Welcome

Welcome
John William Tuohy lives in Washington DC

A thesaurus

 


Dust bowl photos by Dorthea Lang

 


“And the little screaming fact that sounds through all history: repression works only to strengthen and knit the repressed.”― John Steinbeck, The Grapes of Wrath




“A large drop of sun lingered on the horizon and then dripped over and was gone, and the sky was brilliant over the spot where it had gone, and a torn cloud, like a bloody rag, hung over the spot of its going. And dusk crept over the sky from the eastern horizon, and darkness crept over the land from the east.”― John Steinbeck, The Grapes of Wrath


“Our people are good people; our people are kind people. Pray God some day kind people won't all be poor.”― John Steinbeck, The Grapes of Wrath






“...and in the eyes of the people there is the failure; and in the eyes of the hungry there is a growing wrath. In the souls of the people the grapes of wrath are filling and growing heavy, growing heavy for the vintage.”― John Steinbeck, The Grapes of Wrath


What wisdom can you find that is greater than kindness? -Jean Jacques Rousseau, philosopher and author


 

Greetings NYCPlaywrights



*** FREE THEATER IN NYC ***

KING LEAR
by William Shakespeare
with Nahum Tate’s 1681 “happy ending”
The original source material for King Lear wasn’t a tragedy!  Tate’s adaptation—which lets our well-meaning royal live and let live—was performed almost exclusively until the 1840s. 

Performances
Tuesdays to Sundays at 7pm
Central Park
(West 100th Street & Central Park West)
Previews June 24 - June 30, 2021
Performances July 1 - July 11, 2021

Brooklyn Commons at MetroTech
(Brooklyn Common Park at Myrtle Avenue & Bridge Street)
July 13-18, 2021

Carl Schurz Park
(East 87th Street & East End Avenue) 
July 20-25, 2021

The Battery 
(Battery Place & Broadway)
July 27 - August 8, 2021
Tuesdays to Sundays except Thursday, July 29

Reservations

*** PRIMARY STAGES ***

NOW ENROLLING: July Happenings at Primary Stages ESPA! 
July is just around the corner! We have classes starting as early as next week at Primary Stages ESPA that are still open for enrollment! Learn the Fundamentals of Playwriting with Dennis A. Allen II (Writer, National Black Theatre) starting June 28; get to know The Business of Theater with John Gould Rubin (Director, Turn Me Loose Off-Broadway) starting July 1; or complete a Fast First Draft with Lia Romeo (Writer, 4-time Kilroy's List writer) starting July 14. Classes begin mid-June. 
Flexible, artist-friendly payment plans available. http://primarystages.org/espa/writing


*** OPPORTUNITIES FOR PLAYWRIGHTS ***

In its 10th season, TEDxAsburyPark is broadening its commitment to ideas by seeking short original plays to be produced and directed for a Zoom audience.
Plays must have a running time of less than 25 minutes, involve a small cast and be suitable for Zoom or a simple production. As a lab, our directed and rehearsed productions will involve the playwright, and all sessions, including the final production, will be recorded.

***
Stories 1.0 is the full-length musical comprised of works selected in the first several rounds. Several works in Stories 1.0 were workshopped in San Francisco, New York City, Miami, and Nashville over the years. Individual segments have been independently workshopped in Dallas, Chicago, London, and Boston. SEEKING: Complete original stage musicals which play between seven and twenty minutes. Works which have been previously produced are acceptable, as are excerpts from full-length shows, if they can stand up on their own.

***
Three Rivers Theatre Company, a non-profit community theatre, based in East Tennessee, has launched a somewhat different kind of playwrighting contest. It is one in which they are looking for faith-based or family-friendly plays.

*** FOR MORE INFORMATION about these and other opportunities see the web site at https://www.nycplaywrights.org ***


*** PRIDE & THEATER ***

National Queer Theater is an innovative theater collective dedicated to celebrating the brilliance of generations of LGBTQ artists and providing a home for unheard storytellers and activists. By serving our elders, youth, and working professionals, NQT creates a more just future through radical and evocative theater experiences and free community classes.


***
My husband Lenny was a big bruiser of a man, a rough-edged New Yorker with a thick, Alphabet City accent and a very traditionally masculine presentation.
In his prime, you'd have been quicker to take him for a Lower East Side gangster than a theater queen.
But how that man loved Judy, Liza, and Barbra!
I wish you could have seen his eyes sparkle as he barked out a lilting line.
I don't think he missed a single musical, on Broadway or off, after West Side Story.
He took an usher job as a kid just so he could see shows he couldn't afford.
Up until his last days, he spiced his conversation with snippets of lyrics and melodies from musical theater. He loved opera too, which is another common stereotype about gay men that contains a good bit of truth.

