“Do not think that love in order to be genuine has to be extraordinary. What we need is to love without getting tired. Be faithful in small things because it is in them that your strength lies.” Mother Teresa
I'll be signing books at the Deep River Public Library from 2-4 on Saturday October 3 and later I'll be speaking at Mt. St. John's, please drop by and say hello.
Love
to faults is always blind, always is to joy inclined. Lawless, winged, and
unconfined, and breaks all chains from every mind.
Visit our Shakespeare Blog
at the address below
http://shakespeareinamericanenglish.blogspot.com/
As
a white ppl who doesn’t like a lot of spice, I’m Okay with this.......
Indian restaurant sparks outrage
by marking 'white ppl' on order of mild curry
Ryu Spaeth
An Indian restaurant in London
has come under fire for marking "white ppl" on the receipt for an
order of mild curry, The Mirror reports. Stuart Lynn, 44, says he was shocked
to discover the receipt that came with his takeout order of venison curry,
which he claims is a "slur suggesting white people couldn't handle a hot
curry," The Mirror writes.
"It implies we can't deal
with strong curries. I do like a hot curry sometimes. I just fancied a mild one
for a change. I thought it was very rude of them." [The Mirror]
The owner of Valentine Restaurant
denies that "ppl" meant "people," but rather
"milk" to denote a sauce made from milk. Lynn, however, remains
unconvinced: "What other color is milk?"
HERE'S PLEASANT POEM FOR YOU TO ENJOY................
After the Argument
Stephen Dunn
Whoever spoke first would lose something,
that was the stupid
unspoken rule.
The stillness would be a clamor, a capo
on a nerve. He’d stare
out the window,
she’d put away dishes, anything
for some noise. They’d sleep
in different rooms.
The trick was to speak as if you hadn’t
spoken, a comment
so incidental
it wouldn’t be counted as speech.
Or to touch while passing,
an accident
of clothing, billowy sleeve against
rolled-up cuff. They couldn’t
stand hating
each other for more than one day.
Each knew this, each knew
the other’s body
would begin to lean, the voice yearn
for the familiar confluence
of breath and syllable.
When? Who first? It was Yalta, always
on some level the future,
the next time.
This time
there was a cardinal on the bird feeder;
one of them was shameless enough
to say so, the other pleased
to agree. And their sex was a knot
untying itself, a prolonged
coming loose.
“Love
is . . . Being happy for the other person when they are happy, Being sad for
the person when they are sad, Being together in good times, And being together
in bad times.
LOVE
IS THE SOURCE OF STRENGTH.
Love
is . . . Being honest with yourself at all times, being honest with the other
person at all times, Telling, listening, respecting the truth, And never
pretending.
LOVE
IS THE SOURCE OF REALITY.
Love
is . . . An understanding so complete that you feel as if you are a part of the
other person, accepting the other person just the way they are, and not trying
to change them to be something else.
LOVE
IS THE SOURCE OF UNITY.
Love
is . . . The freedom to pursue your own desires while sharing your experiences
with the other person, the growth of one individual alongside of and together
with the growth of another individual.
LOVE
IS THE SOURCE OF SUCCESS.
Love
is . . . The excitement of planning things together, the excitement of doing
things together.
LOVE
IS THE SOURCE OF THE FUTURE.
Love
is . . . The fury of the storm, the calm in the rainbow.
LOVE
IS THE SOURCE OF PASSION.
Love
is . . . Giving and taking in a daily situation, being patient with each
other's needs and desires.
LOVE
IS THE SOURCE OF SHARING.
Love
is . . . Knowing that the other person will always be with you regardless of
what happens, Missing the other person when they are away but remaining near in
heart at all times.
LOVE
IS THE SOURCE OF SECURITY.
LOVE
IS . . . THE SOURCE OF LIFE!”
Susan Polis Schutz
THE MOB UNDER SURVEILLANCE
The
mark of the man of the world is absence of pretension. He does not make a
speech; he takes a low business-tone avoids all brag is nobody dresses plainly
promises not at all performs much speaks in monosyllables hugs his fact. He
calls his employment by its lowest name and so takes from evil tongues their
sharpest weapon. His conversation clings to the weather and the news yet he
allows himself to be surprised into thought and the unlocking of his learning
and philosophy.
300 quotes from Emerson
To view more Emerson quotes or read a life background on Emerson please visit the books blog spot. We update the blog bi-monthly emersonsaidit.blogspot.com
Joseph Achille
Boss Joe Adonis (left) later deported
Joe Adonis (left)
Amuso and Cassio
Greetings Playwrights
Continuing The Public Theater’s
mission to make theater accessible to all, free tickets will be given out for
the first performance of shows in The Public’s downtown season at Astor Place.
In partnership with TodayTix, New York’s premiere theater ticket app, the FIRST
PERFORMANCE “FREE FOR ALL” initiative expands on Joe Papp’s vision to engage
the whole city in the transformative experience of theater that started more
than 50 years ago with free Shakespeare in the Park at the Delacorte and has
since served more than five million people with over 150 free productions.
Upcoming First Performance
"Free for All" dates:
• Eclipsed:
9/29
• First
Daughter Suite: 10/6
• Before
Your Very Eyes: 10/17
FREE TICKETS will be available
via TodayTix mobile lottery, launching one week before the first preview of
each show in the 2014-2015 season. Winners will be notified by email and push
notification between 12:00 p.m. and 3:00 p.m. on the day of the first preview.
You must confirm your winning tickets in the TodayTix app within one hour of
being notified.
A limited number of tickets will
also be distributed through an in-person lottery in the lobby of The Public
Theater.
TO ENTER THE MOBILE LOTTERY:
1) Download the TodayTix app
http://www.todaytix.com/us/nyc/, open it, and select TodayTix Free First
Previews with The Public.
2) Enter the lottery for two free
tickets.**
3) On the confirmation screen,
you may double or triple your odds by sharing your entry via Facebook and
Twitter.
Make sure your name and e-mail
address are correct and that TodayTix push notifications are turned on, so you
can receive confirmation of lottery status. You will be notified if you've won
between noon and 3pm on the day of the show.
You must confirm your winning tickets in the TodayTix app within one
hour of being notified. Winners may begin to pick up their tickets at 5:30 pm
at The Public Theater Box Office, tickets that are not claimed by 30 minutes
prior to the scheduled curtain time of the performance will be forfeited to the
standby line.
IN PERSON AT THE PUBLIC THEATER:
A limited number of free tickets
will be distributed via lottery in the lobby of The Public Theater at Astor
Place. Entries will be accepted starting at 11:30am with names drawn at 12pm.
Participants will be asked to specify if they want 1 or 2 tickets during entry.
One entry per person.
Standby tickets may become
available 30 minutes prior to the scheduled curtain time of the performance.
The Public will take a limited standby list for one (1) ticket per person on
the day of the performance at 6pm. You will then be asked to return to a
designated area in the lobby one hour before the performance begins.
