Following this brief biography, I’ve added O’Connor’s most
famous short story “A Good Man is Hard to Find” it’s probably the greatest
American short story ever written. It’s disarmingly terrifying. I hope you take
the time to read it.
Novelist, short story writer, and essayist Mary Flannery
O'Connor, in her brief life, wrote two novels and 31 short stories.
O'Connor was born on March 25, 1925, in Savannah, Georgia, the
only child of Edward Francis O'Connor, a real estate agent, and Regina Cline, both
first generation Irish Catholic.
O'Connor was a devout Catholic who kept a prayer journal she
was also an avid reader of Christian existentialist philosophers such as
Gabriel Marcel, considering herself "a Catholic peculiarly possessed of
the modern consciousness"
She believed deeply the Thomist notion that the created in world
is charged with God. For her, God was a given of experience, not a mere
intuition of the mind or spirit.
During her time at the prestigious Iowa Writers' Workshop, she
dropped the name Mary, which gave her the impression of an "Irish
washwoman", and became Flannery O'Connor.
O'Connor was a Southern writer who often wrote in a sardonic
Southern Gothic style. She relied heavily on regional settings and grotesque
characters, often in violent situations.
Her work often reflects her Catholic faith, and frequently examines questions of morality
and ethics. In her own words, "all my stories are about the action of
grace on a character who is not very willing to support it, but most people
think of these stories as hard, hopeless, brutal, etc."
O'Connor lived on Andalusia
Farm from 1952 until her 1964 death. By the summer of 1952, she was diagnosed with lupus (as her father had
been before her)
O'Connor lived for twelve years after her diagnosis, which was
seven years longer than expected. Her daily routine was to attend Mass, write
in the morning, then, spend the rest of the day recuperating and reading.
Despite the debilitating effects of the steroid drugs used to treat O'Connor's
lupus, she nonetheless made over sixty appearances at lectures to read her
works.
The writer Alice McDermott explains the impact lupus had on
O'Connor's work, saying, "It was the illness, I think, which made her the
writer she is".
A Good Man Is Hard to Find
Flannery O'Connor
THE GRANDMOTHER didn't want to go to Florida. She
wanted to visit some of her
connections in east Tennessee and she was seizing
at every chance to change Bailey's
mind. Bailey was the son she lived with, her only
boy. He was sitting on the edge of his chair
at the table, bent over the orange sports section
of the Journal. "Now look here, Bailey," she
said, "see here, read this," and she
stood with one hand on her thin hip and the other
rattling the newspaper at his bald head.
"Here this fellow that calls himself The Misfit is
aloose from
the Federal Pen and headed toward Florida and you read here what it says
he
did to these people. Just you read it. I wouldn't
take my children in any direction with a
criminal like that aloose in it. I couldn't answer
to my conscience if I did."
Bailey didn't look up from his reading so she
wheeled around then and faced the children's
mother, a young woman in slacks, whose face was as
broad and innocent as a cabbage and was tied around with a green head-kerchief
that had two points on the top like rabbit's ears.
She was sitting on the sofa, feeding the baby his
apricots out of a jar. "The children have
been to Florida before," the old lady said.
"You all ought to take them somewhere else for a
change so they would see different parts of the
world and be broad. They never have been
to east Tennessee."
The children's mother didn't seem to hear her but
the eight-year-old boy, John Wesley, a
stocky child with glasses, said, "If you
don't want to go to Florida, why dontcha stay at
home?" He and the little girl, June Star,
were reading the funny papers on the floor.
"She wouldn't stay at home to be queen for a
day," June Star said without raising her yellow
head.
"Yes and what would you do if this fellow,
The Misfit, caught you?" the grandmother asked.
"I'd smack his face," John Wesley said.
"She wouldn't stay at home for a million
bucks," June Star said. "Afraid she'd miss
something. She has to go everywhere we go."
"All right, Miss," the grandmother said.
"Just remember that the next time you want me to curl your hair."
June Star said her hair was naturally curly.