More...

***
ONE EVENING NOT long after “The Boys in the Band” had its Off Broadway premiere in April 1968, Laurence Luckinbill, who played Hank, brought his tool kit to work. Theater Four, as the joint was called, was a dowdy old converted church in a part of Manhattan that the play’s author, Mart Crowley, called a “senseless-killing neighborhood.” But Luckinbill wasn’t lugging tools to make repairs. Instead, he drilled a hole in a piece of the set called a tormentor flat, about waist-high, so that he and his eight castmates, standing backstage, could get a glimpse of whoever was sitting sixth row center: the best seats in the house. Over the coming weeks the actors took turns peeping at the likes of Jackie Kennedy, Marlene Dietrich, Groucho Marx and Rudolf Nureyev. Even New York City’s glamorous mayor, John Lindsay, showed up.

More...

***
It seems almost inconceivable today, with the abundance of openly gay playwrights and gay-themed plays, that less than 50 years ago a drama critic for The New York Times felt the need to call for “social and theatrical convention” to be “widened so that homosexual life may be as freely dramatized as heterosexual life, may be as frankly treated in our drama as in contemporary fiction.” The impetus for Stanley Kauffmann’s 1966 article was his contention that three unnamed “reputed” homosexual playwrights—clearly identifiable then and now as Tennessee Williams, William Inge, and Edward Albee—were presenting a “badly distorted picture of American women, marriage, and society.” Although Kauffmann’s premise is highly debatable, he does end up advocating that the gay playwright be free to write about himself and his world without having to “disguise his nature.”

More...

***
Lillian Hellman’s controversial 1934 play The Children’s Hour—about two female teachers at a private girls’ school and the lesbian rumor that destroys their reputations—concluded with one of the lead characters committing suicide. Though shocking, this ending was not surprising to audiences: it was common for the handful of lesbian characters in mainstream plays throughout most of the 20th century.

Accordingly, lesbian playwrights, actors and audiences found few positive portrayals of themselves on stage. It was not until the 1960s that a community of lesbian theater artists were able to write and produce work that explored feminism and gender roles, a scene that coincided with movements to further the civil rights of African-Americans, women and gays. Rather than wait for mainstream theater to catch up with the times, radical female playwrights and actors created what they wanted to see on stage.

More...

***
It’s no coincidence that I took comfort in musical theatre. While as an art form, musical theatre is generally considered the purview of gay men, with its camp excess and absurdity, I put it to you that musical theatre is deeply, deeply sapphic. It’s feelings upon feelings upon feelings, and the show simply cannot go on without a gruff butch stage manager calling the shots.
The thing is, despite this, a search through the back catalogue of musicals reveals a dearth of explicitly lesbian characters. We got a nod (and an absolute banger of a duet) in Rent and we’ll always have Calamity Jane singing about ‘a woman’s touch’, but for decades we had nothing truly driven by a queer woman’s perspective.

Enter Fun Home in 2015, an unlikely adaptation of Alison Bechdel’s autobiographical graphic novel of the same name, a dark tale of growing up in a funeral home, coming out, grief and family secrets, with book and lyrics by Lisa Kron and music by Jeanine Tesori. Bechdel is arguably best known for the pop cultural phenomenon of The Bechdel Test but to queer women she is so much more. And to queer women who love musical theatre, she’s iconic.

More...

***
Transgender equality is one of the main civil rights struggles of our era, and it's certainly having a cultural moment. Make that many moments. Transgender has become a household word with the Emmy nomination of Laverne Cox of Orange Is the New Black, the recent opening of an exclusively trans modeling agency and Caitlyn Jenner's launch of a surprisingly informative reality show featuring trailblazers like Candis Cayne and Kate Bornstein. This is the case even in homes that didn't know the trans community existed until Chaz Bono competed on Dancing with the Stars.

In many ways, Broadway and Off-Off Broadway have been receptive to the fight for transgender visibility and equality, even more so mainstream TV and movies, which only recently jumped on the bandwagon. Since the '60s, openly transgender actresses like Candy Darling and Holly Woodlawn have graced downtown stages. And in more recent decades, genderqueer artists such as Justin Vivian Bond, Taylor Mac and Bianca Leigh have written and performed their work, often casting their peers. 

More...

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Top 10 literary destinations

These Top 10 literary destinations have either been the home or inspiration to many of the greatest writers in Western civilization, and feature remarkable attractions as tributes to those authors, for travellers to enjoy today.