More information…
http://www.publictheater.org/Tickets/Free-First-Performances/
*** LIFE JACKET THEATRE COMPANY:
CREATING THEATRE FROM REAL EVENTS ***
Life Jacket Theatre Company is
now offering a 2-week "production lab" version of our popular
Creating Theatre from Real Events Workshop in NYC. Led by award-winning theatre
practitioner Leigh Fondakowski (Head Writer, The Laramie Project), this
interactive workshop will help you learn how to make theatre out of real life
stories. During this workshop you will stage several short pieces based on real
events. The experience culminates with work-in-progress showings at a NYC
theatre.
http://www.lifejackettheatre.org/about/workshops
*** PRIMARY STAGES: THE ARTISTIC
STATEMENT ***
October 17-18: THE ARTISTIC
STATEMENT workshop with Stefanie Zadravec (Writer, The Electric Baby at Two
River Theatre Company) Don’t let your career or confidence falter because of
that dreaded, required field: the artistic statement. In this 2-day workshop,
you will conquer the overwhelming task of writing about yourself and your work,
gaining practical tips on how to articulate what makes your work vital, and how
to make your statement—and your application as a whole—more competitive. Leave
this class with a working draft of your new artistic statement and the tools to
tailor it to any application. Payment plans available.
Register:
http://primarystages.org/espa/writing/workshop-artistic-statement
*** PLAYWRIGHTS OPPORTUNITIES ***
Bellarmine University in
Louisville, KY is proud to announce the return of its International 10- minute
Play Festival in March 2016. The festival will run March 16-21 and will consist
of 5-6, fully produced 10-minute plays, performed in repertory fashion. We are
seeking submissions fromplaywrights interested in participating in this year’s
festival.
Last May, Pope Francis issued a letter
outlining Catholic doctrine in response to climate change and the need to
protect “our common home.” This year, our festival will pick up on the pope’s
charge as we are seeking plays that deal with the theme of OUR COMMON HOME.
***
Stage Left Theater call for
1-minute plays for Fast & Furious
Stage Left Theater, of Spokane,
WA, is pleased to announce its call for 1-minute scripts for Fast &
Furious, a staged reading of really short plays, in February 2016.
*What? 1-minute plays (2 page
maximum for dialogues, 1 page maximum for monologues)
*Two scripts maximum.
*All genres welcome (no
children’s plays or musicals)
*Playwrights can be from
anywhere, but plays must be in English.
*Standard play format preferred.
*There are no restrictions on
content, but our audiences prefer more PG-13 fare.
*Cast size, no restrictions
***
The Resident Theatre Company
(RTC) at Fullerton College is seeking submissions of original full-length plays
and original full-length musical theatre works of any genre for its 26th Annual
Playwright's Festival to be held January 4-22, 2016 in the Fullerton College
Bronwyn Dodson Theatre, Fullerton CA. Accepted scripts are workshopped and
given a staged reading/performance.
Company members in the Festival
have the unique opportunity to participate in the script development process
from several angles. Performers have the chance to be the first to bring life
to a written character, as well as learn the skills of efficient preparation
for script-in-hand reading and the flexibility necessary for working with a
fluid and changing script. Company members watch the process unfold and see how
various choices impact the direction of a play, learning various critical tools
to help understand why and how a piece of theater has its effect. By the time
of the rehearsed readings, members of the company will be able to respond to
the scripts both as performers and as colleagues of the playwrights.
*** FOR MORE INFORMATION on these
and other opportunities see the web site athttp://www.nycplaywrights.org ***
*** SEX ON STAGE ***
Let’s Talk About It: An
Exploration of Sex and the New American Theater
Why is sex on stage still a
taboo? Why is it that when a play has a realistic depiction of sex it becomes a
huge issue? Why are we as theater artists still afraid to approach this in our
work? Those were some of the questions I asked myself about the work I was
doing, so I decided to explore the taboo of sex on stage in the work I was
creating.
In the summer of 2014, my
company, Kid Brooklyn Productions, commissioned a modern adaption of Arthur
Schnitzler’s La Ronde called Encounters. I asked nine playwrights to write a
scene that explores how we address and see human sex and sexuality on stage. I
wanted them to feel like there was nothing off limits, and they went with it.
As we were creating Encounters, I considered some of the recent work I have
seen on the New York stage and its depiction of the subject.
More…
http://howlround.com/let-s-talk-about-it-an-exploration-of-sex-and-the-new-american-theater#sthash.x3eQe1uj.dpuf
***
Let's talk about sex, baby...
As I'm sure has happened to every
playwright since the dawn of time, it's quite often that I'm out and about and
am introduced to someone who finds out that I'm a playwright, and they ask me,
"Oh, what kind of plays do you write?"
It's by no means a bad question,
and I understand that it's asked in an effort to get to know the playwright's
work, but I have yet to meet a playwright who enjoys being asked that question
(if you do, please chime in). Yes, it's
an opportunity for self-promotion, but I think that's precisely why it stresses
us all out so much.
Usually, in that situation, I
stammer a bit about writing plays that have something to do with
genderqueerness or gayness or re-imagining familiar stories - all of which is
true but, of course, incredibly incomplete - and then I am often asked,
"So, are they comedies? Tragedies?" which I also never know how to
answer, seeing as the saddest of my material tends to get the biggest laughs.
More…
http://nicefeminist.blogspot.com/2010/10/lets-talk-about-sex-baby.html
***
Under Your Skin: An Interview
with Burning Playwright Thomas Bradshaw
Let's talk about the sex scenes.
Is it difficult to get actors to perform the fairly graphic sex that's shown on
stage in plays like Burning?
It is getting easier now. With my
first plays, people were like, “I'm going to have to do what?” Now it's not
much of a problem. But before we audition people we say read the script, know
that you are going to be fully nude, that all these acts are going to be
staged, and if you are uncomfortable with that then we don't want to see you.
We make sure their agents go over this with them and make sure they fully
understand what's happening. Because, you know, the sex is integral to the
storytelling. Burning cannot function without the sex. Peter [the painter] has
his big epiphany right after the sex act. Actually, in many of the sex acts the
characters are discovering their true selves. It's also that these characters
are feeling freedom for the first time. In the case of Peter, he's expressing
so much of himself, engaging in this behavior which is taboo in his mind, it's
very freeing—too freeing as we see at the end of the day, because it leads him
down a destructive road. There's never any moral judgment placed on my
characters, but I find it hard to believe how anyone could look at the
trajectory of any of my characters and think, “he's promoting that.” Clearly
it's not, if you want to lead a happy life do these things.
More…
http://www.slantmagazine.com/house/article/under-your-skin-an-interview-with-burning-playwright-thomas-bradshaw
***
Playwright Matthew Lopez on His
Gay-Themed Play REVERBERATION
Well let's talk about those first
few moments, because you made a choice to really pull people in, in a very
dramatic way, with a graphic gay sex scene.
Were you trying to challenge yourself in addition to challenging the
audience?
Well, it is a very tastefully
done graphic sex scene. You realize the power the lighting designer has when
you stage a sex scene in the theater. The lighting designer is your cameraman
and your editor as well. He can really
direct your eyes to where you want the audience's eyes to go. When I started to write the play, I knew that
the first was going to be post-coital. It was going to take place after a
Grindr hookup, and originally it just began with them lying there in bed. Then as I started to delve into the way we
tell our story, and the visual vocabulary of the play, I realized that there
was no other way [than to show them having sex]. If you fudged it at the
beginning, the audience wouldn't trust you for the rest of the play. And the ultimate goal, really, was to make
the audience feel like voyeurs. We just
had to show it to them, and really put the audience in a mindset of peeping
through the windows at these intimate lives.
So, I was thinking about how you begin this play about intimacy and
voyeurism. It just began to make total
sense to begin with sex, because that's the story. It was never meant to jolt the audience. It was never mean to be prurient. It was just supposed to be our way of
communicating to the audience that they are going to see everything. The
audience gets very silent at the very top of the play, which is very hard to
accomplish. To get 500 people in one space make no sound? It's incredible.
