That's a duck egg with the large, dark colored yoke and chicken egg.
From Web MD.
Duck eggs are larger than chicken eggs, with a
larger yolk-to-white ratio that makes them ideal for baked goods. Golden in
color and rich in flavor, baked goods made with duck eggs tend to be moist and
fluffy, rise better, and hold their shape well. Duck eggs are preferred over
chicken eggs for cream and custard fillings because they contain less water and
more fat.
You can cook duck eggs just like chicken eggs
and will find that they have a creamier, richer taste. Some people prefer them
deviled or in omelets or quiches, as they have a stronger flavor than chicken
eggs when eaten plain.
Health Benefits
However you serve them, duck eggs are an
excellent source of nutrition. Their dark yellow yolk indicates that they hold
more antioxidants, more omega-3 fatty acids, and 50% more vitamin A than
chicken eggs.
Build Muscle
Duck eggs offer more protein than chicken
eggs, even taking size into consideration. Protein can help you build lean
muscle, maintain a healthy weight, and recover after exercise or injury.
Support Mental Health
Deficiencies in zinc, magnesium, and selenium
have been linked to depression and fatigue. Eggs contain all three of these
minerals. Duck eggs are an excellent source of selenium, providing almost half
of the daily value in one egg.
Duck eggs also provide vitamin D, the
“sunshine vitamin.” Low levels of vitamin D are associated with depression and
seasonal affective disorder.
Boost Skin Health
Recent studies have shown that B vitamins may improve skin health. There are eight B vitamins, each with their own unique benefit for the skin, and duck eggs contain them all:
Vitamin B1, the “anti-stress vitamin,” can help prevent
stress-related breakouts.
Vitamin B2 helps maintain collagen and reduce
inflammation.
Vitamin B3 can help with acne, eczema, and dermatitis.
Vitamin B5 holds moisture in the skin.
Vitamin B6 aids the body in coping with stress, and
getting enough sleep, preventing inflammation and dry skin.
Vitamin B7 protects the skin from infection and maintains
skin moisture.
Vitamin B9 promotes cell regeneration, the process by
which the body is continuously replacing dead skin cells with new ones.
Vitamin B12 reduces acne, dryness, and inflammation.
McDonald's introduced the drive-thru.
McDonald’s
introduced the drive-thru to fast food service in general use at one of its stores in Arizona in
1975. The McDonald’s in question was based two miles away from a military base and McDonald’s
corporate expected that a good portion of the store's income would come from the
base. However, soldiers at the base weren’t rarely using the store. A little research
determined that military personnel weren’t allowed (at that time) off the base
wearing their uniforms….hence the birth of the drive-thru which allowed the soldiers
to use McDonald’s while they stayed in the car.
To be clear, McDonald's didn't introduce the first drive-thru. That honor goes to Kirby's Pig Stand which introduced the drive-in restaurant in 1931.
When fiction becomes fact.
When
fiction becomes fact: No one ever walked on the moon. The boot imprints are to
deep and must have been faked.
Well,
no. The original space suit the first astronauts wore included a sort of “overboot”
over their boots because NASA wasn’t sure what they would be walking on while
on the surface of the moon and decided to take caution. The overbooks were left
behind on the moon’s surface and not brought into the space vehicle as an added
precaution.
The Necklace. A short story by Guy de Maupassant
She was one of those pretty and
charming girls born, as if by an error of fate, into a family of clerks. She
had no dowry, no expectations, no means of becoming known, understood, loved or
wedded by a man of wealth and distinction; and so she let herself be married to
a minor official at the Ministry of Education.
She dressed plainly because she had never been
able to afford anything better, but she was as unhappy as if she had once been
wealthy. Women don't belong to a caste or class; their beauty, grace, and
natural charm take the place of birth and family. Natural delicacy, instinctive
elegance and a quick wit determine their place in society, and make the
daughters of commoners the equals of the very finest ladies.
She suffered endlessly, feeling she was
entitled to all the delicacies and luxuries of life. She suffered because of
the poorness of her house as she looked at the dirty walls, the worn-out chairs
and the ugly curtains. All these things that another woman of her class would
not even have noticed, tormented her and made her resentful. The sight of the
little Brenton girl who did her housework filled her with terrible regrets and
hopeless fantasies. She dreamed of silent antechambers hung with Oriental
tapestries, lit from above by torches in bronze holders, while two tall footmen
in knee-length breeches napped in huge armchairs, sleepy from the stove's
oppressive warmth. She dreamed of vast living rooms furnished in rare old
silks, elegant furniture loaded with priceless ornaments, and inviting smaller
rooms, perfumed, made for afternoon chats with close friends - famous, sought
after men, who all women envy and desire.
When she sat down to dinner at a
round table covered with a three-day-old cloth opposite her husband who,
lifting the lid off the soup, shouted excitedly, "Ah! Beef stew! What
could be better," she dreamed of fine dinners, of shining silverware, of
tapestries which peopled the walls with figures from another time and strange
birds in fairy forests; she dreamed of delicious dishes served on wonderful
plates, of whispered gallantries listened to with an inscrutable smile as one
ate the pink flesh of a trout or the wings of a quail.
She had no dresses, no jewels, nothing; and
these were the only things she loved. She felt she was made for them alone. She
wanted so much to charm, to be envied, to be desired and sought after.
She had a rich friend, a former schoolmate at
the convent, whom she no longer wanted to visit because she suffered so much
when she came home. For whole days afterwards she would weep with sorrow,
regret, despair and misery.
One evening her husband came home
with an air of triumph, holding a large envelope in his hand.
"Look," he said,
"here's something for you."
She tore open the paper and drew out a card,
on which was printed the words:
"The Minister of Education and
Mme. Georges Rampouneau request the pleasure of M. and Mme. Loisel's company at
the Ministry, on the evening of Monday January 18th."
Instead of being delighted, as her
husband had hoped, she threw the invitation on the table resentfully, and
muttered: "What do you want me to
do with that?"
"But, my dear, I thought you
would be pleased. You never go out, and it will be such a lovely occasion! I
had awful trouble getting it. Every one wants to go; it is very exclusive, and
they're not giving many invitations to clerks. The whole ministry will be
there."
