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John William Tuohy lives in Washington DC

A short story: Miss Comstock’s Paragraph

 

Catherine Comstock spent one hour looking for the letter. Then spying the crumpled letter in her delicate but wrinkled hand she asked herself aloud,  “How did that get there?” and then undertook another search for eyeglasses which sat on the top of  her head. And such was the way that Catherine Comstock, sole child of the illustrious Admiral Johnson Comstock of the Maryland Comstock's, lived out her days in the recent past years.

     A half hour later she had located the glasses and then the doorbell rang.

   “I am exhausted,” she said as she sprawled out across the day sofa where she waited for the day maid to answer the bell.  After a third ring she remembered she no longer employed a day maid and scurried through six rooms, half of the rooms on the first floor of her home, to answer the door, calling out “Un momento, por favor” even though she didn’t actually speak Spanish.  However, some decades before she had read Hemingway’s “The Sun Also Rises” and “For Whom the Bell Tolls”, and the works impressed her, so in a salute to the writer’s efforts she sometimes shouted out things in Spanish, whether she understood the meaning or not.

   Opening the extremely large, tall and heavy front door she found a postman holding a piece of paper.

   “Registered letter” he said.

   “No young man” she answered “I have no registered letter for you.  If I did I would have mailed it to you.”

   “No Ma’am” he answered politely “I have a registered letter for you.”

   “Why?” she asked pointedly.

  “Why what?” he responded.

  Taking a breath and releasing it with a deep sigh to show her disdain for his slowness she said, “Why would you have a registered letter for me? I don’t even know you.”

  “I’m with….” He said before she interrupted him.

   “You didn’t have to write it down did you?” she asked.   “And go through all the trouble of registering the letter.  You simply could have come here and told me what you want. Now, what do you want?”

  “I’m with the post office, Miss” he explained. “Someone has sent you a registered letter and you need to please sign for it so I can give it to you,” and he handed her the letter, the receipt and a pen and pointed for the line she was to sign on.

   She took the contraptions but before signing asked, “And who gave this to you to bring here?”

   “I don’t know Ma’am,” he replied.

    Staring at him solemnly, she wagged a finger and lectured, “You should not be so trusting, young fellow.”

   “Yes Ma’am” he said for he was a kind and a polite mailman.

   “Always” she continued “know from whom you are accepting things. What if there were illegal narcotics in this envelope and the police stopped you and found the illegal narcotics and arrested you?”

   “Yes Ma’am” he agreed. “You’re right. I don’t know what I was thinking.”

    Content that she had protected the working classes from themselves she nodded and signed the envelope. He took the receipt and checked the appropriate boxes for her and when he looked up again he saw the one dollar bill in the lady’s hand.

    “I can’t take that Ma’am,” he said with a weak smile.

    “Nonsense” she said and pushed the sole bill into his hand. “Use it to buy a suit so you can get a job,” and then she closed the massive door. She paused and tried to recall what she was doing before this distraction pillaged her day.

     Ah, yes, the letter from the editor.

   She was looking for the letter from the editor before that terribly confused man arrived at her door.  Twenty minutes later she found the letter where she had left it, on the desk in the library.

    Placing the certified letter down on the desk and picking up a month old letter from the editor, she conducted a light search for her glasses, again, and finding them on her head, again, she read the letter aloud.

 Dear Miss Comstock:

    We have received the envelope from you marked “The Life and Times of Admiral Johnson Comstock As told by his daughter. Chapter One.”  The envelope was empty. Perhaps you could resend.

   Kind regards.

   Jackson Beauregard, Publisher

   Sentential Publishing Company, New York New York

   She carefully refolded the letter and placed it back into its clean white envelope and took a second letter from the desk, opened it and read it aloud.

 Dear Miss Comstock:

    We have received another envelope from you marked “The Life and Times of Admiral Johnson Comstock. As told by his daughter. Chapter One.” This envelope was also empty. When we suggested that you resend, we meant perhaps you could send another envelope with the actual chapter  within the envelope.

     Kind regards.