More…
http://www.out.com/theater-dance/2015/3/09/playwright-matthew-lopez-his-gay-themed-play-reverberation
***
Bawdy Bard: How to Find the Sex
in Shakespeare
Ah, the words of the eternal
Bard: so pure, so true, so saucy.
William Shakespeare, whoever he
may have been (Francis Bacon?
Christopher Marlowe’s ghost? A
roomful of monkeys and typewriters?), is without argument the most
recognizable, famous playwright in the English language, and for good
reason. His words, rich and dense in
their poetry, tickle the academic sensibilities, while his still-relevant
portrayals of humanity touch the hearts of readers and audiences alike. And of course when it came to sex jokes, no
one could or can write them better.
Oh, what’s that? You don’t remember all the sex in
Shakespeare? Well, read on, intrepid scholar, and prepare to have your mine and
loins engulf’d in firey epiphany (that line wasn’t Shakespearean, but it could
have been).
Shakespeare wrote plays for a
diverse audience. His acting company,
the Lord Chamberlain’s Men, would perform before the same plays before courts
of Queen Elizabeth and James I that they produced in Southwark theatres with
convenient whorehouse access.
Shakespeare’s plays had to cater to every possible demographic, so he
had to write material that everyone could enjoy. Fortunately, he was clever enough to know
what any modern-day Hollywood producer could tell you: sex sells.
More…
http://www.themarysue.com/bawdy-bard-how-to-find-the-sex-in-shakespeare/
***
McSweeney’s
HOW TO WRITE GOOD SEX SCENES.
BY MIKE LACHER
- - - -
As an acclaimed writer of sexual
fiction, I am often asked by readers, fans, and protégés how best to go about
writing thrilling and realistic scenes of sexual congress. To them, I offer
these simple tips:
Be descriptive
Imagine the sexual congress
between your characters not as a schoolboy’s sketch but as a Dutch Master’s
canvas, full of excruciating detail upon each pert nipple and goosefleshy
thigh. Consider, as Vermeer did, how the dewy morning light falls about his ample
foreskin or how her rosy loins tremble like a cello string struck by a
moistened Frisbee
Use metaphor appropriately
Be not a humble anatomist naming
body parts. Be instead a sexual Robert Frost, spinning a cocoon of golden prose
around the sexual congress of your characters. Consider the situation and
story. For example: “she granted his peach paddlewheeler passage up her mighty
Mississip’,” or “their sexual juices swirled within her erlenmeyer flask,
yielding a milky precipitate of passion.”
Complement the woman’s beauty
A mistake many first-time sexual
fiction writers make is forgetting to remind the reader of the stunning beauty
of the woman. Keep the reader engaged with phrases like “she moaned
attractively,” “her gorgeous neck craned in ecstasy,” and “he gazed with
astonishment upon her painterly labia.”
Don’t be afraid to get graphic
More often than not, sexual
congress is not a tidy affair, and the sexual fiction writer should depict it
as such, lest the reader begin to doubt that the sexual fiction writer has even
participated in sexual congress himself. Make note of the “panoply of splashes
about the bedchamber,” the “patina of sweat about his pubis,” and the “musk of
coitus hanging like a cumulonimbus cloud above the dampened bed sheets, reeking
softly of oregano and speck.”
More…
http://www.mcsweeneys.net/articles/how-to-write-good-sex-scenes
The
late Yogi Berra (He died late last week) has become so ubiquitous
in the canon of quotations that no other person is listed as often in
Bartlett’s Familiar Quotations, according to the Yogi Berra museum. Below is a
list of 15 memorable quotes and 'Yogisms' attributed to the catcher:
1. "So I'm ugly. I never saw
anyone hit with his face."
2. "We made too many wrong
mistakes."
3. "You can observe a lot
just by watching."
4. "If you can’t imitate
him, don’t copy him."
5. "When you come to a fork
in the road, take it."
6. "It ain’t over ’til it’s
over."
7. "I didn’t really say everything
I said."
8. "The future ain’t what it
used to be."
9. "Pair up in threes."
10. "If the world were
perfect, it wouldn’t be."
11. "It’s deja vu all over
again."
12. "I usually take a two
hour nap from one to four."
13. "In baseball, you don't
know nothing."
14. "90 percent of this game
is half mental."
15. "It gets late early out
here."
This is a book of short stories taken
from the things I saw and heard in my childhood in the factory town of Ansonia
in southwestern Connecticut. Most of these stories, or as true as I recall them
because I witnessed these events many years ago through the eyes of child and are
retold to you now with the pen and hindsight of an older man. The only
exception is the story Beat Time
which is based on the disappearance of Beat poet Lew Welch. Decades before I
knew who Welch was, I was told that he had made his from California to New
Haven, Connecticut, where was an alcoholic living in a mission. The notion
fascinated me and I filed it away but never forgot it.
The collected stories are loosely
modeled around Joyce’s novel, Dubliners (I
also borrowed from the novels character and place names. Ivy Day, my character in “Local Orphan is Hero” is also the name
of chapter in Dubliners, etc.) and like Joyce I wanted to write about my
people, the people I knew as a child, the working class in small town America
and I wanted to give a complete view of them as well. As a result the stories
are about the divorced, Gays, black people, the working poor, the middle class,
the lost and the found, the contented and the discontented.
Conversely
many of the stories in this book are about starting life over again as a result
of suicide (The Hanging Party, Small
Town Tragedy, Beat
Time) or from a near death experience
(Anna Bell Lee and the Charge of the
Light Brigade, A Brief Summer)
and
natural occurring death. (The
Best Laid Plans, The Winter Years, Balanced and Serene)
With
the exception of Jesus Loves Shaqunda, in each story there is a rebirth
from the death. (Shaqunda is
reported as having died of pneumonia in The Winter Years)
Sal,
the desperate and depressed divorcee in Things
Change, changes his life in Lunch
Hour when asks the waitress for a date and she accepts. (Which we learn in Closing Time, the last story in the
book) In The Arranged Time,
Thisby is given the option of change and whether she takes it or, we don’t
know. The death of Greta’s husband in A Matter of Time has led her to the
diner and into the waiting arms of the outgoing and loveable Gabe.
Although
the book is based on three sets of time (breakfast, lunch and dinner) and the
diner is opened in the early morning and closed at night, time stands still
inside the Diner. The hour on the big clock on the wall never changes time and
much like my memories of that place, everything remains the same.
http://www.amazon.com/No-Time-Say-Goodbye-Memoir/dp/
In
1962, six year old John Tuohy, his two brothers and two sisters entered
Connecticut’s foster care system and were promptly split apart. Over the next
ten years, John would live in more than ten foster homes, group homes and state
schools, from his native Waterbury to Ansonia, New Haven, West Haven, Deep
River and Hartford. In the end, a decade later, the state returned him to the
same home and the same parents they had taken him from. As tragic as is funny
compelling story will make you cry and laugh as you journey with this child to
overcome the obstacles of the foster care system and find his dreams.
http://www.amazon.com/No-Time-Say-Goodbye-Memoir/dp/0692361294/
http://amemoirofalifeinfostercare.blogspot.com/
ABOUT THE AUTHOR
Mary and I in San Diego
John
William Tuohy is a writer who lives in Washington DC. He holds an MFA in
writing from Lindenwood University. He is the author of numerous non-fiction on
the history of organized crime including the ground break biography of
bootlegger Roger Tuohy "When Capone's Mob Murdered Touhy" and
"Guns and Glamour: A History of Organized Crime in Chicago."