She stared at him angrily, and said, impatiently:
"And what do you expect me to wear if I go?"
He hadn't thought of that. He stammered:
"Why, the dress you go to the theatre in. It seems very nice to me
..."
He stopped, stunned, distressed to see his wife crying. Two large tears
ran slowly from the corners of her eyes towards the corners of her mouth. He
stuttered:
"What's the matter? What's the matter?"
With great effort she overcame her grief and replied in a calm voice, as
she wiped her wet cheeks:
"Nothing. Only I have no dress and so I can't go to this party.
Give your invitation to a friend whose wife has better clothes than I do."
He was distraught, but tried again:
"Let's see, Mathilde. How much would a suitable dress cost, one
which you could use again on other occasions, something very simple?"
She thought for a moment, computing the cost, and also wondering what
amount she could ask for without an immediate refusal and an alarmed
exclamation from the thrifty clerk.
At last she answered hesitantly:
"I don't know exactly, but I think I could do it with four hundred
francs."
He turned a little pale, because he had been saving that exact amount to
buy a gun and treat himself to a hunting trip the following summer, in the
country near Nanterre, with a few friends who went lark-shooting there on
Sundays.
However, he said: "Very
well, I can give you four hundred francs. But try and get a really beautiful
dress."
The day of the party drew near, and
Madame Loisel seemed sad, restless, anxious. Her dress was ready, however. One
evening her husband said to her:
"What's the matter? You've been acting strange these last three days."
She replied: "I'm upset that I have no
jewels, not a single stone to wear. I will look cheap. I would almost rather
not go to the party."
"You could wear flowers, " he said, "They are very
fashionable at this time of year. For ten francs you could get two or three
magnificent roses."
She was not convinced.
"No; there is nothing more humiliating than looking poor in the
middle of a lot of rich women."
"How stupid you are!" her husband cried. "Go and see your
friend Madame Forestier and ask her to lend you some jewels. You know her well
enough for that."
She uttered a cry of joy.
"Of course. I had not thought of that."
The next day she went to her friend's house and told her of her
distress.
Madame Forestier went to her mirrored wardrobe, took out a large box,
brought it back, opened it, and said to Madame Loisel: "Choose, my dear."
First she saw some bracelets, then a pearl necklace, then a gold
Venetian cross set with precious stones, of exquisite craftsmanship. She tried
on the jewelry in the mirror, hesitated, could not bear to part with them, to
give them back. She kept asking:
"You have nothing else?"
"Why, yes. But I don't know what you like."
Suddenly she discovered, in a black satin box, a superb diamond
necklace, and her heart began to beat with uncontrolled desire. Her hands
trembled as she took it. She fastened it around her neck, over her high-necked
dress, and stood lost in ecstasy as she looked at herself.
Then she asked anxiously, hesitating: "Would you lend me this, just this?"
"Why, yes, of course."
She threw her arms around her friend's neck, embraced her rapturously,
then fled with her treasure.
The day of the party arrived.
Madame Loisel was a success. She was prettier than all the other women,
elegant, gracious, smiling, and full of joy. All the men stared at her, asked
her name, tried to be introduced. All the cabinet officials wanted to waltz with
her. The minister noticed her.
She danced wildly, with passion, drunk on pleasure, forgetting
everything in the triumph of her beauty, in the glory of her success, in a sort
of cloud of happiness, made up of all this respect, all this admiration, all
these awakened desires, of that sense of triumph that is so sweet to a woman's
heart.
She left at about four o'clock in the morning. Her husband had been
dozing since midnight in a little deserted anteroom with three other gentlemen
whose wives were having a good time.
He threw over her shoulders the clothes he had brought for her to go
outside in, the modest clothes of an ordinary life, whose poverty contrasted
sharply with the elegance of the ball dress. She felt this and wanted to run
away, so she wouldn't be noticed by the other women who were wrapping
themselves in expensive furs.
Loisel held her back.
"Wait a moment, you'll catch a cold outside. I'll go and find a
cab."
But she would not listen to him, and ran down the stairs. When they were
finally in the street, they could not find a cab, and began to look for one,
shouting at the cabmen they saw passing in the distance.
They walked down toward the Seine in despair, shivering with cold. At
last they found on the quay one of those old night cabs that one sees in Paris
only after dark, as if they were ashamed to show their shabbiness during the
day.
They were dropped off at their door in the Rue des Martyrs, and sadly
walked up the steps to their apartment. It was all over, for her. And he was
remembering that he had to be back at his office at ten o'clock.
In front of the mirror, she took off the clothes around her shoulders,
taking a final look at herself in all her glory. But suddenly she uttered a
cry. She no longer had the necklace round her neck!
"What is the matter?" asked her husband, already half
undressed.
She turned towards him, panic-stricken.
"I have ... I have ... I no longer have Madame Forestier's
necklace."
He stood up, distraught.
"What! ... how! ... That's impossible!"
They looked in the folds of her dress, in the folds of her cloak, in her
pockets, everywhere. But they could not find it.
"Are you sure you still had it on when you left the ball?" he
asked.
"Yes. I touched it in the hall at the Ministry."
"But if you had lost it in the street we would have heard it fall.
It must be in the cab."
"Yes. That's probably it.
Did you take his number?"
"No. And you, didn't you notice it?"
"No."
They stared at each other, stunned. At last Loisel put his clothes on
again.
"I'm going back," he said, "over the whole route we
walked, see if I can find it."
He left. She remained in her ball dress all evening, without the
strength to go to bed, sitting on a chair, with no fire, her mind blank.
Her husband returned at about seven o'clock. He had found nothing.
He went to the police, to the newspapers to offer a reward, to the cab
companies, everywhere the tiniest glimmer of hope led him.
She waited all day, in the same state of blank despair from before this
frightful disaster.
Loisel returned in the evening, a hollow, pale figure; he had found
nothing.
"You must write to your friend," he said, "tell her you
have broken the clasp of her necklace and that you are having it mended. It
will give us time to look some more."
She wrote as he dictated.
At the end of one week they had
lost all hope.
And Loisel, who had aged five years, declared: "We must consider how to replace the
jewel."
