Welcome

Welcome
John William Tuohy lives in Washington DC

I love words

  

"Stalwart" originated in Late Middle English as a Scots variant of the obsolete word "stalworth," a combination of the Old English words "stǣl" ("place") and "weorth" ("worth"). Its original but now dated usage applied

 

Adjudicate, which is usually used to mean “to make an official decision about who is right in a dispute,” is one of several terms that give testimony to the influence of jus, the Latin word for “law,” on our legal language. Others include judgment, judicial, prejudice, jury, justice, injury, and perjury. 

Lobbyists

 

The legend in the District is that the term ‘lobbyist’ originated at the Willard Hotel when Ulysses S. Grant was in office (1869-1877). Apparently President Grant would frequent the Willard Hotel to enjoy brandy and a cigar, and while he was there, he’d be hounded by petitioners asking for legislative favors or jobs. It is said that President Grant coined the term by referring to the petitioners as “those damn lobbyists.” The legend has been forwarded by the Washington Post, The Hill, the American Society of News Editors, and, of course, the PR director of the Willard Hotel.

It’s a fun story to tell tourists, and it makes the Willard Hotel even more of a landmark, but the legend is just not true. The verb ‘to lobby’ first appeared in print in the United States in the 1830′s, at least thirty years before Ulysses S. Grant came to Washington. The term is believed to have originated in British Parliament, and referred to the lobbies outside the chambers where wheeling and dealing took place. “Lobbyist” was in common usage in Britain in the 1840′s.

 Jesse Sheidlower, editor-at-large for the Oxford English Dictionary, believes the term was used as early as 1640 in England to describe the lobbies that were open to constituents to interact with their representatives.





Holden and the Central Park Carousel

 

 Holden and the Central Park Carousel

When JD Salinger (Who grew up in the 1930s across the street from Central Park) wrote about the parks Carousel in his 1951 novel Catcher in the Rye, the ride was relatively new to the park.

That is to say, it was the latest installation of the ride. Four other carousels versions had stood exact on the site since 1871, although the 1951 version was the only one built within a covered structure.

Actually, Salinger was probably referring to the carousel, one of the largest in the US, of his childhood since he had started writing the novel in the late 1930s. That version of the ride burned down in 1950 as did the prior version in 1924.

Today’s version of the ride was made by Solomon Stein and Harry Goldstein in 1908. It was originally installed in the trolley terminal on Coney Island in Brooklyn, where it operated until the 1940s.

Over 250,000 people ride the carousel every year.

 

Excerpted from Catcher in the Rye

 After we left the bears, we left the zoo and crossed over this little street in the park, and then we went through one of those little tunnels that always smell from somebody's taking a leak. It was on the way to the carrousel.

Old Phoebe still wouldn't talk to me or anything, but she was sort of walking next to me now. I took a hold of the belt at the back of her coat, just for the hell of it, but she wouldn't let me. She said, "Keep your hands to yourself, if you don't mind." She was still sore at me. But not as sore as she was before. Anyway, we kept getting closer and closer to the carrousel and you could start to hear that nutty music it always plays. It was playing "Oh, Marie!" It played that same song about fifty years ago when I was a little kid. That's one nice thing about carrousels, they always play the same songs.

"I thought the carrousel was closed in the wintertime," old Phoebe said. It was the first time she practically said anything. She probably forgot she was supposed to be sore at me.

"Maybe because it's around Christmas," I said.

She didn't say anything when I said that. She probably remembered she was supposed to be sore at me.

"Do you want to go for a ride on it?" I said. I knew she probably did. When she was a tiny little kid, and Allie and D.B. and I used to go to the park with her, she was mad about the carrousel. You couldn't get her off the goddam thing.

"I'm too big." she said. I thought she wasn't going to answer me, but she did.

"No, you're not. Go on. I'll wait for ya. Go on," I said. We were right there then. There were a few kids riding on it, mostly very little kids, and a few parents were waiting around outside, sitting on the benches and all. What I did was, I went up to the window where they sell the tickets and bought old Phoebe a ticket. Then I gave it to her. She was standing right next to me. "Here," I said. "Wait a second--take the rest of your dough, too." I started giving her the rest of the dough she'd lent me.

"You keep it. Keep it for me," she said. Then she said right afterward--"Please."

That's depressing, when somebody says "please" to you. I mean if it's Phoebe or somebody. That depressed the hell out of me. But I put the dough back in my pocket.

"Aren't you gonna ride, too?" she asked me. She was looking at me sort of funny. You could tell she wasn't too sore at me anymore.

"Maybe I will the next time. I'll watch ya," I said. "Got your ticket?"

"Yes."

"Go ahead, then--I'll be on this bench right over here. I'll watch ya." I went over and sat down on this bench, and she went and got on the carrousel. She walked all around it. I mean she walked once all the way around it. Then she sat down on this big, brown, beat-up-looking old horse.

Then the carrousel started, and I watched her go around and around. There were only about five or six other kids on the ride, and the song the carrousel was playing was "Smoke Gets in Your Eyes." It was playing it very jazzy and funny. All the kids kept trying to grab for the gold ring, and so was old Phoebe, and I was sort of afraid she'd fall off the goddam horse, but I didn't say anything or do anything. The thing with kids is, if they want to grab the gold ring, you have to let them do it, and not say anything. If they fall off they fall off, but it's bad if you say anything to them.

When the ride was over she got off her horse and came over to me. "You ride once, too, this time," she said.

"No, I'll just watch ya. I think I'll just watch," I said. I gave her some more of her dough. "Here. Get some more tickets."












 

Palimpsest

 

 Palimpsest

 pa·limp·sest

Long ago, writing surfaces were so highly valued that they were often used more than once. Palimpsest in its original use referred to an early form of recycling in which an old document was erased to make room for a new one when parchment ran short. (The word is from the Greek palimpsēstos, meaning “scraped again.”) Fortunately for modern scholars, the erasing process wasn’t completely effective, so the original could often be distinguished under the newer writing. De republica, by Roman statesman and orator Cicero, is one of many documents recovered from a palimpsest. Nowadays, the word palimpsest can refer not only to such a document but to anything that has multiple layers apparent beneath the surface.

 

*** OPPORTUNITIES FOR PLAYWRIGHTS ***



American Bard Theater Company is opening its second Playwright Invitational.

We are seeking full length plays for consideration for our Corner Stone Reading Series. These readings will be free and open to the public, with required reservations.
This invitational will focus on works by female and female-presenting playwrights.

***

Lumos Players Second Annual Playwrights Script Reading Season for 2026 - hear your script read aloud and receive constructive, thoughtful feedback in a supportive community of theater artists. Whether you’ve written a 10-minute play, a one-act, a full-length, a musical, a comedy, a drama—or something in between.

***

In the spirit of Windmill Arts’ effort to create and advance new work, Windmill Arts Production presents blueprint, a short play & film festival running April 16-19, 2026 at Windmill Arts.
The festival is open to any new, unproduced short plays & films.
Beginner to seasoned writers are welcome to submit their plays for production consideration.
Windmill Arts Production will provide a producer, director, actor(s) and technical support for all selected short plays

*** FOR MORE INFORMATION about these and other opportunities see the web site at https://www.nycplaywrights.org ***