   Jackson Beauregard, Publisher

   Sentential Publishing Company, New York New York

   “Why is that poor man looking for things in empty envelopes?” she asked herself aloud. “Perhaps I should telephone him.”

    And so she did. She dialed. The phone rang. A man answered.

   “Hello?”  asked the man’s voice.

    “Yes,” she said, “I need to speak with Mister Beauregard.”

   “Is this Catherine?” the man asked.

   “Oh good heavens,” she said somewhat annoyed. “I don’t know who you are and why should I guess?  Catherine Comstock here.  Is Mister Beauregard available to speak on the telephone?

 “Miss Comstock, this is Jackson Beauregard,” said Jackson Beauregard. “I’m so….”

    “Well you should have just said that from the beginning,” she said.

   “Well I just want to say how pleased….” he began.

   “I don’t have time for Tom Foolery, Mister Beauregard. I am not a New Yorker you know,” she said. “My Father the Admiral always said, Chicago has no hills. It’s completely flat.”

   There was a very long pause on the phone.

   “Well anyway,” Jackson Beauregard said, “I was about to give you a call myself.”

   “On the telephone?” Catherine asked. And there was another silence. 

   “Miss Comstock” he said in a very business-like fashion “as you know, our firm has paid you a very large advance for the biography you promised to write on your father’s life. Your attorney, Mister Willoughby, assured us the books would be completed.”

   “That’s correct” she said. “Good for you.”

   “But that was several years ago,” he continued “And now that Mister Willoughby….”

   “Mister Willoughby has died?” she asked.

   “Yes” he said.

   “Well why didn’t he tell me?” she asked.

   “I don’t know” he answered.

    “Some people” she sighed “are so unreliable. As my father use to say “Catherine, I don’t like new York.”

   Here was a long silence on the phone.

   “Miss Comstock,” Beauregard asked, “is there someone else?”

   “Someone else what?” she asked in return.

   “Well someone else we could speak to” he asked.

   “My goodness gracious, there must be millions of people you could speak to,” she answered.

   “I meant” he said “Is there someone else we could speak to regarding the manuscript, a new attorney, a relative of some sort? Someone who handles your finances?”

   “Well there is Miss Florence,” Catherine replied. “She’s here twice a week although I have forgotten which weeks those are.”

   “And she is your accountant? Financial advisor?” he asked.

   “No, no, no dear. She cleans the house,” Catherine replied. “She has a grandson. His name is Tupac. He’s doing ten years in Maryland, some sort of Doctorial work I would think. Should you have a bill to be paid, send it here and I will see to it that Miss Florence looks it over.”

   “She handles your finances?” he asked.

   “Oh yes” Catherine said sweetly. “Miss Florence has worked since she was 16 years old. Isn’t that wonderful Catherine?”

   “This is Jackson Beauregard, Miss Comstock.”

   “Oh, the poor fellow with empty envelopes,” she answered. “I’ve been meaning to call you. You have sent me some letters regarding the biography I plan to write on my father. I finished the first chapter you know.”

   “That’s delightful, Miss Comstock” said Beauregard. “I’m glad to hear it.”

   “My father was a great man. He believed in us, in our greatness as a people. And he believed in freedom, for everyone, everywhere because he held the individual, each child of God, as a sacred thing. And he spent his life defending that principle.”

   “That he did, Miss Comstock, that he did,” said Jackson Beauregard. “We owe him much.”

   “Now, young man” Catherine said, “What is it that you have called me about?”  

    There was a pause and then Jackson Beauregard, who was a good man, a decent man said, “I guess I just wanted to say hello.”

   “Oh” said Catherine with surprise, “Well hello to you as well.”

 

Short Story: Human nature

 

It was the second day of cold and miserable weather. The kind of miserable day that lasts too long and leaves the soul feeling empty and alone. A day that took twice more than it gave. He was unloading the food from the trunk of his car when the voice reached across the cold rain and asked “Sir? How far is it to Route 2?