The next day they took the box which had held it, and went to the
jeweler whose name they found inside. He consulted his books.
"It was not I, madame, who sold the necklace; I must simply have
supplied the case."
And so they went from jeweler to jeweler, looking for an necklace like
the other one, consulting their memories, both sick with grief and anguish.
In a shop at the Palais Royal, they found a string of diamonds which
seemed to be exactly what they were looking for. It was worth forty thousand
francs. They could have it for thirty-six thousand.
So they begged the jeweler not to sell it for three days. And they made
an arrangement that he would take it back for thirty-four thousand francs if
the other necklace was found before the end of February.
Loisel had eighteen thousand francs which his father had left him. He
would borrow the rest.
And he did borrow, asking for a thousand francs from one man, five
hundred from another, five louis here, three louis there. He gave notes, made
ruinous agreements, dealt with usurers, with every type of money-lender. He
compromised the rest of his life, risked signing notes without knowing if he
could ever honor them, and, terrified by the anguish still to come, by the
black misery about to fall on him, by the prospect of every physical privation
and every moral torture he was about to suffer, he went to get the new
necklace, and laid down on the jeweler's counter thirty-six thousand francs.
When Madame Loisel took the necklace back, Madame Forestier said coldly:
"You should have returned it sooner, I might have needed it."
To the relief of her friend, she did not open the case. If she had
detected the substitution, what would she have thought? What would she have
said? Would she have taken her friend for a thief?
From then on, Madame Loisel knew
the horrible life of the very poor. But she played her part heroically. The
dreadful debt must be paid. She would pay it. They dismissed their maid; they
changed their lodgings; they rented a garret under the roof.
She came to know the drudgery of housework, the odious labors of the
kitchen. She washed the dishes, staining her rosy nails on greasy pots and the
bottoms of pans. She washed the dirty linen, the shirts and the dishcloths,
which she hung to dry on a line; she carried the garbage down to the street
every morning, and carried up the water, stopping at each landing to catch her
breath. And, dressed like a commoner, she went to the fruiterer's, the
grocer's, the butcher's, her basket on her arm, bargaining, insulted, fighting
over every miserable sou.
Each month they had to pay some notes, renew others, get more time.
Her husband worked every evening, doing accounts for a tradesman, and
often, late into the night, he sat copying a manuscript at five sous a page.
And this life lasted ten years.
At the end of ten years they had paid off everything, everything, at
usurer's rates and with the accumulations of compound interest.
Madame Loisel looked old now. She had become strong, hard and rough like
all women of impoverished households. With hair half combed, with skirts awry,
and reddened hands, she talked loudly as she washed the floor with great
swishes of water. But sometimes, when her husband was at the office, she sat
down near the window and thought of that evening at the ball so long ago, when
she had been so beautiful and so admired.
What would have happened if she had not lost that necklace? Who knows,
who knows? How strange life is, how fickle! How little is needed for one to be
ruined or saved!
One Sunday, as she was walking in
the Champs Élysées to refresh herself after the week's work, suddenly she saw a
woman walking with a child. It was Madame Forestier, still young, still
beautiful, still charming.
Madame Loisel felt emotional. Should she speak to her? Yes, of course.
And now that she had paid, she would tell her all. Why not?
She went up to her.
"Good morning, Jeanne."
The other, astonished to be addressed so familiarly by this common
woman, did not recognize her. She stammered:
"But - madame - I don't know. You must have made a mistake."
"No, I am Mathilde Loisel."
Her friend uttered a cry.
"Oh! ... my poor Mathilde, how you've changed! ..."
"Yes, I have had some hard times since I last saw you, and many
miseries ... and all because of you!
"Me? How can that be?"
"You remember that diamond necklace that you lent me to wear to the
Ministry party?"
"Yes. Well?"
"Well, I lost it."
"What do you mean? You brought it back."
"I brought you back another exactly like it. And it has taken us
ten years to pay for it. It wasn't easy for us, we had very little. But at last
it is over, and I am very glad."
Madame Forestier was stunned.
"You say that you bought a diamond necklace to replace mine?"
"Yes; you didn't notice then? They were very similar."
And she smiled with proud and innocent pleasure.
Madame Forestier, deeply moved, took both her hands.
"Oh, my poor Mathilde! Mine was an imitation! It was worth five
hundred francs at most! ..."
This is amazing: There are more than 5,000 worlds beyond our solar system
We now know that are at least 5,000 confirmed planets beyond our solar system. They are called (By NASA) “exoplanets”
Scientists have found planets
that orbit more than one star and even some around the remnants of dead stars
called white dwarfs.
So far, of the confirmed
exoplanets, 30% are gas giants, 31% are super-Earths, and 35% are Neptune-like.
Just 4% are terrestrial, or rocky planets like Earth or Mars.
The weather on this exoplanet
includes metal clouds and rain made of precious gems
Many are super-Earth and
sub-Neptune planets, along with some hot Jupiter-size planets. There are also
two Earth-size planets, but they're about 620 degrees Fahrenheit (327 degrees
Celsius).
One has a system with five
planets orbiting a small, cool red dwarf star -- not unlike the TRAPPIST-1
system, where a similar star hosts seven rocky planets.
Of the 5,000 exoplanets known,
4,900 are located within a few thousand light-years of us.
The Ghosts of Washington: The Supreme Court Building
The area that is now the Supreme
Court has a sordid history long before the nation's highest court took
residence there. That corner was the home of a large brick building that was
well known to be haunted.
The Building was known as the Old
Capitol Building because it temporarily housed the employees of the Capitol
while the current building was being repaired from a fire.
When the workers moved out of the
old building it was used as a prison for Confederate soldiers. These soldiers
would scream, swear, beg, and plead their innocence while awaiting trial. The
most famous of these prisoners was the well-known female Confederate spy Belle
Boyd. (Below)
The building was taken over by
pioneers of the Woman's Suffrage Movement, and meetings were held here while
women were fighting for the right to vote. Many of these women heard screams,
swearing, and begging while they were holding their meetings, some were
terrified.
The building was demolished in
the 1920s to make way for the Supreme Court. Although the Old Capitol Building
is gone, many a Washingtonian will tell you on some early mornings before the
sun rises and the feds arrive to work... the screams, rattles, and pleads for
justice can be heard.
