cash Prize for Best Actress*** FOR MORE INFORMATION about these and other opportunities see the web site at https://www.nycplaywrights.org ****** THÉÂTRE FRANÇAIS SUR YOUTUBE ***AH! LA POLICE DE PAPA!A Prefect of Police has been so successful that all crime has practically disappeared and the police are totally useless. Faced with the danger that threatens her husband, the prefect takes matters into her own hands and, by applying "Daddy's methods", strives to restore the police department to its former prestige.https://www.youtube.com/watch?v=NMUfQuKogNU&list=PLDOMhCCHDazYjPqQ8nl9WUebAPRgo7tvi&index=1&t=1308s
***L'ECOLE DES COCOTTESIn Paris at the beginning of the 20th century, a professor of deportment gives private lessons to a young woman who successfully climbs all the levels of gallantry.https://www.youtube.com/watch?v=kO2_xeKLNlU&list=PLDOMhCCHDazYjPqQ8nl9WUebAPRgo7tvi&index=2&t=1402s
***DARLING CHERIEDiana Scott, a young model who has become an international celebrity, recounts the failure of her love life to a women's magazine.https://www.youtube.com/watch?v=kN0TOZWEnMs&list=PLDOMhCCHDazYjPqQ8nl9WUebAPRgo7tvi&index=9
***LA BONNE ANNABernard has a very good position in electronics while his wife, Jacqueline, runs the auctions for her antique store. Both therefore have many opportunities to meet people the other does not know. Bernard has met Brigitte and Jacqueline is sensitive to Robert's advances... Luckily Anna, their maid, good at everything in the house, is also good at arranging their lives. A comedy in the vein of Feydeau.https://www.youtube.com/watch?v=dgj0cMKuVI8&list=PLDOMhCCHDazYjPqQ8nl9WUebAPRgo7tvi&index=10***LES PETITS OISEAUXBlandinet, an honest and generous man, tries to live in accordance with his conscience, in a society where selfishness and money are the only recognized values.https://www.youtube.com/watch?v=-Rh-aqLzKoM&list=PLDOMhCCHDazYjPqQ8nl9WUebAPRgo7tvi&index=13***MIAM-MIAM OU LE DÎNER D'AFFAIRESLucien Beix is a successful businessman. In one of his castles he leads the life of an upstart collecting bad jokes. One thing saddens him, however, he cannot wear the rosette of the Legion of Honor. One morning, however, a representative of the Ministry of Foreign Affairs shows up and offers him a deal. At the end of this market, there would be this coveted rosette...https://www.youtube.com/watch?v=7xNgweGcOq4&list=PLDOMhCCHDazYjPqQ8nl9WUebAPRgo7tvi&index=11***PYJAMA POUR SIXSo as not to leave her alone on her birthday, a husband asks his mistress to come to his country house. In order to justify this presence, vis-à-vis his wife, the husband also invites one of his friends so that he seems to be the lover of the ravishing creature. The husband obviously does not know that his wife is the mistress of this friend! For her part, the woman asks an agency to provide her with a temporary worker to provide the service. No one knows that this interim and the mistress of the husband both respond to the first name of Brigitte, and this little detail will tip this beautiful organization into a cascade of misunderstandings.https://www.youtube.com/watch?v=crlnqRqHarw&list=PLDOMhCCHDazYjPqQ8nl9WUebAPRgo7tvi&index=15***TARTUFFETartuffe, virtuoso of hypocrisy and wooden language, passes in the eyes of Orgon for a holy man. Orgon imposes Tartuffe on his family as a mentor and to attach him he offers him his daughter and his fortune. Orgon's wife sets a trap for Tartuffe and shows her husband what he refused to believe. Tartuffe, unmasked, has not said his last word.https://www.youtube.com/watch?v=kAgScqdsUL4&list=PLPXF779xe6bSlCyM0-BZaSCXtAFZcfRjx&index=1&t=687s***Et plein d'autreshttps://www.youtube.com/playlist?list=PLPXF779xe6bSlCyM0-BZaSCXtAFZcfRjx