The next morning the grandmother was the first one
in the car, ready to go. She had her big black valise that looked like the head
of a hippopotamus in one corner, and underneath it she was hiding a basket with
Pitty Sing, the cat, in it. She didn't intend for the cat to be left alone in
the house for three days because he would miss her too much and she was afraid
he might brush against one of the gas burners and accidentally asphyxiate
himself. Her son, Bailey, didn't like to arrive at a motel with a cat.
She sat in the middle of the back seat with John
Wesley and June Star on either side of her. Bailey and the children's mother
and the baby sat in front and they left Atlanta at eight forty five with the mileage on the car at
55890. The grandmother wrote this down because she thought it would be
interesting to say how many miles they had been when they got back. It took them twenty minutes to reach the
outskirts of the city.
The old lady settled herself comfortably, removing
her white cotton gloves and putting them
up with her purse on the shelf in front of the back window. The
children's mother still had on slacks and still had her head tied up in a green
kerchief, but the grandmother had on a navy blue straw sailor hat with a bunch
of white violets on the brim and a navy blue dress with a small white dot in
the print. Her collars and cuffs were white organdy trimmed with lace and at
her neckline she had pinned a purple spray of cloth violets containing a
sachet. In case of an accident, anyone seeing her dead on the highway would
know at once that she was a lady.
She said she thought it was going to be a good day
for driving, neither too hot nor too cold, and she cautioned Bailey that the
speed limit was fifty-five miles an hour and that the patrolmen hid themselves behind billboards and
small clumps of trees and sped out after you before you had a chance to slow
down. She pointed out interesting details of the scenery:
Stone Mountain; the blue granite that in some
places came up to both sides of the highway;
the brilliant red clay banks slightly streaked
with purple; and the various crops that made rows of green lace-work on the
ground. The trees were full of silver-white sunlight and the meanest of them
sparkled. The children were reading comic magazines and their mother had gone
back to sleep.
"Let's go through Georgia fast so we won't
have to look at it much," John Wesley said.
"If I were a little boy," said the
grandmother, "I wouldn't talk about my native state that way.
Tennessee has the mountains and Georgia has the
hills."
"Tennessee is just a hillbilly dumping
ground," John Wesley said, "and Georgia is a lousy
state too."
"You said it," June Star said.
"In my time," said the grandmother,
folding her thin veined fingers, "children were more
respectful of their native states and their
parents and everything else. People did right then.
Oh look at the cute little pickaninny!" she
said and pointed to a Negro child standing in the
door of a shack. "Wouldn't that make a
picture, now?" she asked and they all turned and
looked at the little Negro out of the back window.
He waved.
"He didn't have any britches on," June
Star said.
"He probably didn't have any," the
grandmother explained. "Little niggers in the country don't
have things like we do. If I could paint, I'd
paint that picture," she said.
The children exchanged comic books.
The grandmother offered to hold the baby and the
children's mother passed him over the
front seat to her. She set him on her knee and
bounced him and told him about the things
they were passing. She rolled her eyes and screwed
up her mouth and stuck her leathery
thin face into his smooth bland one. Occasionally
he gave her a faraway smile. They passed
a large cotton field with five or six graves
fenced in the middle of it, like a small island. "Look
at the graveyard!" the grandmother said,
pointing it out. "That was the old family burying
ground. That belonged to the plantation."
"Where's the plantation?" John Wesley
asked.
"Gone With the Wind," said the
grandmother. "Ha. Ha."
When the children finished all the comic books
they had brought, they opened the lunch and
ate it. The grandmother ate a peanut butter
sandwich and an olive and would not let
the children throw the box and the paper napkins
out the window. When there was nothing
else to do they played a game by choosing a cloud
and making the other two guess what
shape it suggested. John Wesley took one the shape
of a cow and June Star guessed a cow
and John Wesley said, no, an automobile, and June
Star said he didn't play fair, and they
began to slap each other over the grandmother.