The summit of the great pyramid of Giza
The summit of the great pyramid of Giza is 40
square feet and flat but it should be. Its point, the capstone, ( A pyramidion) is missing,
and no one knows why although there is some evidence that was missing as far
back as 2000 years ago. Yet there are some ancient records that state that
there never was a capstone. If it did have one, the surface four sides were polished
to a bright white. The capstone is thought to have been gold or gold surfaced,
which reflected off of the walls surfaces so it shone like a magnificent star.
The sad death of Russ Columbo
Russ Colombo (born Ruggiero Eugenio di Rodolfo
Colombo) was a super talented singer-songwriter, musician, and actor. At least
a dozen of the songs he wrote were smash hits for the biggest names in entertainment
for decades. He also was an early participant in films, when “talkies” (sound)
came into popular use.
He was a young man on his way to the top until
he was shot to death. On Sunday,
September 2, 1934, Columbo was visiting a friend, photographer Lansing Brown,
who was a gun collector.
According to Brown “I was absent-mindedly fooling
around with one of the guns. It was of a dueling design and works with a cap
and trigger. I was pulling back the trigger and clicking it time after time. I
had a match in my hand and when I clicked, apparently the match caught in
between the hammer and the firing pin. There was an explosion. Russ slid to the
side of his chair.”
The ball had ricocheted off a nearby table and
hit Columbo above the left eye. Surgeons tried to remove the ball from
Columbo's brain but he was dead six hours after the shooting.
The family never told Columbo's mother her son
was dead. On the day he died she was in the hospital recuperating from a heart
attack. Her children determined that it was best not to tell what happened, and
keep their brother death a secret until she died ten years later.
Do not go gentile into that good night, a poem by Dylan Thomas
Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.
And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.
And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.
Exhalation by Ted Chiang
Exhalation by Ted Chiang
It has long been said that air
(which others call argon) is the source of life. This is not in fact the case,
and I engrave these words to describe how I came to understand the true source
of life and, as a corollary, the means by which life will one day end.
For most of history, the
proposition that we drew life from air was so obvious that there was no need to
assert it. Every day we consume two lungs heavy with air; every day we remove
the empty ones from our chest and replace them with full ones. If a person is
careless and lets his air level run too low, he feels the heaviness of his
limbs and the growing need for replenishment. It is exceedingly rare that a
person is unable to get at least one replacement lung before his installed pair
runs empty; on those unfortunate occasions where this has happened—when a
person is trapped and unable to move, with no one nearby to assist him—he dies
within seconds of his air running out.
But in the normal course of life,
our need for air is far from our thoughts, and indeed many would say that
satisfying that need is the least important part of going to the filling
stations. For the filling stations are the primary venue for social
conversation, the places from which we draw emotional sustenance as well as
physical. We all keep spare sets of full lungs in our homes, but when one is
alone, the act of opening one’s chest and replacing one’s lungs can seem little
better than a chore. In the company of others, however, it becomes a communal
activity, a shared pleasure.
If one is exceedingly busy, or
feeling unsociable, one might simply pick up a pair of full lungs, install
them, and leave one’s emptied lungs on the other side of the room. If one has a
few minutes to spare, it’s simple courtesy to connect the empty lungs to an air
dispenser and refill them for the next person. But by far the most common
practice is to linger and enjoy the company of others, to discuss the news of
the day with friends or acquaintances and, in passing, offer newly filled lungs
to one’s interlocutor. While this perhaps does not constitute air sharing in
the strictest sense, there is camaraderie derived from the awareness that all
our air comes from the same source, for the dispensers are but the exposed
terminals of pipes extending from the reservoir of air deep underground, the
great lung of the world, the source of all our nourishment.
Many lungs are returned to the
same filling station the next day, but just as many circulate to other stations
when people visit neighboring districts; the lungs are all identical in
appearance, smooth cylinders of aluminum, so one cannot tell whether a given
lung has always stayed close to home or whether it has traveled long distances.
And just as lungs are passed between persons and districts, so are news and
gossip. In this way one can receive news from remote districts, even those at
the very edge of the world, without needing to leave home, although I myself
enjoy traveling. I have journeyed all the way to the edge of the world, and
seen the solid chromium wall that extends from the ground up into the infinite
sky.
It was at one of the filling
stations that I first heard the rumors that prompted my investigation and led
to my eventual enlightenment. It began innocently enough, with a remark from
our district’s public crier. At noon of the first day of every year, it is
traditional for the crier to recite a passage of verse, an ode composed long
ago for this annual celebration, which takes exactly one hour to deliver. The
crier mentioned that on his most recent performance, the turret clock struck
the hour before he had finished, something that had never happened before.
Another person remarked that this was a coincidence, because he had just
returned from a nearby district where the public crier had complained of the
same incongruity.
No one gave the matter much
thought beyond the simple acknowledgement that seemed warranted. It was only
some days later, when there arrived word of a similar deviation between the
crier and the clock of a third district, that the suggestion was made that
these discrepancies might be evidence of a defect in the mechanism common to
all the turret clocks, albeit a curious one to cause the clocks to run faster
rather than slower. Horologists investigated the turret clocks in question, but
on inspection they could discern no imperfection. In fact, when compared
against the timepieces normally employed for such calibration purposes, the
turret clocks were all found to have resumed keeping perfect time.
I myself found the question somewhat
intriguing, but I was too focused on my own studies to devote much thought to
other matters. I was and am a student of anatomy, and to provide context for my
subsequent actions, I now offer a brief account of my relationship with the
field.
Death is uncommon, fortunately,
because we are durable and fatal mishaps are rare, but it makes difficult the
study of anatomy, especially since many of the accidents serious enough to
cause death leave the deceased’s remains too damaged for study. If lungs are ruptured
when full, the explosive force can tear a body asunder, ripping the titanium as
easily as if it were tin. In the past, anatomists focused their attention on
the limbs, which were the most likely to survive intact. During the very first
anatomy lecture I attended a century ago, the lecturer showed us a severed arm,
the casing removed to reveal the dense column of rods and pistons within. I can
vividly recall the way, after he had connected its arterial hoses to a
wall-mounted lung he kept in the laboratory, he was able to manipulate the
actuating rods that protruded from the arm’s ragged base, and in response the
hand would open and close fitfully.