The 2022 Marion Thauer Brown Audio Drama Scriptwriting Competition is accepting adventure and comedy entries. The MTB Audio Drama Scriptwriting Competition celebrates exciting aural storytelling with a $250 first prize and $100 second-place prize.***
Northern Starz Center for the Performing Arts is proud to unveil our newest program: The Willow Tree Project.Our mission is to create opportunities for people age 55 and up to participate in the performing arts, regardless of their previous experience. Through the stories we tell, we will honor the wisdom we gather as we age, and celebrate the experience of getting older.***Act One: One Act Festival is now accepting plays for its 2022 festival. The Secret Theatre seeks to promote new work and emerging playwrights through our annual One Act Festival. We are delighted to be back after a 2 year hiatus due to Covid.• $250 Cash Prize for Best Play• $100 Cash Prize for Best Director• $75 Cash Prize for Best Actor• $75 Cash Prize for Best Actress*** FOR MORE INFORMATION about these and other opportunities see the web site at https://www.nycplaywrights.org ****** THÉÂTRE FRANÇAIS SUR YOUTUBE ***AH! LA POLICE DE PAPA!A Prefect of Police has been so successful that all crime has practically disappeared and the police are totally useless. Faced with the danger that threatens her husband, the prefect takes matters into her own hands and, by applying "Daddy's methods", strives to restore the police department to its former prestige.https://www.youtube.com/watch?v=NMUfQuKogNU&list=PLDOMhCCHDazYjPqQ8nl9WUebAPRgo7tvi&index=1&t=1308s
***L'ECOLE DES COCOTTESIn Paris at the beginning of the 20th century, a professor of deportment gives private lessons to a young woman who successfully climbs all the levels of gallantry.https://www.youtube.com/watch?v=kO2_xeKLNlU&list=PLDOMhCCHDazYjPqQ8nl9WUebAPRgo7tvi&index=2&t=1402s
***DARLING CHERIEDiana Scott, a young model who has become an international celebrity, recounts the failure of her love life to a women's magazine.https://www.youtube.com/watch?v=kN0TOZWEnMs&list=PLDOMhCCHDazYjPqQ8nl9WUebAPRgo7tvi&index=9
***LA BONNE ANNABernard has a very good position in electronics while his wife, Jacqueline, runs the auctions for her antique store. Both therefore have many opportunities to meet people the other does not know. Bernard has met Brigitte and Jacqueline is sensitive to Robert's advances... Luckily Anna, their maid, good at everything in the house, is also good at arranging their lives. A comedy in the vein of Feydeau.https://www.youtube.com/watch?v=dgj0cMKuVI8&list=PLDOMhCCHDazYjPqQ8nl9WUebAPRgo7tvi&index=10***LES PETITS OISEAUXBlandinet, an honest and generous man, tries to live in accordance with his conscience, in a society where selfishness and money are the only recognized values.https://www.youtube.com/watch?v=-Rh-aqLzKoM&list=PLDOMhCCHDazYjPqQ8nl9WUebAPRgo7tvi&index=13***MIAM-MIAM OU LE DÎNER D'AFFAIRESLucien Beix is a successful businessman. In one of his castles he leads the life of an upstart collecting bad jokes. One thing saddens him, however, he cannot wear the rosette of the Legion of Honor. One morning, however, a representative of the Ministry of Foreign Affairs shows up and offers him a deal. At the end of this market, there would be this coveted rosette...https://www.youtube.com/watch?v=7xNgweGcOq4&list=PLDOMhCCHDazYjPqQ8nl9WUebAPRgo7tvi&index=11***PYJAMA POUR SIXSo as not to leave her alone on her birthday, a husband asks his mistress to come to his country house. In order to justify this presence, vis-à-vis his wife, the husband also invites one of his friends so that he seems to be the lover of the ravishing creature. The husband obviously does not know that his wife is the mistress of this friend! For her part, the woman asks an agency to provide her with a temporary worker to provide the service. No one knows that this interim and the mistress of the husband both respond to the first name of Brigitte, and this little detail will tip this beautiful organization into a cascade of misunderstandings.https://www.youtube.com/watch?v=crlnqRqHarw&list=PLDOMhCCHDazYjPqQ8nl9WUebAPRgo7tvi&index=15***TARTUFFETartuffe, virtuoso of hypocrisy and wooden language, passes in the eyes of Orgon for a holy man. Orgon imposes Tartuffe on his family as a mentor and to attach him he offers him his daughter and his fortune. Orgon's wife sets a trap for Tartuffe and shows her husband what he refused to believe. Tartuffe, unmasked, has not said his last word.https://www.youtube.com/watch?v=kAgScqdsUL4&list=PLPXF779xe6bSlCyM0-BZaSCXtAFZcfRjx&index=1&t=687s***Et plein d'autreshttps://www.youtube.com/playlist?list=PLPXF779xe6bSlCyM0-BZaSCXtAFZcfRjx

--You received this message because you are subscribed to the Google Groups "NYCPlaywrights" group.To unsubscribe from this group and stop receiving emails from it, send an email to nycplaywrights_group+unsubscribe@googlegroups.com.To view this discussion on the web visit https://groups.google.com/d/msgid/nycplaywrights_group/87e628ed-6e3f-49af-9f0f-aa20dc54f598n%40googlegroups.com.