His
non-fiction crime short stories have appeared in The New Criminologist,
American Mafia and other publications. John won the City of Chicago's Celtic
Playfest for his work The Hannigan's of Beverly, and his short story fiction
work, Karma Finds Franny Glass, appeared in AdmitTwo Magazine in October of
2008.
His
play, Cyberdate.Com, was chosen for a public performance at the Actors Chapel
in Manhattan in February of 2007 as part of the groups Reading Series for New
York project. In June of 2008, the play won the Virginia Theater of The First
Amendment Award for best new play.
Contact
John:
MYWRITERSSITE.BLOGSPOT.COM
JWTUOHY95@GMAIL.COM
Excerpt from my book "No Time to Say Goodbye: Memoirs of a Life in Foster Care.
We located a pay
phone and within a few hours, Jack’s parents arrived to take us back to
Waterbury. The Circus Boy adventures
were over. But I didn’t return to Waterbury right away. I bummed some money
from Jack’s parents and headed north to Massachusetts to see what I could see.
I suppose that taking off to see the world around me, without any real sense of
direction, was not the wisest of actions, but, in reflection, it’s just what
young people should do, meandering to a different drumbeat.
I hitchhiked my way up and down the New
England coast, restoring myself along the way with the nature that surrounded
me. I never denied myself the simple joy of pausing to enjoy the beauty of my
beloved New England. Nature teaches, if you are willing to watch and listen. It
opens eyes, confirms our existence, and illuminates the mind with the sights
and sounds of her treasures. It’s all there. You only have to want to see it.
And if you want to see it, you will. And everything we see in nature is a treasure
because nature, as Aristotle said, does nothing uselessly, and all art is but
imitation of nature. So I found Picasso in the jaw-dropping colors of the early
autumn and Monet in the deep blues and reds of summer. I saw them there as
clearly as I have ever seen anything in my life.
Along the way, I took a country side road
because it looked interesting, even if it was going in the wrong direction. I
have never once regretted it. This particular side road, as fate should have
it, took me to Walden Pond, where I communed with my old and trusted friend
Thoreau, and from there I wandered into Concord and ate an apple at Emerson’s
graveside, then returned to Waterbury with the intention of living, as the
great man said, with meaningful life goals, and embracing every second of the
present moment.
At the end of my field trip across New England that summer, I hitchhiked
to York Beach, Maine where I had been so many times as a child with Helen and
Walter and Denny.
A narrow, rocky peninsula there is called Nubble Point. At its end, a
picture-perfect lighthouse sits on a small island several hundred feet off the
coastline. I had spent a lot of time at Nubble Point, climbing around the cliff
and the enormous weather-beaten rocks that slope gently down towards the
water’s edge. It was almost September when I got there, the end of the beach
season. The tourists were gone and the tiny village was preparing to close up
for the winter and so I had the whole of Nubble Point to myself.
I sat on a boulder at cliffside that gave me a perfect view of York
Beach and the lighthouse. I looked out over the beauty of the Maine coast, took
in the familiar smell of sea salt, and wrapped myself in the gentle warmth of a
New England summer and the relaxing rhythm of the waves on the rocks.
Taking in all that beauty and adding it to the indescribable moments of
joy in my life confirmed for me that despite it all, God was present in my
life. And he was a gentle God as well. He is not an angry, maladjusted old man
sitting up on a cloud, who throws plagues down on us when the mood strikes him.
Nor is he an impersonal God, distant
and indifferent. He is there with us in the arena of daily life, and to find
him you just have to look for him.
And that’s what I looked up into the clear blue sky and said. “So, God!
How you doin’, buddy? Been a while, huh?” He answered with an enormous wave
that leapt up from the waters and covered the rocks, missing me by inches.
I threw my head back and roared and yelled over the ocean noise, “Do it
again!” and he did, and I laughed hard and lifted my eyes to the heavens and
said, “Good to see you again.”
And that’s how I spent my day, God and I, sitting on a big rock on the
ocean’s edge, getting soaked by waves and laughing. It was another good day to
be thankful for and to remember fondly on those days when life wasn’t very
good.
I wrote this bill of rights for foster children several years ago.
There many other versions written by other people and almost all of them are
worth trying. It's your county. What's happening in foster care in America is
being carried out with your money and in your name. You have a right to do
something about it.
THE NATIONAL FOSTER
CHILDREN’S BILL OF RIGHTS
As a
child, a ward of the government and as an American citizen, you are protected
by the people of the United States of America, by our laws, by our courts and
by our government.
You
should be aware that you have specific rights while you are in foster care.
Those rights are as follows:
-You have
the right to be treated with dignity and respect and to live in dignity and
self-respect.
- No one
has the right to harm you, to strike you or to commit physical violence upon
you. If anyone harms you, strikes you or commits physical violence upon you,
you have a right to discuss this abuse with your caseworker, your foster care
provider, teachers or police officers. You cannot and will not be punished or
harmed further for discussing the abuse with these people.
-You have
the right to live in a foster home that is safe, comfortable and healthy.
-You have
a right to practice your religion, no matter what that religion might be. You
also have a right not to be forced to practice any religion.
-You have
the right to attend all court hearings that concern you.
-You have
the right to be represented in court by an Attorney. The government will pay
the attorney to represent you.
-You have
a right to meet with your caseworker at least once a month.
-The
information you share with your casework about your placement is confidential.
That is, your caseworker is forbidden by law to discuss your conversations
beyond people with a need to know.
-You have
a right to visit your family. That right cannot not be taken from you and it is
illegal to threaten you with taking that right from you.
-You have
the right to be placed with a relative as an alternative to foster home care.
-You have
a right to live with your siblings, meaning your brothers and sisters.
-You have
the right to live in a foster home as opposed to a group home.
-You have
a right to participate in any plan for your benefit and future.
-You have
the right to be provided with adequate and nourishing food, shelter and
clothing.
-You have
a right to your own belongings. You have a right to keep any money you have
earned or been given.
-You
cannot be forced to take medication that has not been prescribed by a doctor
and that has the prior approval of your caseworker.
-You have
the right to receive confidential phone calls and to have your mail come to you
unopened.
-At the
proper age, you have the right to participate in an Independent Living Skills
Program.
-You have
the right to file a complaint about the type of care you are receiving from
your caregivers or your caseworker.
-You have
the right to prompt medical treatment.
-You have
the right to speak to a counselor or therapist if you feel the need.
-You
cannot be taken out of foster care without a hearing before the proper
authorities.
Effects on Children Living In Poverty
By McDonough Volunteers
The Voice will feature regular entries and submissions in an effort to enable local nonprofits, charities and volunteers to share their goings-on. While begun by the local Big Brothers Big Sisters organization and its volunteers, entries on this ...
In 2013, Clinical Psychological Science Journal, authors Gary Evans and Rochelle Cassells outline the extensive and devastating impact of childhood poverty. They find that children who experience poverty before the age of 9 are at higher risk of developing behavioral disorders, greater morbidity for chronic disease, and even premature death.