 

1. Great Expectations: London, England

London was the birthplace or home of many of the greatest authors of all time, including Charles Dickens, Geoffrey Chaucer, John Milton, John Keats and HG Wells, to name a few. Visitors can stop by the home of Dickens, see the house where Benjamin Johnson wrote the first comprehensive English dictionary, or go on one of many guided walks that let you follow in Sherlock Holmes’ footsteps.

 

2. Some are Born Great: Stratford-upon-Avon, England

Birthplace of William Shakespeare, Stratford-upon-Avon is a Mecca for the literature enthusiast. Travellers can catch a glimpse into The Bard’s early life, see the magnificent Royal Shakespeare Company perform, or pay tribute to the father of modern literature at his final resting place.

 

 

3. The Game is Afoot: Edinburgh, Scotland

We have Edinburgh authors to thank for some of the world’s most beloved stories and characters, from Sir Arthur Conan Doyle’s Sherlock Holmes to J K Rowling’s Harry Potter. Take a walking tour of Edinburgh’s medieval Old Town to learn about Scottish literary characters and history, or celebrate the contributions of authors Robert Burns, Sir Walter Scott and Robert Louis Stevenson at the Writer’s Museum. Paving stones approaching the museum commemorate Scottish writers.

 

4. Portals of Discovery: Dublin, Ireland

Dublin’s greatest authors from Yeats to Heaney have often used their home city as their inspiration, evident in James Joyce’s Dubliners and Jonathan Swift’s satirical A Modest Proposal. Literature enthusiasts will want to make the pilgrimages to the James Joyce Tower and House, as well as visit the Dublin Writers’ Museum and the National Library of Ireland.

 Manhattan Bridge over East River

 

5. A Wink of the Eye: New York, New York

Jack Kerouac and Allen Ginsberg once hung out in New York’s White Horse Tavern, Arthur Miller, Norman Mailer and John Ashbery called the city home, and the Harlem Renaissance surfaced African-American literary greats like Richard Wright and Langston Hughes. Take a literary walking tour of Greenwich Village or immerse yourself in the New York Public Library’s immense collection.

 

6. Live Free: Concord, Massachusetts

A unique destination for its small size and depth of literary history, Concord is the site of Walden Pond, inspiration for Thoreau’s “Walden,” and the house where Louisa May Alcott wrote Little Women. Ralph Waldo Emerson and Nathaniel Hawthorne also called Concord home in the 1800s, and for the ultimate literary pilgrimage, visit the final resting places of all these literary giants in the Author’s Ridge section of the Sleepy Hollow Cemetery.

 

7. Absorbed in Thought: Paris, France

Paris’ literary history – from French authors like Victor Hugo, Voltaire, and Alexander Dumas to Americans such as Gertrude Stein, Ernest Hemingway, F Scott Fitzgerald and others of the ‘Lost Generation’- is rich and diverse. With its famous book stalls (Les Bouquinistes) lining the Seine, and famed literary cafes like les Deux Magots, frequented by greats like Hemingway and Albert Camus, the City of Light’s literary vibe lives on.

 Historic Beat-era Vesuvio Cafe is a must-see in San Francisco

 

8. See with the Eyes of Angels: San Francisco, California

No top 10 literary destinations list would be complete without a nod to San Francisco. When Ginsberg and Kerouac moved from New York to San Francisco, they brought their new literary style with them, establishing the city as a new hub of the “Beat Generation.” See the site of their famed first poetry reading, along with others of their circle like Philip Whalen, at the Six Gallery, or visit the popular City Lights Bookstore, founded by Beat poet Lawrence Ferlinghetti, which brings writing and progressive politics together. Buy a copy of Howl at City Lights Books, read it over a beer at the Vesuvio Cafe, you might be sitting in a seat where Kerouac sat.

 

9. Time Flies: Rome, Italy

Birthplace of some of the world’s most influential literature, Rome was home to ancient greats like Virgil, who penned The Aeneid. But Rome’s literary importance has continued to the present day, with foreign authors like Keats, Shelley, James and many more coming to draw inspiration from the centre of the ancient world. Be sure to visit the Keats-Shelley House on Rome’s historic Spanish Steps, a site visited by many other authors and artists throughout history.

 The former imperial capital of Russia has a rich artistic heritage

 

10. Beauty is Mysterious: St Petersburg, Russia

With its remarkable history highlighted by Leo Tolstoy, Anton Chekhov, Alexander Pushkin and Fyodor Dostoevsky, St Petersburg is a renowned literary destination. Dostoevsky inhabited a number of apartments throughout the city, and in his last, where he wrote The Brothers Karamazov, there is now a museum dedicated to his life. Walking tours also allow visitors to see the city through the famous author’s eyes. Refresh your memory of the tales and cast in the stories as told by Gogol and Dostoevsky and others and you will see most of the locations, streets and even boarding houses just as described.