Why you shouldn't rob a mob casino

Gus Greenbaum, the Flamingo Hotel Casinos other manager

The Lady Or The Tiger? A short story by Frank Stockton

 

In the very olden time there lived a semi-barbaric king, whose ideas, though somewhat polished and sharpened by the progressiveness of distant Latin neighbors, were still large, florid, and untrammeled, as became the half of him which was barbaric. He was a man of exuberant fancy, and, withal, of an authority so irresistible that, at his will, he turned his varied fancies into facts. He was greatly given to self-communing, and, when he and himself agreed upon anything, the thing was done. When every member of his domestic and political systems moved smoothly in its appointed course, his nature was bland and genial; but, whenever there was a little hitch, and some of his orbs got out of their orbits, he was blander and more genial still, for nothing pleased him so much as to make the crooked straight and crush down uneven places.

     Among the borrowed notions by which his barbarism had become semified was that of the public arena, in which, by exhibitions of manly and beastly valor, the minds of his subjects were refined and cultured.

     But even here the exuberant and barbaric fancy asserted itself. The arena of the king was built, not to give the people an opportunity of hearing the rhapsodies of dying gladiators, nor to enable them to view the inevitable conclusion of a conflict between religious opinions and hungry jaws, but for purposes far better adapted to widen and develop the mental energies of the people. This vast amphitheater, with its encircling galleries, its mysterious vaults, and its unseen passages, was an agent of poetic justice, in which crime was punished, or virtue rewarded, by the decrees of an impartial and incorruptible chance.

     When a subject was accused of a crime of sufficient importance to interest the king, public notice was given that on an appointed day the fate of the accused person would be decided in the king's arena, a structure which well deserved its name, for, although its form and plan were borrowed from afar, its purpose emanated solely from the brain of this man, who, every barleycorn a king, knew no tradition to which he owed more allegiance than pleased his fancy, and who ingrafted on every adopted form of human thought and action the rich growth of his barbaric idealism.

     When all the people had assembled in the galleries, and the king, surrounded by his court, sat high up on his throne of royal state on one side of the arena, he gave a signal, a door beneath him opened, and the accused subject stepped out into the amphitheater. Directly opposite him, on the other side of the enclosed space, were two doors, exactly alike and side by side. It was the duty and the privilege of the person on trial to walk directly to these doors and open one of them. He could open either door he pleased; he was subject to no guidance or influence but that of the aforementioned impartial and incorruptible chance. If he opened the one, there came out of it a hungry tiger, the fiercest and most cruel that could be procured, which immediately sprang upon him and tore him to pieces as a punishment for his guilt. The moment that the case of the criminal was thus decided, doleful iron bells were clanged, great wails went up from the hired mourners posted on the outer rim of the arena, and the vast audience, with bowed heads and downcast hearts, wended slowly their homeward way, mourning greatly that one so young and fair, or so old and respected, should have merited so dire a fate.

     But, if the accused person opened the other door, there came forth from it a lady, the most suitable to his years and station that his majesty could select among his fair subjects, and to this lady he was immediately married, as a reward of his innocence. It mattered not that he might already possess a wife and family, or that his affections might be engaged upon an object of his own selection; the king allowed no such subordinate arrangements to interfere with his great scheme of retribution and reward. The exercises, as in the other instance, took place immediately, and in the arena. Another door opened beneath the king, and a priest, followed by a band of choristers, and dancing maidens blowing joyous airs on golden horns and treading an epithalamic measure, advanced to where the pair stood, side by side, and the wedding was promptly and cheerily solemnized. Then the gay brass bells rang forth their merry peals, the people shouted glad hurrahs, and the innocent man, preceded by children strewing flowers on his path, led his bride to his home.

     This was the king's semi-barbaric method of administering justice. Its perfect fairness is obvious. The criminal could not know out of which door would come the lady; he opened either he pleased, without having the slightest idea whether, in the next instant, he was to be devoured or married. On some occasions the tiger came out of one door, and on some out of the other. The decisions of this tribunal were not only fair, they were positively determinate: the accused person was instantly punished if he found himself guilty, and, if innocent, he was rewarded on the spot, whether he liked it or not. There was no escape from the judgments of the king's arena.