The grandmother said she would tell them a story
if they would keep quiet. When she told a
story, she rolled her eyes and waved her head and
was very dramatic. She said once when
she was a maiden lady she had been courted by a
Mr. Edgar Atkins Teagarden from Jasper,
Georgia. She said he was a very good-looking man
and a gentleman and that he brought her
a watermelon every Saturday afternoon with his
initials cut in it, E. A. T. Well, one Saturday,
she said, Mr. Teagarden brought the watermelon and
there was nobody at home and he left
it on the front porch and returned in his buggy to
Jasper, but she never got the watermelon,
she said, because a nigger boy ate it when he saw
the initials, E. A. T.! This story tickled
John Wesley's funny bone and he giggled and
giggled but June Star didn't think it was any
good. She said she wouldn't marry a man that just
brought her a watermelon on Saturday.
The grandmother said she would have done well to
marry Mr. Teagarden because he was a
gentleman and had bought Coca-Cola stock when it
first came out and that he had died only
a few years ago, a very wealthy man.
They stopped at The Tower for barbecued
sandwiches. The Tower was a part stucco and
part wood filling station and dance hall set in a
clearing outside of Timothy. A fat man named
Red Sammy Butts ran it and there were signs stuck
here and there on the building and for
miles up and down the highway saying, TRY RED
SAMMY'S FAMOUS BARBECUE. NONE
LIKE FAMOUS RED SAMMY'S! RED SAM! THE FAT BOY WITH
THE HAPPY LAUGH. A
VETERAN! RED SAMMY'S YOUR MAN!
Red Sammy was lying on the bare ground outside The
Tower with his head under a truck
while a gray monkey about a foot high, chained to
a small chinaberry tree, chattered nearby.
The monkey sprang back into the tree and got on
the
highest limb as soon as he saw the children jump
out
of the car and run toward him.
Inside, The Tower was a long dark room with a
counter at one end and tables at the other
and dancing space in the middle. They all sat down
at a board table next to the nickelodeon
and Red Sam's wife, a tall burnt-brown woman with
hair and eyes lighter than her skin, came
and took their order. The children's mother put a
dime in the machine and played "The
Tennessee Waltz," and the grandmother said
that tune always made her want to dance. She
asked Bailey if he would like to dance but he only
glared at her. He didn't have a naturally
sunny disposition like she did and trips made him
nervous. The grandmother's brown eyes
were very bright. She swayed her head from side to
side and pretended she was dancing in
her chair. June Star said play something she could
tap to so the children's mother put in
another dime and played a fast number and June
Star stepped out onto the dance floor and
did her tap routine.
"Ain't she cute?" Red Sam's wife said,
leaning over the counter. "Would you like to come be
my little girl?"
"No I certainly wouldn't," June Star
said. "I wouldn't live in a broken-down place like this for a
minion bucks!" and she ran back to the table.
"Ain't she cute?" the woman repeated,
stretching her mouth politely.
"Arn't you ashamed?" hissed the
grandmother.
Red Sam came in and told his wife to quit lounging
on the counter and hurry up with these
people's order. His khaki trousers reached just to
his hip bones and his stomach hung over
them like a sack of meal swaying under his shirt.
He came over and sat down at a table
nearby and let out a combination sigh and yodel.
"You can't win," he said. "You can't win,"
and he wiped his sweating red face off with a gray
handkerchief. "These days you don't know
who to trust," he said. "Ain't that the
truth?"
"People are certainly not nice like they used
to be," said the grandmother.
"Two fellers come in here last week,"
Red Sammy said, "driving a Chrysler. It was a old beatup car but it was a
good one and these boys looked all right to me. Said they worked
at the mill and you know I let them fellers charge
the gas they bought? Now why did I do
that?"
"Because you're a good man!" the
grandmother said at once.
"Yes'm, I suppose so," Red Sam said as
if he were struck with this answer.
His wife brought the orders, carrying the five
plates all at once without a tray, two in each
hand and one balanced on her arm. "It isn't a
soul in this green world of God's that you can
trust," she said. "And I don't count
nobody out of that, not nobody," she repeated, looking at
Red Sammy.
"Did you read about that criminal, The
Misfit, that's escaped?" asked the grandmother.