   He slowly and reluctantly maneuvered his head around the hood to see a boy, more of a young man than a boy, tall and so thin that his wet and ragged clothes hung from every angle of him and dripped rain on to the soaked gravel of the parking lot.  From inside the bar, someone flicked on the overhead sign and the words “Two Deuces Cocktails and Dining” sprinkled hundreds of red and blue reflections across tiny stones of the lot.

   He looked at the boy and then looked past him into the blur of speeding cars that threatened to drown out his voice, so he yelled ‘About two miles, maybe more. Straight down this road. Route 2 crosses over it”.

   He noticed the boys sneakers didn’t match. Maybe it was a fashion, he thought. He didn’t know anything about fashion. He didn’t know much about kids ether.  The boy, he figured him to be maybe 18-years-old, nodded his thanks, but in a way that let it be known that he was already tired and didn’t want the long journey before him.

   “You gonna use that?” the boy asked, nodding his head towards the trunk floor.

   “Use what?” he shouted back.

   “That hat, that baseball hat?” the boy replied pointing his long boney finger at the truck.

     He looked down at his Twins baseball cap. He’d bought at a game down in New York two years ago. It cost him a pretty penny. He looked over at the boy and the hood that covered his head was soaked through with rain.

    “Sure, I’ll give it to you” he said leaning into the car “Take it, it’s yours.”

     “I’ll take it” the boy said with a nod that seemed ever so slightly aggressive.

     He reached into the truck and tossed him the cap.  The boy caught it, pulled down his rain soaked hood, placed the cap on his head and pulled the hood over it.  He stood to his full height and shoved his thin bone white hands into his pant pockets a move that caused the trousers to inch down precariously, forcing him to quickly move his right hand around to the back and left hand to the front and pull the pants up in one quick yank. Then he lowered his head against the rain and moved on.

   He noticed the boy hadn’t thanked him for the cap but still, for a moment, he pondered offering the boy a ride down to the road because it was raining and cold and miserable and the traffic was dangerous.  But he was going to offer the ride because he was a kind man, a good man, a decent man.  So he pondered and decided against I because more than once his worthy nature had caused him more grief than joy. So he returned to the shelter of the trunk hood, lifted out the last of the grocery bags and closing the trunk with a push of his elbow, he trudged across the parking lot and pounded on the restaurants thick wooden door.

   He heard the lock release from inside and watched the door swing open to reveal the still dark dining room, vaguely silhouetted in an ugly yellow glow from the kitchen light.  The scene made him slightly uneasy but for no particular reason other than he was a man who liked things the way they were. He liked the undisturbed sameness of things. Routine. Warmth.

   “Did you get everything?”  Brian asked lifting his nose above the edge of the brown paper bags and searching inside for everything and anything.

    The question annoyed him, slightly, but it still annoyed him. He was not a complete incompetent, he thought to himself, he would never actually say something like that out loud.  But, he added to his thoughts, that he was enough of an incompetent to need someone like Brian to run the place, to manage the details that he knew he was incapable of handling because, truthfully, he just didn’t care.

    When his father ran the place, he ran it alone, but he wasn’t his father and that annoyed him too. Before he answered, his mind darted back to the boy and the cap and he wondered if he had allowed the boy to buffalo him.

   “Yep” he answered as he handed the bags over to him “Everybody here?.”

   He prayed everyone was there. He didn’t handle restaurant problems well. He was born into that business; he was not born from it. It wasn’t a joy for him as it had been for his father. For him, it was work, joyless work.  Every morning he dragged himself across the parking lot whispering “Let there be no problems today, please” and every morning he recalled his father jogging across the lot, rushing inside to find a problem.

    “Just about” Brian answered, “the girls are in back, got all the tables covered, the cooks here” Both of them moved their heads to the right looked past the open kitchen door.  The short order cook who was older than dirt and was bent over his counter in his kitchen, and it was his kitchen, lost in the rhythm of a chopping motion and the dull thud his knife blade pushing into a vegetable. He was a good man when he was sober, and a bad man was he drunk and the busted bones and scars on his face testified silently that he was more often drunk than sober.

   “He okay tonight?” he asked, speaking rapidly to get the cold out of his veins.