“No one, no matter where he or she stands in the political spectrum, should ignore the tragedy of young children who will never realize their potential because they never had a chance.” Children who grow up in poverty are more prone to developing “learned helplessness” behaviors, factors that could underpin the educational achievement gaps between high-income and low-income groups. Evans and Cassells find that the more time a child spends in poverty from birth to age 9, the greater the negative impact on physical and mental health in adolescence and early adulthood. Children who grow up in poverty are at heightened risk for “externalizing” disorders such as behavior issues, conduct disorders, and ADHD. Poverty has no discernible impact on “internalizing” disorders like anxiety and depression. These trends held regardless of adult income levels, indicating that eh effects of early childhood poverty are long-lasting and not simply corrected by better financial security later in life. As approximately 1 in 4 American children currently live in poverty, the collective impact of this phenomenon will be inescapable for decades to come. The Chicago Tribune made an article called, “30 Years Later, So Much Endures”, which expands on the issue.
http://chicagopolicyreview.org/2013/11/27/enduring-damage-the-effects-of-childhood-poverty-on-adult-health/
http://www.chicagotribune.com/news/opinion/editorials/ct-millstone-violence-edit-0920-20150918-story.html
Photographs I’ve taken
We don't go down to see the monuments on the National Mall very much, even though I live only a few miles away from all of them. But one night last July we went down for a ride and even though I don't care much fro night photography, we took a few shots of the Jefferson and a new statue, near the Jefferson, George Mason, a low key but central figure in the establishment of our Republic
CHILDHOOD POVERTY IS HAPPENING
EVERYWHERE IN AMERICAN, WE'RE BETTER THAN THIS.....YOU AND ME....WE'RE BETTER
THAN THIS AND OUR COUNTRY IS BETTER THAN THIS......LET'S GET THIS CONVERSATION
GOING ACROSS AMERICA AND DO SOMETHING TO END POVERTY IN AMERICA NOW
Sculpture this and Sculpture
that
DON'T YOU JUST LOVE POP ART?
DON’T WORRY-BE HAPPY
Psychologist reveals the science behind random acts of kindness - and how we can ALL benefit
BY ZAHRA MULROY
You're standing in a queue at a coffee shop, waiting to be served that all-important first caffeine hit of the day.
The person in front of you is struggling to get enough change together to pay for their order and they can't pay on card.
What would you do?
• Stand there tapping your foot, waiting for that person to shuffle off, embarrassed by the delay they'd caused and the coffee gone to waste?
• Or would you step in with a random act of kindness, and offer to pay for the coffee?
If the latter, not only would you most likely be making their day, but you'd also be making yours - and potentially creating a 'virtuous circle' from which many people may benefit.
Random acts of kindness - or altruism - have far-reaching benefits.
Apart from making you feel pretty good, your act of kindness could have a far reach
But what constitutes one? And are some people more wired to do them than others?
London-based chartered psychologist Dr George Fieldman, an altruism expert, has explained the science and benefits for society behind random acts of kindness.
1. What's the simplest definition of altruism?
Dr Fieldman explains: "Altruism is doing something for somebody else at a cost to yourself."
There are two types of altruism, which depend on your motivation.
• Reciprocal altruism is when you hope to get something out of your act of kindness for yourself.
• Kin altruism is an act typically for someone in your circle, where you don't expect to get anything back in return.
2. What drives people to acts of altruism, and in particular, random acts of kindness?
According to Dr Fieldman, this may depend on what a person has experienced previously.
"Mean and hard-bitten people are less likely to engage in random acts of kindness.
"But if life has treated us properly, we feel more inclined to help others without expecting anything in return."
3. What are the psychological benefits of doing these acts?
Dr Fieldman points out a difference between how we make ourselves feel good.
"If you eat a bowl of ice-cream or go to the cinema, the good feeling jumps, peaks then crashes."
"An act of kindness however endures better, and mean people tend to feel better about themselves."
4. What is the wider impact on society?
It's not just us the people directly involved in the act if kindness who feel the benefits.
Dr Fieldman continues: "A good deed creates a 'virtuous circle', where one good deed may lead to another.
"This means there are knock-on effects for civilisation."
GOOD WORDS
TO HAVE………………..
Holophrasm: (HOL-uh-fraz-um) 1. A one-word sentence, for example, “Go.” 2.
A complex idea conveyed in a single word, for example, “Howdy” for “How do you
do?” From Greek holos (whole) + phrasis (speech).
HERE'S SOME NICE ART FOR YOU TO LOOK AT....ENJOY!
I LOVE BLACK AND WHITE
PHOTOS
A contestant at an archery match in the Forest of Arden. Capra
WHY THE WORLD NEEDS EDITORS.....................
THE ART OF PULP
THE ART OF WAR...............................
People
taking pictures of people:
I'm an
amateur photographer, I travel a lot so some years ago and I noticed that
everywhere I went there was someone taking a photo of someone else. It's part
of the human condition and I think it’s fun so I started snapping pictures of
people taking pictures.
She
Stoops to Conquer is a comedy by Anglo-Irish author Oliver
Goldsmith that was first performed in London in 1773. The play is a favorite
for study by English literature and theatre classes in Britain and the United
States. It is one of the few plays from the 18th century to have an enduring
appeal, and is still regularly performed today. It has been adapted into a film
several times.
THE GREAT HUNGER. WORDS FROM THE IRISH FAMINE
"No
vegetable ever effected the same amount of influence upon the physical, moral,
social and political condition of a country as the potato exercised over
Ireland” Tables of Death 1851
"Only a
handful of potatoes are left and they were so small that it took twelve of them
to weigh four and a half ounces the weight of an average, edible tuber but even
these were poor remnants of little value, being soft and watery" Irish Farmer
"Where no
disease was apparent, a few days ago… all is now black" Irish Newspaper
"The
failure this year is universal, for miles a person may proceed in any direction
without perceiving an exception to the awful destruction" Irish Newspaper
The disease
appears to be of the most malignant character, the leaves and stalks appear to
be tainted as if with a corroding mildew or as if vitriol or some caustic
material had been thrown on them" Irish
Newspaper
"Fearful
progress of the disease in cork, Mayo and Sligo, the stench from the fields was
intolerable, the odor from decaying flesh could not be more offensive" Irish Newspaper
“...that within
the last three days the blight has committed dreadful ravages and is now so
decided that we can no longer flatter ourselves with even the chance of escape,
it is north south east and west of us"
Irish Newspaper
"On the
27th of last month I passed from Cork to Dublin and this doomed plant bloomed
in all the luxuriance of an abundant harvest. Returning on the 3rd instant (the
following month) I beheld with sorrow one wide waste of putrefying vegetation.
In many places the wretched people were seated on the fences of their decaying
gardens, wringing their hands and wailing bitterly the destruction that had
left them foodless" Fr. Theobald
Matthers
"God have
mercy on us, there will be nothing left but for us to lie down and die" Irish Woman
"If the
English desert us now, God. .in his glory ..they'll never see" Irish Farmer
"I swear by
the broken heart my mother died of, the hand of God is in this. Its a curse
that has fallen on the land" Irish
Farmer
"Its over
there in America I'd be now, only for the pig. .the landlord took from me for
his rent. .the passage money was in that pig.. but its the landlord always has
the bailiff on his side" Irish
Farmer
"A widow
with two children who for a week had eaten nothing but cabbage...and then
nothing...save water...famine was written in the faces of this women...and her
children" American Reporter, Galway.
"In a very
short time, there was nothing but stillness, a mournful silence in the
villages, in the cottages grim poverty and emaciated faces.. the tinkers.. fled
to the cities, the musicians ..disappeared and.. never to return.