In the intervening years, our
field has advanced to the point where anatomists are able to repair damaged
limbs and, on occasion, attach a severed limb. At the same time we have become
capable of studying the physiology of the living; I have given a version of
that first lecture I saw, during which I opened the casing of my own arm and
directed my students’ attention to the rods that contracted and extended when I
wiggled my fingers.
Despite these advances, the field
of anatomy still had a great unsolved mystery at its core: the question of
memory. While we knew a little about the structure of the brain, its physiology
is notoriously hard to study because of the brain’s extreme delicacy. It is
typically the case in fatal accidents that, when the skull is breached, the
brain erupts in a cloud of gold, leaving little besides shredded filament and
leaf from which nothing useful can be discerned. For decades the prevailing
theory of memory was that all of a person’s experiences were engraved on sheets
of gold foil; it was these sheets, torn apart by the force of the blast, that
were the source of the tiny flakes found after accidents. Anatomists would
collect the bits of gold leaf—so thin that light passes greenly through
them—and spend years trying to reconstruct the original sheets, with the hope
of eventually deciphering the symbols in which the deceased’s recent
experiences were inscribed.
I did not subscribe to this theory, known as the inscription hypothesis, for the simple reason that if all our experiences are in fact recorded, why is it that our memories are incomplete? Advocates of the inscription hypothesis offered an explanation for forgetfulness—suggesting that over time the foil sheets become misaligned from the stylus which reads the memories, until the oldest sheets shift out of contact with it altogether—but I never found it convincing. The appeal of the theory was easy for me to appreciate, though; I too had devoted many an hour to examining flakes of gold through a microscope, and can imagine how gratifying it would be to turn the fine adjustment knob and see legible symbols come into focus.
More than that, how wonderful
would it be to decipher the very oldest of a deceased person’s memories, ones
that he himself had forgotten? None of us can remember much more than a hundred
years in the past, and written records—accounts that we ourselves inscribed but
have scant memory of doing so—extend only a few hundred years before that. How
many years did we live before the beginning of written history? Where did we
come from? It is the promise of finding the answers within our own brains that
makes the inscription hypothesis so seductive.
I was a proponent of the
competing school of thought, which held that our memories were stored in some
medium in which the process of erasure was no more difficult than recording:
perhaps in the rotation of gears, or the positions of a series of switches.
This theory implied that everything we had forgotten was indeed lost, and our
brains contained no histories older than those found in our libraries. One
advantage of this theory was that it better explained why, when lungs are
installed in those who have died from lack of air, the revived have no memories
and are all but mindless: Somehow the shock of death had reset all the gears or
switches. The inscriptionists claimed the shock had merely misaligned the foil
sheets, but no one was willing to kill a living person, even an imbecile, in
order to resolve the debate. I had envisioned an experiment which might allow
me to determine the truth conclusively, but it was a risky one, and deserved
careful consideration before it was undertaken. I remained undecided for the
longest time, until I heard more news about the clock anomaly.
Word arrived from a more distant
district that its public crier had likewise observed the turret clock striking
the hour before he had finished his new year’s recital. What made this notable
was that his district’s clock employed a different mechanism, one in which the
hours were marked by the flow of mercury into a bowl. Here the discrepancy
could not be explained by a common mechanical fault. Most people suspected
fraud, a practical joke perpetrated by mischief makers. I had a different
suspicion, a darker one that I dared not voice, but it decided my course of
action; I would proceed with my experiment.
The first tool I constructed was
the simplest: in my laboratory I fixed four prisms on mounting brackets and
carefully aligned them so that their apexes formed the corners of a rectangle.
When arranged thus, a beam of light directed at one of the lower prisms was
reflected up, then backward, then down, and then forward again in a
quadrilateral loop. Accordingly, when I sat with my eyes at the level of the
first prism, I obtained a clear view of the back of my own head. This
solipsistic periscope formed the basis of all that was to come.
A similarly rectangular arrangement of actuating rods allowed a displacement of action to accompany the displacement of vision afforded by the prisms. The bank of actuating rods was much larger than the periscope, but still relatively straightforward in design; by contrast, what was attached to the end of these respective mechanisms was far more intricate. To the periscope I added a binocular microscope mounted on an armature capable of swiveling side to side or up and down. To the actuating rods I added an array of precision manipulators, although that description hardly does justice to those pinnacles of the mechanician’s art. Combining the ingenuity of anatomists and the inspiration provided by the bodily structures they studied, the manipulators enabled their operator to accomplish any task he might normally perform with his own hands, but on a much smaller scale.
Assembling all of this equipment
took months, but I could not afford to be anything less than meticulous. Once
the preparations were complete, I was able to place each of my hands on a nest
of knobs and levers and control a pair of manipulators situated behind my head,
and use the periscope to see what they worked on. I would then be able to
dissect my own brain.
The very idea must sound like
pure madness, I know, and had I told any of my colleagues, they would surely
have tried to stop me. But I could not ask anyone else to risk themselves for
the sake of anatomical inquiry, and because I wished to conduct the dissection
myself, I would not be satisfied by merely being the passive subject of such an
operation. Auto-dissection was the only option.
I brought in a dozen full lungs and connected them with a manifold. I mounted this assembly beneath the worktable that I would sit at, and positioned a dispenser to connect directly to the bronchial inlets within my chest. This would supply me with six days’ worth of air. To provide for the possibility that I might not have completed my experiment within that period, I had scheduled a visit from a colleague at the end of that time. My presumption, however, was that the only way I would not have finished the operation in that period would be if I had caused my own death.
I began by removing the deeply
curved plate that formed the back and top of my head; then the two, more
shallowly curved plates that formed the sides. Only my faceplate remained, but
it was locked into a restraining bracket, and I could not see its inner surface
from the vantage point of my periscope; what I saw exposed was my own brain. It
consisted of a dozen or more subassemblies, whose exteriors were covered by
intricately molded shells; by positioning the periscope near the fissures that
separated them, I gained a tantalizing glimpse at the fabulous mechanisms
within their interiors. Even with what little I could see, I could tell it was
the most beautifully complex engine I had ever beheld, so far beyond any device
man had constructed that it was incontrovertibly of divine origin. The sight
was both exhilarating and dizzying, and I savored it on a strictly aesthetic
basis for several minutes before proceeding with my explorations.