   “Is he sober?” Brian answered slowly “Yeah, but the night’s young. Talk to me when we close at 2.”

   “Long as he gets us past the bar rush” he said, “I don’t really care what happens after that.” And they both looked into the kitchen again.

     The dishwasher?” he asked hopefully. “What’s his name? Juan…..” he drew a blank.

  “Juan, Don Juan, Don Corleone, I don’t know, anyways, not here” Brian answered shaking his head “and probably won’t be either. If you want, I’ll wash, you cover the floor”

    He had hired the kid. It was Brian’s job, but he had leaped into the middle of things and hired the kid without Brian’s consent and now he was gone with no signs of returning.

    “No” he answered with a long sigh that was drawn mostly out of resignation for his inabilities “No. You’re the manager, you manger. I’ll wash”

  “I’m sorry” Brian said with a tilt of his head.

  “It’s not your fault.” he answered feeling somewhat condescended to and looked down at his white shirt and blue tie “I’m going to slip home and change into something more dish washy.”     

  “All right” Brian answered in a way that was intended to be uplifting but felt oddly out of place “I’ll get this stuff in the back, see you in a bit”

    Back in the safety of his car, he drove slowly through the increasing darkness of the day, agitated that the dishwasher, what’s his name, had taken his last paycheck and not returned.  Son of bitch.  No work ethic, that’s the problem. No manners. No respect.

   A mile down Wolcott Road, peering through the brown mist on his windshield, he saw the tall, rail thin boy sluggishly making his way through the rain. His chin was held close to his chest, his hands buried deep in his pockets. He pulled the car up alongside the boy, lowered the window and felt the cold air invade the car. The boy bent over and looked into the car.

  “You still going to Route 2?” he asked.

    It took the boy a few seconds but when he recognized him from the parking lot a surprisingly warm smile came across his face.

   “Oh!” he said “Hi”

   “Come on” he said “Get in, I’ll give you a ride”

   “I’ll take it” the boy replied. “I’ll take what I can when I can”

     He climbed into the car and sat, stretched out his two long legs and rode along silently, looking out into the rain swept street. They drove along for several miles without talking, the boy adjusting the seat to fit his long legs and then leaning it back, far back, as though he intended to sleep until they reached Lakewood Road.  He didn’t like that the boy moved the seat without asking. He thought about saying something, but didn’t instead he reasoned his way out of it. People had to be comfortable after all. It was human nature.

   “So” he asked without looking over to his passenger “Where you going today?”

   “The car wash up on Route 2” the boy replied without bothering to look at him “They had an ad in the newspaper. They’re looking for people and I need a job”

   “What are they paying?” he asked.

   “Minimum wage I suppose” he answered lazily and then turning to him with a wry smile, the boy added “Moneys money, right?”

   That’s right” he answered, and they returned to their mutual silence. Common sense told him there was something not right with this boy, that he was trouble. That he had a slight but obvious bad attitude. But his better angels, he had many of them, pushed those thoughts aside and he reasoned that poverty and hard times would make anyone a cynic, make them harsh. The boy just needed a break, he needed to see that there was goodness in the world.

  “So, where do you live?” he asked the boy.

  “Up on Binary Road” he answered.

   “Binary Road” he said repeating the boy’s words. He knew the area. It was a bad. There were trailer homes on some of those lots that were older than he was.

  “That’s near my place, my restaurant  he said and then added “You know, it’s a good haul up to route 2 for minimum wage. I’ll tell you what, if you wash dishes, I got a job for you. It’s a lot closer than all the way up here. Free meals too. And we’re stable. We’ve been there for fifty years now”

   “If you want, sure” the boy said as he were doing him a favor.

   “Yeah, I think it would be good for the two of us” he said and turned the car around and headed back to the bar.

    Late the next morning the  weather was equal miserable when he pulled into the parking lot. Brain and the cook walked across the lot to meet him. They never did that. Never.  Something was wrong. His stomach tightened. The center of his chest hurt, but just slightly. He stepped out of the shelter of his car and walked towards them. 