Many of the
residents too made their escape at once,
finding employment or early graves elsewhere.. there were no more friendly
meetings at the neighbors houses in the afternoons, no gatherings on the
hillsides on Sundays, no song no merry laugh of the maidens, not only were the
human beings silent and lonely, but the
brute creation also, for not even he bark of a dog or the crowing of a cock was
to be heard.." Hugh Dorian, Donegal
"Anybody's
house you come into, talk is all of misery and starvation, there is no fun at
all among them now.. their natural vivacity and lightheartedness has been
starved out of them" English
Traveller
"There, amidst the chilling damp of a
dismal hovel see you famine stricken fellow creature, see him extended on his
scanty bed of rotten straw, see his once manly frame, that labor had
strengthened with vigor, shrink to a
skeleton, see his once ruddy complexion, the gift of temperance, changed by
hunger and concealment disease to a sallow ghastly hue.
See him extend
his yellow withering arm for assistance; hear how he cries out in agony for
food....for since yesterday he has not even moistened his lips! Fr. Theobald Mattew
"In the
good years the beggars shared the farmers potatoes and warmed themselves at his
blazing turf fires...there are many differences between the English and the
Irish and one of the most marked is the
difference in their attitude towards beggars.
The English
regard the beggars as being, if not exactly criminals, then close to the
criminal class. The Irish, on the contrary, regard their relief as a sacred
duty that kindly sympathy enabled these poor outcasts to exist but now all was
changed and the wolf was at the farmers door, there was absolutely nothing to
give away"Landlords Daughter
"Sure this
land is full of barley, wheat’s and oats. The English have only to distribute
it!" Irish Farmer
"It could
hardly be possible to conceive; to see the faceless arms grasping one part of a loaf, whilst the fingers bone handled
forks dug into the other, to supply the mouth. Such mouths too! With an
eagerness as if the bread were stolen, the thief starving and the steps of the
owner heard; was a picture, I think neither of us will easily forget" Rev.
S. Godolphin Osbourbe
"The
culminating point of mans physical degradation seems to have been reached in
Eris.. the population last year was computed
at about 28,000..there is left a miserable remnant of little more then
20,000 of whom 10,000 at least, are strictly speaking within forty eight hours
journey of the metropolis of the world living, or rather starving upon turnip
toes, sand eels and seaweed, a diet which no one in England would consider fit
for the meanest animal which he keeps" James H. Tuke report to the Quakers
"It didn't
matter who you were related to, your friend was who ever would give you a bite
to put in your mouth. Sports and pastimes disappeared. Poetry, music and
dancing stopped, they lost and forgot them all….the famine killed
everything" Irish Farmer
"Food
became both a dream and an obsession, and the scarcer it became the more
degrading and revolting were the alternatives left to those trying to survive.
In county down, a beggar women and her two children went to the home of a
comfortable farmer asking for alms.When they approached the doorstep, they saw
the pigs in the style eating food. Before the mother could stop them, or feel
that she wanted to or had a right to, the children ran over to the trough and,
like pigs themselves, gobbled up what the pigs had not yet eaten" Paddy's Lament
" A man in
Mayo, near Balla, was forced to leave his wife at home and go out and beg. A
few days later some of the neighbors went to the hovel of the feeble old women
and found her lying on a litter of straw in a corner, with the flesh of her
shriveled arms and face mangled and eaten by the rats. She died a short time
afterwards" Paddy's Lament
"When it
became a matter of eating or being eaten by the dogs and rats, the people
killed, skinned and ate the dogs and the rats" Paddy's
Lament
"If you
take hold of the loose skin within the elbow and lift the arm by it, it comes
away in a large thin fold, as though you had lifted one side of a long narrow
bag, in which some loose bones had been placed" Quaker
Relief Worker
"The full
meal...kills them instantly" Quaker
Relief worker
"Here is
the way it is with all of them (Irish children) their legs swing and rock like
the legs of a doll. They have the smell of mice…..there is not a Child you saw could live a month...everyone
of them is in famine fever, a fever so sticking that it never leaves
them" Physicians Report Ireland
"...that
the government had pursued a wise policy in not interfering with the supply of
food to Ireland in anyway which could compete with the efforts of private
traders. There must be no interference
with the natural course of trade" Lord
Labouchere, Irish Secretary, March 22,1847 speaking before the Parliament in
answer to private relief committees offering to send free food into Ireland.
"A
thirteenth century famine affecting a nineteenth century population" Lord
John Russell, 1846
"Large
numbers had some variety of fever along with dysentery, and often scurvy or
famine dropsy as well, and so did not die of one disease but from a combination
of causes" Sir William MacArthur
M.D.
" (the
mucus membrane of the rectum) literally honeycombed by an innumerable number of
ulcers many of them very minute, and a few as large as a four penny piece, and
so deep in some instances as to have completely laid bare the serious covering
of the bowl" Post mortem examination of Irish dysentery victims
" Whole
families lie together on the damp floor, devoured by fever, without a human
being to wet their burning lips or raise their languid heads; the husband dies
by the side of the wife, and she knows not that he is beyond the reach of
earthly suffering, the same rag covers the festering remains of mortality and
the skeleton forms of the living...rats devour the corpse and there is not
energy among the living to scare them away from their horrid banquet; fathers
bury their children without a sigh and cover them in shallow graves.....without
food or fuel, bed or bedding, whole families are shut up in naked hovels,
dropping one by one into the arms of death" Cork Examiner, 1847
"I have
visited the wasted remnants of the once noble red man on his reservations
grounds in north America and explored English Traveler, 1847
"My hand
still trembles while I write. The scenes of human misery and degradation we
witnessed still haunt my imagination, with the vividness and power of some
horrid and tyrannous delusion rather then the features of a sober reality.
We entered a cabin, stretched in one dark
corner scarcely visible from the smoke
and rags that covered them, were three children huddled together, lying there
because they were too weak to rise, pale and ghastly, their little limbs.
On removing a
portion of the filthy covering ..perfectly emaciated, eyes sunk, voices gone,
and evidently in the last stages of actual starvation. Crouched over the turf
embers was another form, wild and all but naked, scarcely human in appearance.
It stirred not
noticed us. On some straw, sodden upon the ground, moaning piteously, was a
shriveled old women us to give her something….barring her limbs partly, to show
how the skin hung loose from the bones..." William Bennett, Letters from Ireland 1847
"I walked
back to Kilkenny from Callen in the evening, without any fear of robbery in a
country where half the people are starving ..a traveler is in less danger on
the highways of Ireland then in any other part of the British
dominions" Henry Ingles
" Sometimes
you might see a half naked poor women holding a child to her breast with one
hand, while she, the famishing mother, is endeavoring to break stones with the
other, in order to earn the price of a
quart of meal" Letter to the Tipperary Vindicator
"We truly
learned the meaning of the word "ukrosh" (hunger) ...some of the
scenes have retained their grasps upon the imagination day and night. Such a
state of things as has long existed in Ireland would not have been suffered by
England in any foreign country, without the pouring forth of its missionaries. Such abandonment
of duty and responsibility would not have been endured in England. I have
elsewhere written, that if the animals had been anywhere allowed to live and
die off in the manner of these poor people, the nation would have been up in
arms against the owner of that estate"
William Bennett
" (In the
Irish Children) ...paleness was not that of a common sickness. There was no
sallow tinge to it. They did not look as if newly raised from the grave and to
life before the blood had begun to fill their vain anew, but as if they had
just been thawed out of the ice, in which they had been imbedded until their
blood had turned to water" Visitor to Ireland.