"I wouldn't be a bit surprised if he didn't
attact this place right here," said the woman. "If he
hears about it being here,I wouldn't be none
surprised to see him. If he hears it's two cent in
the cash register, I wouldn't be a tall surprised
if he . . ."
"That'll do," Red Sam said. "Go
bring these people their Co'-Colas," and the woman went off
to get the rest of the order.
"A good man is hard to find," Red Sammy
said. "Every- thing is getting terrible. I remember
the day you could go off and leave your screen
door unlatched. Not no more."
He and the grandmother discussed better times. The
old lady said that in her opinion Europe
was entirely to blame for the way things were now.
She said the way Europe acted you
would think we were made of money and Red Sam said
it was no use talking about it, she
was exactly right. The children ran outside into
the white sunlight and looked at the monkey
in the lacy chinaberry tree. He was busy catching
fleas on himself and biting each one
carefully between his teeth as if it were a
delicacy.
They drove off again into the hot afternoon. The
grand- mother took cat naps and woke up
every few minutes with her own snoring. Outside of
Toombsboro she woke up and recalled
an old plantation that she had visited in this
neighborhood once when she was a young lady.
She said the house had six white columns across
the front and that there was an avenue of
oaks leading up to it and two little wooden
trellis
arbors on either side in front where you sat down
with your suitor after a stroll in the garden.
She recalled exactly which road to turn off to get
to it. She knew that Bailey would not be
willing to lose any time looking at an old house,
but the more she talked about it, the more
she wanted to see it once again and find out if
the little twin arbors were still standing. "There
was a secret panel in this house," she said
craftily, not telling the truth but wishing that she
were, "and the story went that all the family
silver was hidden in it when Sherman came
through but it was never found . . ."
"Hey!" John Wesley said. "Let's go
see it! We'll find it! We'll poke all the woodwork and find it!
Who lives there? Where do you turn off at? Hey
Pop, can't we turn off there?"
"We never have seen a house with a secret
panel!" June Star shrieked. "Let's go to the
house with the secret panel! Hey Pop, can't we go
see the house with the secret panel!"
"It's not far from here, I know," the
grandmother said. "It wouldn't take over twenty minutes."
Bailey was looking straight ahead. His jaw was as
rigid as a horseshoe. "No," he said.
The children began to yell and scream that they
wanted to see the house with the secret
panel. John Wesley kicked the back of the front
seat and June Star hung over her mother's
shoulder and whined desperately into her ear that
they never had any fun even on their
vacation, that they could never do what THEY
wanted to do. The baby began to scream and
John Wesley kicked the back of the seat so hard
that his father could feel the blows in his
kidney.
"All right!" he shouted and drew the car
to a stop at the side of the road. "Will you all shut up?
Will you all just shut up for one second? If you
don't shut up, we won't go anywhere.
"It would be very educational for them,"
the grandmother murmured.
"All right," Bailey said, "but get
this: this is the only time we're going to stop for anything like
this. This is the one and only time."
"The dirt road that you have to turn down is
about a mile back," the grandmother directed. "I
marked it when we passed."
"A dirt road," Bailey groaned.
After they had turned around and were headed
toward the dirt road, the grandmother
recalled other points about the house, the
beautiful glass over the front doorway and the
candle-lamp in the hall. John Wesley said that the
secret panel was probably in the fireplace.
"You can't go inside this house," Bailey
said. "You don't know who lives there."
"While you all talk to the people in front,
I'll run around behind and get in a window," John
Wesley suggested.
"We'll all stay in the car," his mother
said. They turned onto the dirt road and the car raced
roughly along in a swirl of pink dust. The
grandmother recalled the times when there were no
paved roads and thirty miles was a day's journey.
The dirt road was hilly and there were
sudden washes in it and sharp curves on dangerous
embankments. All at once they would
be on a hill, looking down over the blue tops of
trees for miles around, then the next minute,
they would be in a red depression with the
dust-coated trees looking down on them.
"This place had better turn up in a
minute," Bailey said, "or I'm going to turn around."
The road looked as if no one had traveled on it in
months.