   “White trash is all he is” the old cook grumbled   “Just plain white trash. I knew it the minute I laid eyes on him”

   “What happened?” he asked, “What the hell happened?”

   “We were robbed” Brian answered “Burglarized. Wiped us out”

   “White trash is all he is” the old cook grumbled again “Just plain white trash. I said that from the get-go. But did anybody listen to me? No”

   “Where’s the kid?” he asked but he knew.

   “I been in this here business longer any you been alive” the cook said too loudly. He was already drunk.

   “He’s not coming back” Brian said with a look of sympathy across his face.

   “Why do you say that?” he asked, but he knew.

   “Because he broke in last night. He must have left the back door unlocked before he left. We got him on the house camera. Took the strong box with him, about $1,000. He cleaned out the register for another five hundred.  All of our steaks, another $500 at least”       

   “I gave him everything” he said.

   “It’s not your fault. Its human nature is what it is” the cook said to him “You got yourself two kinds of people in this world, the givers and the takers. That’s all there is. He seen you a giver and he took, noth’n you can do about it. Just Human nature all it is”  

 

For you, I would fight dragons.

For you, I would fight dragons.
I would!
I would stand before the angry beast, shield and dagger in hand.
And I would be scared, but for you and if not for you
I would fight dragons, I would.
I would give it my all and you would see me for all I am
You watch me fight the dragon
and
you would see the depth of my passion for you.
The dragon would see it and the beast would retreat, overpowered.
There are no dragons
And I fear
You will never know all of me me nor see what the dragon saw.

Book 'em: Police find 'irreplaceable' tomes stolen in 2017


THE HAGUE, Netherlands (AP) — Police in Romania have uncovered a trove of “irreplaceable” books including first editions of works by Galileo Galilei and Isaac Newton that were stolen in a sophisticated 2017 heist from a warehouse in London, police and the European Union's judicial cooperation agency said Friday.

The stash of some 200 rare and valuable books was discovered Wednesday hidden in a concealed space under a house in rural Romania.

London's Met Police said in a statement that the recovered books have a combined value of more than 2.5 million pounds ($3.2 million).

“These books are extremely valuable, but more importantly they are irreplaceable and are of great importance to international cultural heritage," Detective Inspector Andy Durham said in a statement.

The books were stolen in a raid on a warehouse in west London. Burglars cut holes in the roof and abseiled down into the building to avoid motion detectors, loaded the books into 16 large bags and clambered back up the ropes to make their getaway through the roof, police said.

A joint investigation involving police from London, Romania and the Carabinieri in Italy, supported by EU agencies Europol and Eurojust in The Hague, identified 11 similar burglaries across Britain, that netted some 2 million pounds worth of stolen property.

The Met Police said a Romanian organized crime gang was responsible.

The probe led to a series of raids in the three countries in June 2019 and the arrest of 13 suspects who were charged in the U.K. with involvement in the burglaries.

The Met said that 12 suspects have pleaded guilty and will face sentencing hearings starting later this month. The 13th suspect is scheduled to go on trial in March.

 


Playwright opportunities

 

 

*** FREE THEATER ONLINE ***

 

Join us for NOISES OFF, a 1982 play written by the English playwright Michael Frayn about a play within a play.

 

WHEN: Wednesday, September 30, 2020

TIME: Watch the show at 7:00 p.m. Join our Zoom social gathering at 6:30 p.m. Connect online on Zoom at 6:15 p.m. to make sure your audio and visual are working properly.

SHOW RUNTIME: 1 hour, 59 minutes

WEBSITE: https://www.youtube.com/watch?v=RmJWPGZp1-Y

 

HOW TO CONNECT

Sign up on this event page.

https://www.meetup.com/fr-FR/Thumbs-Up-Theatre-Toronto/events/273015754/

 

On the morning of the event, Amy will send attendees the Zoom link and password to enter the meeting.

Please ensure you are signed up to receive messages and event page updates. If you don't hear from Amy by 12 noon on September 30, send her a message on meetup.com and she will send you the link and password.