     The institution was a very popular one. When the people gathered together on one of the great trial days, they never knew whether they were to witness a bloody slaughter or a hilarious wedding. This element of uncertainty lent an interest to the occasion which it could not otherwise have attained. Thus, the masses were entertained and pleased, and the thinking part of the community could bring no charge of unfairness against this plan, for did not the accused person have the whole matter in his own hands?

     This semi-barbaric king had a daughter as blooming as his most florid fancies, and with a soul as fervent and imperious as his own. As is usual in such cases, she was the apple of his eye, and was loved by him above all humanity. Among his courtiers was a young man of that fineness of blood and lowness of station common to the conventional heroes of romance who love royal maidens. This royal maiden was well satisfied with her lover, for he was handsome and brave to a degree unsurpassed in all this kingdom, and she loved him with an ardor that had enough of barbarism in it to make it exceedingly warm and strong. This love affair moved on happily for many months, until one day the king happened to discover its existence. He did not hesitate nor waver in regard to his duty in the premises. The youth was immediately cast into prison, and a day was appointed for his trial in the king's arena. This, of course, was an especially important occasion, and his majesty, as well as all the people, was greatly interested in the workings and development of this trial. Never before had such a case occurred; never before had a subject dared to love the daughter of the king. In after years such things became commonplace enough, but then they were in no slight degree novel and startling.

     The tiger-cages of the kingdom were searched for the most savage and relentless beasts, from which the fiercest monster might be selected for the arena; and the ranks of maiden youth and beauty throughout the land were carefully surveyed by competent judges in order that the young man might have a fitting bride in case fate did not determine for him a different destiny. Of course, everybody knew that the deed with which the accused was charged had been done. He had loved the princess, and neither he, she, nor any one else, thought of denying the fact; but the king would not think of allowing any fact of this kind to interfere with the workings of the tribunal, in which he took such great delight and satisfaction. No matter how the affair turned out, the youth would be disposed of, and the king would take an aesthetic pleasure in watching the course of events, which would determine whether or not the young man had done wrong in allowing himself to love the princess.

     The appointed day arrived. From far and near the people gathered, and thronged the great galleries of the arena, and crowds, unable to gain admittance, massed themselves against its outside walls. The king and his court were in their places, opposite the twin doors, those fateful portals, so terrible in their similarity.

     All was ready. The signal was given. A door beneath the royal party opened, and the lover of the princess walked into the arena. Tall, beautiful, fair, his appearance was greeted with a low hum of admiration and anxiety. Half the audience had not known so grand a youth had lived among them. No wonder the princess loved him! What a terrible thing for him to be there!

     As the youth advanced into the arena he turned, as the custom was, to bow to the king, but he did not think at all of that royal personage. His eyes were fixed upon the princess, who sat to the right of her father. Had it not been for the moiety of barbarism in her nature it is probable that lady would not have been there, but her intense and fervid soul would not allow her to be absent on an occasion in which she was so terribly interested. From the moment that the decree had gone forth that her lover should decide his fate in the king's arena, she had thought of nothing, night or day, but this great event and the various subjects connected with it. Possessed of more power, influence, and force of character than any one who had ever before been interested in such a case, she had done what no other person had done - she had possessed herself of the secret of the doors. She knew in which of the two rooms, that lay behind those doors, stood the cage of the tiger, with its open front, and in which waited the lady. Through these thick doors, heavily curtained with skins on the inside, it was impossible that any noise or suggestion should come from within to the person who should approach to raise the latch of one of them. But gold, and the power of a woman's will, had brought the secret to the princess.

     And not only did she know in which room stood the lady ready to emerge, all blushing and radiant, should her door be opened, but she knew who the lady was. It was one of the fairest and loveliest of the damsels of the court who had been selected as the reward of the accused youth, should he be proved innocent of the crime of aspiring to one so far above him; and the princess hated her. Often had she seen, or imagined that she had seen, this fair creature throwing glances of admiration upon the person of her lover, and sometimes she thought these glances were perceived, and even returned. Now and then she had seen them talking together; it was but for a moment or two, but much can be said in a brief space; it may have been on most unimportant topics, but how could she know that? The girl was lovely, but she had dared to raise her eyes to the loved one of the princess; and, with all the intensity of the savage blood transmitted to her through long lines of wholly barbaric ancestors, she hated the woman who blushed and trembled behind that silent door.