"It's not much farther," the grandmother
said and just as she said it, a horrible thought came
to her. The thought was so embarrassing that she
turned red in the face and her eyes dilated
and her feet jumped up, upsetting her valise in
the corner. The instant the valise moved, the
newspaper top she had over the basket under it
rose with a snarl and Pitty Sing,the cat,
sprang onto Bailey's shoulder.
The children were thrown to the floor and their
mother, clutching the baby, was thrown out
the door onto the ground; the old lady was thrown
into the front seat. The car turned over
once and landed right-side-up in a gulch off the
side of the road. Bailey remained in the
driver's seat with the cat-gray-striped with a
broad white face and an orange nose-clinging to
his neck like a caterpillar.
As soon as the children saw they could move their
arms and legs, they scrambled out of the
car, shouting, "We've had an ACCIDENT!"
The grandmother was curled up under the
dashboard, hoping she was injured so that Bailey's
wrath would not come down on her all at
once. The horrible thought she had had before the
accident was that the house she had
remembered so vividly was not in Georgia but in
Tennessee.
Bailey removed the cat from his neck with both
hands and flung it out the window against the
side of a pine tree. Then he got out of the car
and started looking for the children's mother.
She was sitting against the side of the red gutted
ditch, holding the screaming baby, but she
only had a cut down her face and a broken
shoulder. "We've had an ACCIDENT!" the
children screamed in a frenzy of delight.
"But nobody's killed," June Star said
with disappointment as the grandmother limped out of
the car, her hat still pinned to her head but the
broken front brim standing up at a jaunty
angle and the violet spray hanging off the side.
They all sat down in the ditch, except the
children, to recover from the shock. They were all
shaking.
"Maybe a car will come along," said the
children's mother hoarsely.
"I believe I have injured an organ,"
said the grandmother, pressing her side, but no one
answered her. Bailey's teeth were clattering. He
had on a yellow sport shirt with bright blue
parrots designed in it and his face was as yellow
as the l shirt. The grandmother decided that
she would not mention that the house was in
Tennessee.
The road was about ten feet above and they could
see only the tops of the trees on the other
side of it. Behind the ditch they were sitting in
there were more woods, tall and dark and
deep. In a few minutes they saw a car some
distance away on top of a hill, coming slowly as
if the occupants were watching them. The
grandmother stood up and waved both arms
dramatically to attract their attention. The car
continued to come on slowly, disappeared
around a bend and appeared again, moving even
slower, on top of the hill they had gone
over. It was a big black battered hearse-like
automobile. There were three men in it.
It came to a stop just over them and for some
minutes, the driver looked down with a steady
expressionless gaze to where they were sitting,
and didn't speak. Then he turned his
head and muttered something to the other two and
they got out. One was a fat boy in black
trousers and a red sweat shirt with a silver
stallion embossed on the front of it. He moved
around on the right side of them and stood
staring, his mouth partly open in a kind of loose
grin. The other had on khaki pants and a blue
striped coat and a gray hat pulled down very
low, hiding most of his face. He came around
slowly on the left side. Neither spoke.
The driver got out of the car and stood by the
side of it, looking down at them. He was an
older man than the other two. His hair was just
beginning to gray and he wore silver- rimmed
spectacles that gave him a scholarly look. He had
a long creased face and didn't have on
any shirt or undershirt. He had on blue jeans that
were too tight for him and was holding a
black hat and a gun. The two boys also had guns.
"We've had an ACCIDENT!" the children
screamed.
The grandmother had the peculiar feeling that the
bespectacled man was someone she
knew. His face was as familiar to her as if she
had known him au her life but she could not
recall who he was. He moved away from the car and
began to come down the embankment,
placing his feet carefully so that he wouldn't
slip. He had on tan and white shoes and no
socks, and his ankles were red and thin.
"Good afternoon," he said. "I see you all had you a
little spill."
"We turned over twice!" said the
grandmother.
"Once"," he corrected. "We
seen it happen. Try their car and see will it run, Hiram," he said
quietly to the boy with the gray hat.
"What you got that gun for?" John Wesley
asked. "Whatcha gonna do with that gun?"