Please specify you are inquiring about NOISES OFF.

 

PART 1 - PRE-SHOW GATHERING: Connect at 6:15 p.m. on Zoom on your computer, laptop, iPad or cellphone. The 6:15 p.m. connect time is to give you 15 minutes (before the official 6:30 p.m. start time) to ensure your video and audio are working properly. If you don't have Zoom, follow the prompts to download it via the link sent to you.

The pre-show gathering will officially begin at 6:30 p.m.

 

PART 2 - THE SHOW: At 7:00 p.m. watch the show on your device

 

PART 3 - AFTER-SHOW GATHERING: At 9:00 p.m. (or whenever the show ends) join us back on Zoom for a post-show discussion and gathering.

 

 

*** DRAMATISTS GUILD WEBINARS ***

 

This fall, seven thought-provoking and informative webinars will be held between Monday, Sep 21 and Friday, Oct 2.

 

Banned Together

Highlighting Banned BIPOC Writers

The Dramatists Guild Legal Defense Fund (DLDF) is partnering with The Dramatists Guild Political Engagement Initiative to present two online panel discussions that will highlight BIPOC writers who have previously been left out of significant cultural conversations.

 

Facing Censorship: Personal Experiences on Being Banned

Thursday, October 1 at 3pm EDT

 

Unknown Legacies: Black Playwrights in America

Friday, October 2 at 3pm EDT

 

Wait! That’s Not What I Wrote!

with Cheryl Davis from The Authors Guild

Monday, September 21 at 2pm EDT

 

Copyright Questions

with Catherine Rowland from the U.S. Copyright Office

Monday, September 21 at 2pm EDT

 

Music Copyright 101

with Sean Patrick Flahaven from Concord Music

Wednesday, September 30 at 2pm EDT

 

https://www.dramatistsguild.com/news

 

*** OPPORTUNITIES FOR PLAYWRIGHTS ***

 

Continuing our aim to develop and produce new and overlooked plays by exciting playwrights over 40, Prism Stage Company is currently seeking submissions for our ongoing Play Development Lab and future programming.

Playwrights who are BIPOC (Black, Indigenous and people of color over 40) are highly encouraged to submit.

 

***

FutureFest seeks original work (NO musicals or plays for children) that has not been published or produced where admission was charged prior to FutureFest 2021. Staged readings/workshop productions are not necessarily disqualifying factors.

 

***

The Eric H. Weinberger Award for Emerging Librettists is a juried cash and production grant given annually to support the early work and career of a deserving musical theatre librettist. It commemorates the life and work of playwright/librettist Eric H. Weinberger (1950-2017), who was a Drama Desk Award nominee for Best Book of a Musical (Wanda’s World), and the playwright/librettist of Class Mothers ’68, which earned Pricilla Lopez a Drama Desk Award nomination.

 

*** FOR MORE INFORMATION about these and other opportunities see the web site at https://www.nycplaywrights.org ***

 

*** BEN BRANTLEY ***

 

Ben Brantley, the influential New York Times theater critic, will leave the job next month. “This pandemic pause in the great, energizing party that is the theater seemed to me like a good moment to slip out the door,” Brantley said in a statement.

 

The vacancy will provide the Times with an opportunity to expand the diversity of the newspaper’s chief theater critic line-up. Maya Phillips, a woman of color, is an arts criticism fellow and frequently reviews stage works, but the chief critic job has traditionally been held by white men.

 

More...

https://deadline.com/2020/09/ben-brantley-new-york-times-theater-critic-retirement-1234574410/

 

***

 

Welcome to DidHeLikeIt.com, your official guide and translator for all the Broadway theater reviews by Ben Brantley, the chief theater critic for the The New York Times... and The World (insert evil and high pitched Ben Brantley laugh here).

We developed DidHeLikeIt.com for two reasons.

 

1. Everyone wants to know if Ben Brantley and The New York Times liked a Broadway show or not.

2. No one actually wants to read the reviews.

 

More...

https://www.didhelikeit.com/about.html

 

 

***

 

Some have asked it with urgent desperation, as if a new Times critic would be the end to their theatrical drought. (It’s so easy to blame critics when things don’t go your way – but negative reviews and/or positive reviews are never what decides your fate.)