 

     When her lover turned and looked at her, and his eye met hers as she sat there, paler and whiter than any one in the vast ocean of anxious faces about her, he saw, by that power of quick perception which is given to those whose souls are one, that she knew behind which door crouched the tiger, and behind which stood the lady. He had expected her to know it. He understood her nature, and his soul was assured that she would never rest until she had made plain to herself this thing, hidden to all other lookers-on, even to the king. The only hope for the youth in which there was any element of certainty was based upon the success of the princess in discovering this mystery; and the moment he looked upon her, he saw she had succeeded, as in his soul he knew she would succeed.

     Then it was that his quick and anxious glance asked the question: "Which?" It was as plain to her as if he shouted it from where he stood. There was not an instant to be lost. The question was asked in a flash; it must be answered in another.

    Her right arm lay on the cushioned parapet before her. She raised her hand, and made a slight, quick movement toward the right. No one but her lover saw her. Every eye but his was fixed on the man in the arena.

     He turned, and with a firm and rapid step he walked across the empty space. Every heart stopped beating, every breath was held, every eye was fixed immovably upon that man. Without the slightest hesitation, he went to the door on the right, and opened it.

Now, the point of the story is this: Did the tiger come out of that door, or did the lady ?

     The more we reflect upon this question, the harder it is to answer. It involves a study of the human heart which leads us through devious mazes of passion, out of which it is difficult to find our way. Think of it, fair reader, not as if the decision of the question depended upon yourself, but upon that hot-blooded, semi-barbaric princess, her soul at a white heat beneath the combined fires of despair and jealousy. She had lost him, but who should have him?

     How often, in her waking hours and in her dreams, had she started in wild horror, and covered her face with her hands as she thought of her lover opening the door on the other side of which waited the cruel fangs of the tiger!

     But how much oftener had she seen him at the other door! How in her grievous reveries had she gnashed her teeth, and torn her hair, when she saw his start of rapturous delight as he opened the door of the lady! How her soul had burned in agony when she had seen him rush to meet that woman, with her flushing cheek and sparkling eye of triumph; when she had seen him lead her forth, his whole frame kindled with the joy of recovered life; when she had heard the glad shouts from the multitude, and the wild ringing of the happy bells; when she had seen the priest, with his joyous followers, advance to the couple, and make them man and wife before her very eyes; and when she had seen them walk away together upon their path of flowers, followed by the tremendous shouts of the hilarious multitude, in which her one despairing shriek was lost and drowned!

     Would it not be better for him to die at once, and go to wait for her in the blessed regions of semi-barbaric futurity?

     And yet, that awful tiger, those shrieks, that blood!

     Her decision had been indicated in an instant, but it had been made after days and nights of anguished deliberation. She had known she would be asked, she had decided what she would answer, and, without the slightest hesitation, she had moved her hand to the right.

     The question of her decision is one not to be lightly considered, and it is not for me to presume to set myself up as the one person able to answer it. And so I leave it with all of you: Which came out of the opened door - the lady, or the tiger?

Vik Muniz Post cards from Paris

Walter Friedman, street photographer

Another "When fiction becomes fact"


 

“So Tired Blues” by Langston Hughes

Fanny Cerrito


 

Jules Massenet – Thaïs: Meditation

  


"Méditation" is a symphonic intermezzo from the opera Thaïs by French composer Jules Massenet. The piece is written for solo violin and orchestra.

The Méditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs.

The piece is in D major and is approximately five minutes long

Massenet may also have written the piece with religious intentions; the tempo marking is Andante religioso, signifying his intention that it should be played religiously and at walking tempo, or around 60 BPM.

The piece opens with a short introduction by the harps, with the solo violin quickly entering with the motif. After the violin plays the melody twice, the piece goes into a section marked animato, gradually becoming more and more passionate (Massenet wrote poco a poco appassionato). The climax is reached at a place marked poco piu appassionato (a little more passion) and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the theme is played twice, the soloist joins the orchestra while playing harmonics on the upper register as the harps and strings quietly play below the solo line.

There's cool and there's Steve McQueen cool

What we learned from Star Trek

The works of Andre Masson

The works of Toso Debac, Croatian photographer.

When fiction becomes fact: Goldfish

 



Someone started a started that Goldfish only have a three-second memory. Well, they’re wrong. Goldfish, God bless, can remember things for up to five months. Some of them can live for up to forty years….with nothing to remember apparently.

However, they can recognize faces, which I don’t understand since they can only recall things for around five months.

They don’t have stomachs, which would lead me to a lot of other questions that you, and me as well,  don’t have time for.

A group of Goldfish is called “A troubling.” Why? My guess is this. In the 17th century who ever is in charge of naming animals things, gave almost all grouping of animals romanticized names. A group of crows, as an example, are a “murder”  

A guy walks into a bar