It was generally hypothesized
that the brain was divided into an engine located in the center of the head
which performed the actual cognition, surrounded by an array of components in
which memories were stored. What I observed was consistent with this theory,
since the peripheral subassemblies seemed to resemble one another, while the
subassembly in the center appeared to be different, more heterogeneous and with
more moving parts. However the components were packed too closely for me to see
much of their operation; if I intended to learn anything more, I would require
a more intimate vantage point.
Each subassembly had a local
reservoir of air, fed by a hose extending from the regulator at the base of my
brain. I focused my periscope on the rearmost subassembly and, using the remote
manipulators, I quickly disconnected the outlet hose and installed a longer one
in its place. I had practiced this maneuver countless times so that I could
perform it in a matter of moments; even so, I was not certain I could complete
the connection before the subassembly had depleted its local reservoir. Only
after I was satisfied that the component’s operation had not been interrupted
did I continue; I rearranged the longer hose to gain a better view of what lay
in the fissure behind it: other hoses that connected it to its neighboring
components. Using the most slender pair of manipulators to reach into the
narrow crevice, I replaced the hoses one by one with longer substitutes.
Eventually, I had worked my way around the entire subassembly and replaced
every connection it had to the rest of my brain. I was now able to unmount this
subassembly from the frame that supported it, and pull the entire section
outside of what was once the back of my head.
I knew it was possible I had
impaired my capacity to think and was unable to recognize it, but performing
some basic arithmetic tests suggested that I was uninjured. With one
subassembly hanging from a scaffold above, I now had a better view of the
cognition engine at the center of my brain, but there was not enough room to
bring the microscope attachment itself in for a close inspection. In order for
me to really examine the workings of my brain, I would have to displace at
least half a dozen subassemblies.
Laboriously, painstakingly, I
repeated the procedure of substituting hoses for other subassemblies,
repositioning another one farther back, two more higher up, and two others out
to the sides, suspending all six from the scaffold above my head. When I was
done, my brain looked like an explosion frozen an infinitesimal fraction of a
second after the detonation, and again I felt dizzy when I thought about it.
But at last the cognition engine itself was exposed, supported on a pillar of
hoses and actuating rods leading down into my torso. I now also had room to
rotate my microscope around a full three hundred and sixty degrees, and pass my
gaze across the inner faces of the subassemblies I had moved. What I saw was a
microcosm of auric machinery, a landscape of tiny spinning rotors and miniature
reciprocating cylinders.
As I contemplated this vista, I
wondered, where was my body? The conduits which displaced my vision and action
around the room were in principle no different from those which connected my
original eyes and hands to my brain. For the duration of this experiment, were
these manipulators not essentially my hands? Were the magnifying lenses at the
end of my periscope not essentially my eyes? I was an everted person, with my
tiny, fragmented body situated at the center of my own distended brain. It was
in this unlikely configuration that I began to explore myself.
I turned my microscope to one of the
memory subassemblies, and began examining its design. I had no expectation that
I would be able to decipher my memories, only that I might divine the means by
which they were recorded. As I had predicted, there were no reams of foil pages
visible, but to my surprise neither did I see banks of gearwheels or switches.
Instead, the subassembly seemed to consist almost entirely of a bank of air
tubules. Through the interstices between the tubules I was able to glimpse
ripples passing through the bank’s interior.
With careful inspection and
increasing magnification, I discerned that the tubules ramified into tiny air
capillaries, which were interwoven with a dense latticework of wires on which
gold leaves were hinged. Under the influence of air escaping from the
capillaries, the leaves were held in a variety of positions. These were not
switches in the conventional sense, for they did not retain their position
without a current of air to support them, but I hypothesized that these were
the switches I had sought, the medium in which my memories were recorded. The
ripples I saw must have been acts of recall, as an arrangement of leaves was
read and sent back to the cognition engine.
Armed with this new
understanding, I then turned my microscope to the cognition engine. Here too I
observed a latticework of wires, but they did not bear leaves suspended in
position; instead the leaves flipped back and forth almost too rapidly to see.
Indeed, almost the entire engine appeared to be in motion, consisting more of
lattice than of air capillaries, and I wondered how air could reach all the
gold leaves in a coherent manner. For many hours I scrutinized the leaves,
until I realized that they themselves were playing the role of capillaries; the
leaves formed temporary conduits and valves that existed just long enough to
redirect air at other leaves in turn, and then disappeared as a result. This
was an engine undergoing continuous transformation, indeed modifying itself as
part of its operation. The lattice was not so much a machine as it was a page
on which the machine was written, and on which the machine itself ceaselessly
wrote.
My consciousness could be said to
be encoded in the position of these tiny leaves, but it would be more accurate
to say that it was encoded in the ever-shifting pattern of air driving these
leaves. Watching the oscillations of these flakes of gold, I saw that air does
not, as we had always assumed, simply provide power to the engine that realizes
our thoughts. Air is in fact the very medium of our thoughts. All that we are
is a pattern of air flow. My memories were inscribed, not as grooves on foil or
even the position of switches, but as persistent currents of argon.
In the moments after I grasped
the nature of this lattice mechanism, a cascade of insights penetrated my
consciousness in rapid succession. The first and most trivial was understanding
why gold, the most malleable and ductile of metals, was the only material out
of which our brains could be made. Only the thinnest of foil leaves could move
rapidly enough for such a mechanism, and only the most delicate of filaments
could act as hinges for them. By comparison, the copper burr raised by my
stylus as I engrave these words and brushed from the sheet when I finish each
page is as coarse and heavy as scrap. This truly was a medium where erasing and
recording could be performed rapidly, far more so than any arrangement of
switches or gears.