 

I asked Ben the same question when he appeared on my podcast. Even back then, he had already occupied his important theater seat longer than most.

 

“How long will you keep doing this?”

 

His answer? He told me he was going to keep doing it and saw no reason to stop.

 

And I remember thinking . . . “Good.”

 

I know, I know, that response surprised even me, but keep reading.

 

Last week, Ben finally saw a reason to stop. On Friday, the Times announced he was stepping down from his post as the Chief Drama Critic for the New York Times. Another casualty of the pandemic.

 

Ben was a tough critic, no question. But I’m going to miss him, something I never thought I’d even think, never mind say.

 

More...

https://www.theproducersperspective.com/my_weblog/2020/09/ben-brantley-something-i-never-thought-id-see-or-say.html

 

***

Ben is a cultural omnivore, and his wonderfully wide-ranging knowledge is there in every piece he writes. That first “Summer and Smoke” review quoted a Tennessee Williams interview in Playboy magazine and name-checked Hillary Clinton, Katharine Hepburn and “Independence Day”; his latest, of “The Jacksonian,” referenced Jim Thompson, Carson McCullers and Lillian Hellman.

 

That review was of a Zoom reading of the script, a necessary adjustment with live theater largely sidelined. Yet when one Berkshires theater got the historic OK to perform before an audience again, Ben Brantley was there, notebook in hand.

“We adapt, we make do, even as we long to return to the age of the handshake and the hug,” he wrote of the experience.

 

More...

https://www.nytco.com/press/ben-brantley-take-a-bow/

 

***

 

EPISODE 63: BEN BRANTLEY: TELL ME A STORY

On this week’s episode, Jamie and Rob are joined by Ben Brantley, co-chief theater critic for The New York Times. A consummate journalist and celebrated writer, Ben talks about how he came to the Times, his tenure there since 1993, his writing process, what theater criticism means to him, and why he loves the theater. A bit later in the show, Rob gives a look into the career of experimental playwright and director Richard Maxwell through the lens of a Ben Brantley review.

 

https://broadwaypodcastnetwork.com/the-fabulous-invalid/episode-63-ben-brantley-tell-me-a-story/

 

***

 

Cast of Preschool Nativity Play Wakes Up to Scathing Review From Ben Brantley

 

MOUNT PLEASANT, S.C. — The cast of St. Joseph Preschool’s production of the Nativity scene woke up to a devastating sight this morning, as they opened their copy of the New York times and discovered that theatre critic Ben Brantley had given them a devastatingly negative review, sources close to the toddlers report.

 

“It’s a terrible feeling to read those things about your child,” says parent Janet Lobanick. I mean, Brantley wasn’t entirely off base with his assessment. The sets were shoddy and the performances amateurish. It’s the tone of his review that got to me - I mean he really seemed to revel in ripping this production a new one.”

 

More...

https://www.thebroadwaybeat.com/post/cast-of-preschool-nativity-play-wakes-up-to-scathing-review-from-ben-brantley

 

***

 

You guys, social media feuds just got a lot more highbrow. The latest celebrity to call another well-known person out for being “a little bitch” on Instagram (the message was scrawled over a photo, the modern equivalent of Mene Mene Tekel Upharsin) is not your usual breed of Real Housewife or pop star I’ve recently become too old to have heard of, but James Franco, the polyglot actor who is the only person in the history of the universe to actually do everything that artsy boy from Jewish summer camp told you he was planning to.

 

The subject of his ire is none other than Ben Brantley, the lead theater critic of the New York Times, who recently reviewed the production of Of Mice And Men Franco is currently starring in with Chris O’Dowd, with his patented brand of tepid criticism. Franco, he observed, “is often understated to the point of near invisibility. It’s a tight, internal performance begging for a camera’s close-up.”

 

More...

https://www.tabletmag.com/sections/news/articles/james-franco-directs-rant-at-nyt-theater-critic

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