Carthy swallowed
a little warm milk and died"Skibbereen
resident, 1847
"At
Glengariff, the Roman Catholic chapel is turned into a place for making
coffins...I entered...and said to one of the carpenters "what are you
making boys?".." " coffins and wheelbarrows sir " Rev.F.F Trench 1847.
"A hearse
piled with coffins, or rather undressed boards, slightly nailed together,
passed through the streets, unaccompanied by a single human being, save the
driver of the vehicle" County Cork
1847
" Coffins
are to be seen in every direction, so that the number of dead is now gone
beyond possibility..." Galway 1847
"On
Wednesday the body of a poor women was found dead in a field adjoining the town
of Castlebar...a child belonging to the deceased had piled some stones around
the body to protect it from the dogs and rats" From a
letter, May 12th,1847
Excerpt from my book “On the
Waterfront: The Making of a Great American Film”
THE
FILM AS A MORAL MESSAGE
"Art,
like morality, consists in drawing a line somewhere." Gilbert Chesterton
Although
Kazan was not a particularly religious man in his personnel life, he understood
the power of religious imagery, specifically Roman Catholic imagery; desperate
souls, an evil betrayal of the moral messenger and then ingeniously (or
self-servingly) inverted the act of betrayal into a near saintly form of
enlightenment.
Budd
Schulberg, who was Jewish and not Catholic, also understood the Catholic
churches intrinsic power of appeal to morality, conscience and justice. As a result, almost every scene shot by Kazan
and every bit of dialogue written by Schulberg, happens only to contribute to
Terry Malloy’s transformation from complicit bystander to active witness
against evil. The films spiritual
morality causes Brando’s characters arch, his dramatic transformation. At the same time, the arch for the other
characters is equally impressive and tied to Brando’s arch. Johnny Friendly is reduced from unquestioned
head of the union and the local mob to a common street thug, Charlie Malloy
goes from smug mob accountant to a noble soul who loses his life to save the
life of his brother. Like Terry Malloy’s
character, Father Barry’s character also changes and develops as the film
progresses, transforming from a Priest sheltered away in his church to a man of
the street willing to fight for what he believes in.
The
priest’s transformation comes directly after Joey Doyle is pushed to his death,
The martyrdom scene Father Barry kneels over his dead body, whispering the Last
Rites of the Church, Edie is sobbing over her brother. Kazan and Schulberg handle the death of Joey
Doyle in a realistic fashion. Pop Doyle
is stoic over his son’s death and mutters “Kept telling him. Don't say nothin'. Keep quiet.
You'll live longer.” At the same
time, his daughter, Edie is distraught.
Kazan shows that people, even in the same families, have different
reactions to death. During the scene,
Edie chastises the priest for hiding in his church while his flock
suffers. In the scene that follows, the
next morning Edie apologizes to Father Barry for his outspokenness. Barry response by asking if she thinks that
he is a freeloader looking for an easy duty.
When she does not answer, he answers the question himself. He says that he had thought about what she
said and that she was right, he would never what he could to right the wrongs
on the waterfront unless he left the rectory and found out what the situation
is.
Thereafter
Father Barry then extends the parameters of his parish to the waterfront but he
never loses site of his primary mission, to spread the word of God and
advocating peaceful resistance to the evil on the docks. When Terry waits in a bar room with a loaded
pistol to kill Johnny Friendly, Father Barry disarms him and advocates peaceful
resistance by telling the truth.
Father
Barry condemns the longshoremen to account for their inaction in the face of
evil (Johnny Friendly) which he considers a sin, thus elevating Joey Doyle and
Kayo Duggan to the realm of enlightenment since they have both died for the
sins of the longshoremen
Kazan follows the scripts strong spiritual
themes with equally strong religious imagery in Doyle and Duggan’s deaths
scenes. Edie cradles Joey’s corpse as
Madonna cradled Jesus’ body, Father Barry rises out of the cargo hold with
Dugan’s body as if ascending to heaven, and Charlie’s corpse hangs by a hook,
all of which are visual references to Christ’s body on the cross.
More
religion, specifically Christian religion, is laid on thickly throughout the
film, especially from the “Christ is in the shapeup" speech given by
Father Barry in the cargo hold.
“Christ
is always with you,” Father Barry tells the dockworkers
“He’s
in the hatch, he’s in the union halls”
In the cargo hold scene Johnny Friendly and
his men are positioned high above the hold, above Father Barry and above the
longshoremen, his position of power on the docks has not changed.
Intentional
or not, throughout the film the Longshoremen wear their
metallic
loading hooks swung over their shoulders, the pointed hook pressing into their
chests, reminiscent of Johnny Friendly’s hook into their unions. The loading hooks are used wonderfully again
in the film’s final scene when the now Christ like figure of Terry Malloy,
beaten and bleeding from the head, carries his hook, cross like, as he leads
his new flock, the longshoremen, back to work.
Following
the religious themes of the film, the story stresses the power of faith,
intangible faith. Edie and Father Barry,
who rise Terry up from the docks and open his conscious, are both people of
faith who want nothing more than to do the right thing and eventually that
faith in doing the right thing validates their values and principles. Edie’s
faith transforms Terry’s faith who eventually transforms his Brother Charlie’s
faith. As a result, the characters grow,
Brando’s Terry Malloy, transforms before the viewer’s eyes.
Opposing
them are the corrupt union officials and mobsters whose only faith is in
worldly good, terror and fear.
The hot air steam seeping up through the
sewers and creates a misty visual of an otherworldly atmosphere. The steam is most effective in the scene
where Terry confesses to Father Barry in the park. The steam swirls around them, almost
engulfing them. It is interesting to
note that Terry’s confession takes place outside of the church. Even though Terry wants to talk to Father
Barry inside the church, (The church used in the film is the towering Gothic
Revival, Our Lady of Grace Roman Catholic Church. Directly across the street is the Willow
Avenue Park, called Church Park by the locals, where Terry and Barry speak.) the machinations of the plot draw them
outside to the waterfront. The location
shades the scene Kazan is telling the audience that Terry’s confession is not
religious. Instead of hiding in a
confessional, the waterfront becomes a living part of the film. The scene also carries through with the
message that throughout the film, Father
Barry never seems to take to Terry. He
obviously does not like him. He is never
Terry’s father- confessor and repeatedly indicates to Terry that merely talking
about his sins on the waterfront will not absolve his sins, only action will
set him free, fitting into the Jesuit maxim seen in the real life Father
Corridan’s actions, through action faith, through faith, action. In Waterfront, Father Barry is not a Catholic
guide to Terry but a mentor of the soul. However, at times, Father Barry’s sermonizing
to Terry seems sanctimonious because the underlying moral message of the film
makes Barry’s religious parallels unnecessary to Terry and the audience. By mid-film, the viewer already recognizes
the films philosophical stance; that the life of even an ordinary man can
become a living act of moral change.
(Johnny Friendly, unfortunately for Terry, also realizes this)
Through
his contacts with the forces of light (Edie, Pop Doyle, Father Barry) Terry
listens to his conscience and reconsiders his life and decides to be the man he
thinks he is but it took the love of Edie Doyle and the persuasion of a Father
Barry to show Terry how low he has fallen.
He comes to understand what is going on around him, and understands how
he has been an unwitting ploy in Joey Doyle's death.