What next became clear was why
installing full lungs into a person who has died from lack of air does not
bring him back to life. These leaves within the lattice remain balanced between
continuous cushions of air. This arrangement lets them flit back and forth
swiftly, but it also means that if the flow of air ever ceases, everything is
lost; the leaves all collapse into identical pendent states, erasing the
patterns and the consciousness they represent. Restoring the air supply cannot
recreate what has evanesced. This was the price of speed; a more stable medium
for storing patterns would mean that our consciousnesses would operate far more
slowly.
It was then that I perceived the
solution to the clock anomaly. I saw that the speed of these leaves’ movements
depended on their being supported by air; with sufficient air flow, the leaves
could move nearly frictionlessly. If they were moving more slowly, it was
because they were being subjected to more friction, which could occur only if
the cushions of air that supported them were thinner, and the air flowing
through the lattice was moving with less force.
It is not that the turret clocks
are running faster. What is happening is that our brains are running slower.
The turret clocks are driven by pendulums, whose tempo never varies, or by the
flow of mercury through a pipe, which does not change. But our brains rely on
the passage of air, and when that air flows more slowly, our thoughts slow
down, making the clocks seem to us to run faster.
I had feared that our brains
might be growing slower, and it was this prospect that had spurred me to pursue
my auto-dissection. But I had assumed that our cognition engines—while powered
by air—were ultimately mechanical in nature, and some aspect of the mechanism
was gradually becoming deformed through fatigue, and thus responsible for the
slowing. That would have been dire, but there was at least the hope that we might
be able to repair the mechanism, and restore our brains to their original speed
of operation.
But if our thoughts were purely
patterns of air rather than the movement of toothed gears, the problem was much
more serious, for what could cause the air flowing through every person’s brain
to move less rapidly? It could not be a decrease in the pressure from our
filling stations’ dispensers; the air pressure in our lungs is so high that it
must be stepped down by a series of regulators before reaching our brains. The
diminution in force, I saw, must arise from the opposite direction: The
pressure of our surrounding atmosphere was increasing.
How could this be? As soon as the
question formed, the only possible answer became apparent: Our sky must not be
infinite in height. Somewhere above the limits of our vision, the chromium
walls surrounding our world must curve inward to form a dome; our universe is a
sealed chamber rather than an open well. And air is gradually accumulating
within that chamber, until it equals the pressure in the reservoir below.
This is why, at the beginning of
this engraving, I said that air is not the source of life. Air can neither be
created nor destroyed; the total amount of air in the universe remains
constant, and if air were all that we needed to live, we would never die. But
in truth the source of life is a difference in air pressure, the flow of air
from spaces where it is thick to those where it is thin. The activity of our
brains, the motion of our bodies, the action of every machine we have ever
built is driven by the movement of air, the force exerted as differing
pressures seek to balance each other out. When the pressure everywhere in the
universe is the same, all air will be motionless, and useless; one day we will
be surrounded by motionless air and unable to derive any benefit from it.
We are not really consuming air
at all. The amount of air that I draw from each day’s new pair of lungs is
exactly as much as seeps out through the joints of my limbs and the seams of my
casing, exactly as much as I am adding to the atmosphere around me; all I am
doing is converting air at high pressure to air at low. With every movement of
my body, I contribute to the equalization of pressure in our universe. With
every thought that I have, I hasten the arrival of that fatal equilibrium.
Had I come to this realization
under any other circumstance, I would have leapt up from my chair and ran into
the streets, but in my current situation—body locked in a restraining bracket,
brain suspended across my laboratory—doing so was impossible. I could see the
leaves of my brain flitting faster from the tumult of my thoughts, which in
turn increased my agitation at being so restrained and immobile. Panic at that
moment might have led to my death, a nightmarish paroxysm of simultaneously
being trapped and spiraling out of control, struggling against my restraints
until my air ran out. It was by chance as much as by intention that my hands
adjusted the controls to avert my periscopic gaze from the latticework, so all
I could see was the plain surface of my worktable. Thus freed from having to
see and magnify my own apprehensions, I was able to calm down. When I had
regained sufficient composure, I began the lengthy process of reassembling
myself. Eventually I restored my brain to its original compact configuration,
reattached the plates of my head, and released myself from the restraining
bracket.
At first the other anatomists did
not believe me when I told them what I had discovered, but in the months that
followed my initial auto-dissection, more and more of them became convinced.
More examinations of people’s brains were performed, more measurements of
atmospheric pressure were taken, and the results were all found to confirm my
claims. The background air pressure of our universe was indeed increasing, and
slowing our thoughts as a result.
There was widespread panic in the
days after the truth first became widely known, as people contemplated for the
first time the idea that death was inevitable. Many called for the strict
curtailment of activities in order to minimize the thickening of our
atmosphere; accusations of wasted air escalated into furious brawls and, in
some districts, deaths. It was the shame of having caused these deaths,
together with the reminder that it would be many centuries yet before our
atmosphere’s pressure became equal to that of the reservoir underground, that
caused the panic to subside. We are not sure precisely how many centuries it
will take; additional measurements and calculations are being performed and
debated. In the meantime, there is much discussion over how we should spend the
time that remains to us.
One sect has dedicated itself to
the goal of reversing the equalization of pressure, and found many adherents.
The mechanicians among them constructed an engine that takes air from our
atmosphere and forces it into a smaller volume, a process they called
“compression.” Their engine restores air to the pressure it originally had in
the reservoir, and these Reversalists excitedly announced that it would form
the basis of a new kind of filling station, one that would—with each lung it
refilled—revitalize not only individuals but the universe itself. Alas, closer
examination of the engine revealed its fatal flaw. The engine itself is powered
by air from the reservoir, and for every lungful of air that it produces, the
engine consumes not just a lungful, but slightly more. It does not reverse the
process of equalization, but like everything else in the world, exacerbates it.
Although some of their adherents left in disillusionment after this setback, the Reversalists as a group were undeterred, and began drawing up alternate designs in which the compressor was powered instead by the uncoiling of springs or the descent of weights. These mechanisms fared no better. Every spring that is wound tight represents air released by the person who did the winding; every weight that rests higher than ground level represents air released by the person who did the lifting. There is no source of power in the universe that does not ultimately derive from a difference in air pressure, and there can be no engine whose operation will not, on balance, reduce that difference.