"Lady," the man said to the children's
mother, "would you mind calling them children to sit
down by you? Children make me nervous. I want all
you all to sit down right together there
where you're at."
"What are you telling US what to do
for?" June Star asked.
Behind them the line of woods gaped like a dark
open mouth. "Come here," said their
mother.
"Look here now," Bailey began suddenly,
"we're in a predicament! We're in . . ."
The grandmother shrieked. She scrambled to her
feet and stood staring. "You're The Misfit!"
she said. "I recognized you at once!"
"Yes'm," the man said, smiling slightly
as if he were pleased in spite of himself to be known,
"but it would have been better for all of
you, lady, if you hadn't of reckernized me."
Bailey turned his head sharply and said something
to his mother that shocked even the
children. The old lady began to cry and The Misfit
reddened.
"Lady," he said, "don't you get
upset. Sometimes a man says things he don't mean. I don't
reckon he meant to talk to you thataway."
"You wouldn't shoot a lady, would you?"
the grandmother said and removed a clean
handkerchief from her cuff and began to slap at
her eyes with it.
The Misfit pointed the toe of his shoe into the
ground and made a little hole and then covered
it up again. "I would hate to have to,"
he said.
"Listen," the grandmother almost
screamed, "I know you're a good man. You don't look a bit
like you have com- mon blood. I know you must come
from nice people!"
"Yes mam," he said, "finest people
in the world." When he smiled he showed a row of strong
white teeth. "God never made a finer woman
than my mother and my daddy's heart was pure
gold," he said. The boy with the red sweat
shirt had come around behind them and was
standing with his gun at his hip. The Misfit
squatted down on the ground. "Watch them
children, Bobby Lee," he said. "You know
they make me nervous." He looked at the six of
them huddled together in front of him and he
seemed to be embarrassed as if he couldn't
think of anything to say. "Ain't a cloud in
the sky," he remarked, looking up at it. "Don't see no
sun but don't see no cloud neither."
"Yes, it's a beautiful day," said the
grandmother. "Listen," she said, "you shouldn't call
yourself The Misfit because I know you're a good
man at heart. I can just look at you and tell
"
"Hush!" Bailey yelled. "Hush!
Everybody shut up and let me handle this!" He was squatting in
the position of a runner about to sprint forward
but he didn't move.
"I prechate that, lady," The Misfit said
and drew a little circle in the ground with the butt of his
gun.
"It'll take a half a hour to fix this here
car," Hiram called, looking over the raised hood of it.
"Well, first you and Bobby Lee get him and
that little boy to step over yonder with you," The
Misfit said, pointing to Bailey and John Wesley.
"The boys want to ast you some- thing," he
said to Bailey. "Would you mind stepping back
in them woods there with them?"
"Listen," Bailey began, "we're in a
terrible predicament! Nobody realizes what this is," and his
voice cracked. His eyes were as blue and intense
as the parrots in his shirt and he remained
perfectly still.
The grandmother reached up to adjust her hat brim
as if she were going to the woods with
him but it came off in her hand. She stood staring
at it and after a second she let it fall on the
ground. Hiram pulled Bailey up by the arm as if he
were assisting an old man. John Wesley
caught hold of his father's hand and Bobby Lee
followed. They went off toward the woods
and just as they reached the dark edge, Bailey
turned and supporting himself against a gray
naked pine trunk, he shouted, "I'll be back
in a minute, Mamma, wait on me!"
"Come back this instant!" his mother
shrilled but they all disappeared into the woods.
"Bailey Boy!" the grandmother called in
a tragic voice but she found she was looking at The
Misfit squatting on the ground in front of her.
"I just know you're a good man," she said
desperately. "You're not a bit common!"
"Nome, I ain't a good man," The Misfit
said after a second as if he had considered her
statement carefully, "but I ain't the worst
in the world neither. My daddy said I was a different
breed of dog from my brothers and sisters. 'You
know,' Daddy said, 'it's some that can live
their whole life out without asking about it and
it's others has to know why it is, and this boy is
one of the latters. He's going to be into every-
thing!'" He put on his black hat and looked up
suddenly and then away deep into the woods as if
he were embarrassed again. "I'm sorry I
don't have on a shirt before you ladies," he
said, hunching his shoulders slightly. "We buried
our clothes that we had on when we escaped and
we're just
making do until we can get better. We borrowed
these from some folks we met," he
explained.
"That's perfectly all right," the
grandmother said. "Maybe Bailey has an extra shirt in his
suitcase."
"I'll look and see terrectly," The
Misfit said.
"Where are they taking him?" the
children's mother screamed.
"Daddy was a card himself," The Misfit
said. "You couldn't put anything over on him. He
never got in trouble with the Authorities though.
Just had the knack of handling them."
"You could be honest too if you'd only
try," said the grandmother. "Think how wonderful it
would be to settle down and live a comfortable
life and not have to think about some- body
chasing you all the time."
The Misfit kept scratching in the ground with the
butt of his gun as if he were thinking about
it. "Yes'm, somebody is always after
you," he murmured.
The grandmother noticed how thin his shoulder
blades were just behind-his hat because she
was standing up looking down on him. "Do you
ever pray?" she asked.
He shook his head. All she saw was the black hat
wiggle between his shoulder blades.
"Nome," he said.
There was a pistol shot from the woods, followed
closely by another. Then silence. The old
lady's head jerked around. She could hear the wind
move through the tree tops like a long
satisfied insuck of breath. "Bailey
Boy!" she called.
"I was a gospel singer for a while," The
Misfit said. "I been most everything. Been in the arm
service, both land and sea, at home and abroad,
been twict married, been an undertaker,
been with the railroads, plowed Mother Earth, been
in a tornado, seen a man burnt alive
oncet," and he looked up at the children's
mother and the little girl who were sitting close
together, their faces white and their eyes glassy;
"I even seen a woman flogged," he said.
"Pray, pray," the grandmother began,
"pray, pray . . ."
"I never was a bad boy that I remember
of," The Misfit said in an almost dreamy voice, "but
somewheres along the line I done something wrong
and got sent to the penitentiary. I was
buried alive," and he looked up and held her
attention to him by a steady stare.
"That's when you should have started to
pray," she said "What did you do to get sent to the
penitentiary that first time?"
"Turn to the right, it was a wall," The
Misfit said, looking up again at the cloudless sky. "Turn
to the left, it was a wall. Look up it was a
ceiling, look down it was a floor. I forget what I
done, lady. I set there and set there, trying to
remember what it was I done and I ain't
recalled it to this day. Oncet in a while, I would
think it was coming to me, but it never come."
"Maybe they put you in by mistake," the
old lady said vaguely.
"Nome," he said. "It wasn't no
mistake. They had the papers on me."
"You must have stolen something," she
said.
The Misfit sneered slightly. "Nobody had
nothing I wanted," he said. "It was a head-doctor at
the penitentiary said what I had done was kill my
daddy but I known that for a lie. My daddy
died in nineteen ought nineteen of the epidemic
flu and I never had a thing to do with it. He
was buried in the Mount Hopewell Baptist
churchyard and you can go there and see for
yourself."
"If you would pray," the old lady said,
"Jesus would help you."
"That's right," The Misfit said.
"Well then, why don't you pray?" she
asked trembling with delight suddenly.
"I don't want no hep," he said.
"I'm doing all right by myself."
Bobby Lee and Hiram came ambling back from the
woods. Bobby Lee was dragging a yellow
shirt with bright blue parrots in it.
"Thow me that shirt, Bobby Lee," The
Misfit said. The shirt came flying at him and landed on
his shoulder and he put it on. The grandmother
couldn't name what the shirt reminded her of.
"No, lady," The Misfit said while he was
buttoning it up, "I found out the crime don't matter.
You can do one thing or you can do another, kill a
man or take a tire off his car, because
sooner or later you're going to forget what it was
you done and just be punished for it."
The children's mother had begun to make heaving
noises as if she couldn't get her breath.
"Lady," he asked, "would you and
that little girl like to step off yonder with Bobby Lee and
Hiram and join your husband?"