The Reversalists continue their
labors, confident that they will one day construct an engine that generates
more compression than it uses, a perpetual power source that will restore to
the universe its lost vigor. I do not share their optimism; I believe that the
process of equalization is inexorable. Eventually, all the air in our universe
will be evenly distributed, no denser or more rarefied in one spot than in any
other, unable to drive a piston, turn a rotor, or flip a leaf of gold foil. It
will be the end of pressure, the end of motive power, the end of thought. The
universe will have reached perfect equilibrium.
Some find irony in the fact that
a study of our brains revealed to us not the secrets of the past, but what
ultimately awaits us in the future. However, I maintain that we have indeed
learned something important about the past. The universe began as an enormous
breath being held. Who knows why, but whatever the reason, I am glad that it
did, because I owe my existence to that fact. All my desires and ruminations
are no more and no less than eddy currents generated by the gradual exhalation
of our universe. And until this great exhalation is finished, my thoughts live
on.
So that our thoughts may continue
as long as possible, anatomists and mechanicians are designing replacements for
our cerebral regulators, capable of gradually increasing the air pressure
within our brains and keeping it just higher than the surrounding atmospheric
pressure. Once these are installed, our thoughts will continue at roughly the
same speed even as the air thickens around us. But this does not mean that life
will continue unchanged. Eventually the pressure differential will fall to such
a level that our limbs will weaken and our movements will grow sluggish. We may
then try to slow our thoughts so that our physical torpor is less conspicuous
to us, but that will also cause external processes to appear to accelerate. The
ticking of clocks will rise to a chatter as their pendulums wave frantically;
falling objects will slam to the ground as if propelled by springs; undulations
will race down cables like the crack of a whip.
At some point our limbs will
cease moving altogether. I cannot be certain of the precise sequence of events
near the end, but I imagine a scenario in which our thoughts will continue to
operate, so that we remain conscious but frozen, immobile as statues. Perhaps
we’ll be able to speak for a while longer, because our voice boxes operate on a
smaller pressure differential than our limbs, but without the ability to visit
a filling station, every utterance will reduce the amount of air left for
thought, and bring us closer to the moment that our thoughts cease altogether.
Will it be preferable to remain mute to prolong our ability to think, or to
talk until the very end? I don’t know.
Perhaps a few of us, in the days
before we cease moving, will be able to connect our cerebral regulators
directly to the dispensers in the filling stations, in effect replacing our
lungs with the mighty lung of the world. If so, those few will be able to
remain conscious right up to the final moments before all pressure is equalized.
The last bit of air pressure left in our universe will be expended driving a
person’s conscious thought.
And then, our universe will be in
a state of absolute equilibrium. All life and thought will cease, and with
them, time itself.
But I maintain a slender hope.
Even though our universe is
enclosed, perhaps it is not the only air chamber in the infinite expanse of
solid chromium. I speculate that there could be another pocket of air
elsewhere, another universe besides our own that is even larger in volume. It
is possible that this hypothetical universe has the same or higher air pressure
as ours, but suppose that it had a much lower air pressure than ours, perhaps
even a true vacuum?
The chromium that separates us
from this supposed universe is too thick and too hard for us to drill through,
so there is no way we could reach it ourselves, no way to bleed off the excess
atmosphere from our universe and regain motive power that way. But I fantasize
that this neighboring universe has its own inhabitants, ones with capabilities
beyond our own. What if they were able to create a conduit between the two
universes, and install valves to release air from ours? They might use our
universe as a reservoir, running dispensers with which they could fill their own
lungs, and use our air as a way to drive their own civilization.
It cheers me to imagine that the
air that once powered me could power others, to believe that the breath that
enables me to engrave these words could one day flow through someone else’s
body. I do not delude myself into thinking that this would be a way for me to
live again, because I am not that air, I am the pattern that it assumed,
temporarily. The pattern that is me, the patterns that are the entire world in
which I live, would be gone.
But I have an even fainter hope:
that those inhabitants not only use our universe as a reservoir, but that once
they have emptied it of its air, they might one day be able to open a passage
and actually enter our universe as explorers. They might wander our streets,
see our frozen bodies, look through our possessions, and wonder about the lives
we led.
Which is why I have written this
account. You, I hope, are one of those explorers. You, I hope, found these
sheets of copper and deciphered the words engraved on their surfaces. And
whether or not your brain is impelled by the air that once impelled mine,
through the act of reading my words, the patterns that form your thoughts
become an imitation of the patterns that once formed mine. And in that way I
live again, through you.
Your fellow explorers will have
found and read the other books that we left behind, and through the
collaborative action of your imaginations, my entire civilization lives again.
As you walk through our silent districts, imagine them as they were; with the
turret clocks striking the hours, the filling stations crowded with gossiping
neighbors, criers reciting verse in the public squares and anatomists giving
lectures in the classrooms. Visualize all of these the next time you look at the
frozen world around you, and it will become, in your minds, animated and vital
again.
I wish you well, explorer, but I wonder: Does the same fate that befell me await you? I can only imagine that it must, that the tendency toward equilibrium is not a trait peculiar to our universe but inherent in all universes. Perhaps that is just a limitation of my thinking, and your people have discovered a source of pressure that is truly eternal. But my speculations are fanciful enough already. I will assume that one day your thoughts too will cease, although I cannot fathom how far in the future that might be. Your lives will end just as ours did, just as everyone’s must. No matter how long it takes, eventually equilibrium will be reached.
I hope you are not saddened by
that awareness. I hope that your expedition was more than a search for other
universes to use as reservoirs. I hope that you were motivated by a desire for
knowledge, a yearning to see what can arise from a universe’s exhalation.
Because even if a universe’s lifespan is calculable, the variety of life that
is generated within it is not. The buildings we have erected, the art and music
and verse we have composed, the very lives we’ve led: None of them could have
been predicted, because none of them were inevitable. Our universe might have
slid into equilibrium emitting nothing more than a quiet hiss. The fact that it
spawned such plenitude is a miracle, one that is matched only by your universe
giving rise to you.
Though I am long dead as you read
this, explorer, I offer to you a valediction. Contemplate the marvel that is
existence, and rejoice that you are able to do so. I feel I have the right to
tell you this because, as I am inscribing these words, I am doing the same.