"Yes, thank you," the mother said
faintly. Her left arm dangled helplessly and she was
holding the baby, who had gone to sleep, in the
other. "Hep that lady up, Hiram," The Misfit
said as she struggled to climb out of the ditch,
"and Bobby Lee, you hold onto that little girl's
hand."
"I don't want to hold hands with him,"
June Star said. "He reminds me of a pig."
The fat boy blushed and laughed and caught her by
the arm and pulled her off into the
woods after Hiram and her mother.
Alone with The Misfit, the grandmother found that
she had lost her voice. There was not a
cloud in the sky nor any sun. There was nothing
around her but woods. She wanted to tell
him that he must pray. She opened and closed her
mouth several times before anything
came out. Finally she found herself saying,
"Jesus. Jesus," meaning, Jesus will help you, but
the way she was saying it, it sounded as if she
might be cursing.
"Yes'm," The Misfit said as if he
agreed. "Jesus shown everything off balance. It was the
same case with Him as with me except He hadn't
committed any crime and they could prove
I had committed one because they had the papers on
me. Of course," he said, "they never
shown me my papers. That's why I sign myself now.
I said long ago, you get you a signature
and sign everything you do and keep a copy of it.
Then you'll know what you done and you
can hold up the crime to the punishment and see do
they match and in the end you'll have
something to prove you ain't been treated right. I
call myself The Misfit," he said, "because I
can't make what all I done wrong fit what all I
gone through in punishment."
There was a piercing scream from the woods,
followed closely by a pistol report. "Does it
seem right to you, lady, that one is punished a
heap and another ain't punished at all?"
"Jesus!" the old lady cried.
"You've got good blood! I know you wouldn't shoot a lady! I know
you come from nice
people!
Pray! Jesus, you ought not to shoot a lady. I'll
give you all the money I've got!"
"Lady," The Misfit said, looking beyond
her far into the woods, "there never was a body that
give the undertaker a tip."
There were two more pistol reports and the
grandmother raised her head like a parched old
turkey hen crying for water and called,
"Bailey Boy, Bailey Boy!" as if her heart would break.
"Jesus was the only One that ever raised the
dead," The Misfit continued, "and He shouldn't
have done it. He shown everything off balance. If
He did what He said, then it's nothing for
you to do but thow away everything and follow Him,
and if He didn't, then it's nothing for you
to do but enjoy the few minutes you got left the
best way you can-by killing somebody or
burning down his house or doing some other
meanness to him. No pleasure but meanness,"
he said and his voice had become almost a snarl.
"Maybe He didn't raise the dead," the
old lady mumbled, not knowing what she was saying
and feeling so dizzy that she sank down in the
ditch with her legs twisted under her.
"I wasn't there so I can't say He
didn't," The Misfit said. "I wisht I had of been there," he
said,
hitting the ground with his fist. "It ain't
right I wasn't there because if I had of been there I
would of known. Listen lady," he said in a
high voice, "if I had of been there I would of known
and I wouldn't be like I am now." His voice
seemed about to crack and the grandmother's
head cleared for an instant. She saw the man's
face twisted close to her own as if he were
going to cry and she murmured, "Why you're
one of my babies. You're one of my own
children!" She reached out and touched him on
the shoulder. The Misfit sprang back as if a
snake had bitten him and shot her three times
through the chest. Then he put his gun down
on the ground and took off his glasses and began
to clean them.
Hiram and Bobby Lee returned from the woods and
stood over the ditch, looking down at the
grandmother who half sat and half lay in a puddle
of blood with her legs crossed under her
like a child's and her face smiling up at the
cloudless sky.
Without his glasses, The Misfit's eyes were
red-rimmed and pale and defenseless-looking.
"Take her off and thow her where you shown
the others," he said, picking up the cat that was
rubbing itself against his leg.
"She was a talker, wasn't she?" Bobby
Lee said, sliding down the ditch with a yodel.
"She would of been a good woman," The
Misfit said, "if it had been somebody there to shoot
her every minute of her life."
"Some fun!" Bobby Lee said.
"Shut up, Bobby Lee" The Misfit said.
"It's no real pleasure in life."