Through
a process of reflection, Terry experiences a Lenten journey of repentance and
conversion, of sort. He follows his
conscience and is prepared to suffer his decision to do the right thing. His is a journey from darkness to light, from
lies to truth. His testimony before the
waterfront commission and telling Edie about his role in her brother’s death,
he articulates his repentance for his part in the waterfront conspiracy. The truth sets him free. Just as the truth is the primary catalyst for
Father Barry and Edie’s actions and in the end, Terry Malloy stands ready to
die for the truth.
Terry’s
journey to find the truth changes not only himself but also the community of
the waterfront, fitting into the Catholic-Jesuit social action movement of the
times, which placed the community at the center of all moral action.
This admirable principle is neatly corrupted
by Kazan and Schulberg; informing is the correct moral choice because informing
(In this specific case) is done for the good of the community.
The film also stresses that power; the tool of
the unsaved in this case, corrupts.
Virtually every one in the film who has any power at all is morally
bankrupt except Father Barry whose power is moral and has not corrupted him
because it has little effect in the real world of the waterfront. Johnny Friendly is the ultimate definition of
corrupt power. There is not a single
decision he makes in the film that does not establish his power or further
it. Even stuffing $50 down Terry’s
t-shirt obligates Terry to repay the favor later.
In
Kazan’s view of power, there are no friendships. Mr. Big turns on Johnny Friendly as soon as
he is exposed by the Waterfront Crime Commission, Friendly kills Charlie
Malloy, even though he has known him for decades.
Because
Kazan made the films themes so clear, it becomes equally clear to the audience
and Brando’s Terry Malloy, that forcing him to a take a dive in the contender
fight establishes his minimal importance in the mob. To the mob, Terry’s brother and Johnny
Friendly, the man who took him to ball games as child, are indifferent to
Terry’s personal emotional needs. In fact,
they are more than willing to subordinate his interests to their own.
Failure
and Terry’s sense of unfulfilled life, fueled by resentment, give the character
psychological depth. In the taxi-cab
scene Terry complains to his brother that he 'could've been a contender' and
could have had class, had not Charley and Johnny Friendly ended his chances of
a title shot by forcing him to throw fights for 'the short-end money'. Later, on the roof, the Crime Commission
investigator reminds Terry of his lost boxing career and the viewer senses how deeply
the betrayal affected him when Terry breaks the code of Deaf and Dumb and
explains that he was forced to throw the fight.
Working
within the confines of the script, Schulberg and Brando created a sympathetic
protagonist in Terry Malloy. Life
happens to him, he is a little man with no control or seemingly no care over
his ambivalence and powerlessness.
Terry
Malloy is not naturally mean, like Johnny Friendly, or hardened like Charlie
Malloy. His participation in Joey's
death was unintentional as opposed to Charlie and Johnny Friendly’s participation,
while marginal, was still direct. As a
result, the character of Charlie Malloy while in the end is actual quite noble,
he is not as sympathetic as Terry’s. As
much as anyone else, Terry is a victim of the mob. Unlike Johnny Friendly, his flaws are human,
forgivable.
Terry
is a man with troubles that are eating away at him. He is boiling just below the surface. Several times in the film, he picks fights
with those around him. He is sarcastic
to the police, the crime investigators, Father Barry, the longshoremen, the
bartender where he takes Edie for a drink.
The
film remains a powerful film because its subtext is the revelation of character
through psychological motivation. What
makes Brando’s performance so brilliant is that to take an eye off him for even
a second is to miss a vital telling sign.
Through a gamut of physical acts, most of them almost unnoticeable
Brando presents a Terry Malloy who is a brooding inarticulate confused little
man who is seething, just under the surface, with a massive bundle of
contradictory emotions who slowly understands that his actions have definitive
results. His roof top racing pigeons,
located in the heaven like retreat above the docks are his only outlet for
devotion, love and gentleness. In the scene
with the pigeons, Terry mentions their loyalty to their mates a quality he
admires and needs because he lacks it in his own life. In his reality, even his brother has sold him
“For the short money” Later in the same scene he mentions that the pigeons are
nervous because a hawk is in the area and that the city is filled with
them. The words echo his life and the
danger that surround him from the Johnny Friendly gang. The film is filled with references to birds,
pigeons, canaries, birdseed, hawks and stoolies with the implication that
everyone on the waterfront are little more than pigeons. However, it is Brando’s physical portrayal of
Terry Malloy is the key for the audiences understanding of Terry Malloy
character, he shuffles his feet and looks away from whomever he’s speaking to,
(except his brother) his hands nervously rub the back of his neck and when he
is adamant or hurt, he shoves them into his pockets.
Brando’s
use of mannerisms are complete throughout the role, leaving the audience to
guess what his true emotions are, sometimes too surprising results, such as
playing with a piece of lint when his brother pulls a pistol on him in the cab
or toying with his zipper when he learns that Joey Doyle was killed.
Kazan
emphasizes on the gamut of Terry’s emotions by consistently focusing the
camera’s attention on Brando’s face, Brando’s narrowing eyes narrow or the
slackness to his face when faced with a truthful reality or his hesitant smiles
for Johnny Friendly and Edie.
Brando
became Terry Malloy. Kazan said, “We
drove in from New York to Hoboken every day together when we were shooting On
the Waterfront. We’d talk and laugh on
the way to work, but as soon as we arrived, he would transform himself into
Terry. The intimacy and nuance that he
brought to the role were breathtaking.”
46
As
the film progresses, Brando’s Terry Malloy physically changes before the
camera, an indication that his priorities have changed and signals to the
audience that he now completely understands that actions have results. Slowly he faces the complexities of the
decisions before him, spurred on by his complete understanding of his role in
Joey Doyle’s death, his love for Edie and her feelings for him, the barrage of
guilt from Father Barry and his own brother’s murder.
Brando has Malloy communicate his confusion in
his new, threatening surrounding, all in the neighborhood he grew up in, by
stressing his inarticulateness and an array of nervous, evasive gestures.
Terry’s inability to look a person in the eyes
is countered by Johnny Friendly’s determination to stare into the eyes from
only inches away or his henchmen, in solid colored hats and overcoats staring
blankly into the speaker. Brando’s
Malloy is one of them and he is not.
When John Friendly slaps around the bookie named Skins for cheating him
out of $50, he gives the money to Terry, sticking it in his turtleneck
collar. Brando’s Terry winces when the
money is shoved into shirt, he is already unhappy with his role in Johnny
Friendly’s world. The wince was not
scripted but because of it, within seconds we have a better understanding of
Terry Malloy’s character. What is lost
in the scene is the fact that the $50 stuffed in Terry shirt was a substantial
amount of money in 1953. In the film,
the rooftop is Terry’s sanctuary, here we see him very relaxed, lying down on
the roofs edge, the pressure from the outside world, always the factor that
drives Terry to the roof, are gone. On
the roof he’s far away from the docks and Johnny Friendly’s bar (The tavern
used in the film still stands and operates as an upscale saloon) he’s in the heavenly clouds, much the same
way that we assume Joey Doyle, who kept racing pigeons and finally dies while
being thrown from the roof, sought his sanctuary on the roof. From the roof tops the audience sees the
Hudson River, shown so often in the film, is a border, an edge that to the
longshoremen world where corrupt local Union runs everything. The Empire State Building, the tallest
building in the world 1954, looms in the distance to represent the dreams of a
better, richer life, yet it is only occasionally glimpsed in the fog over the
weather beaten gray rooftops of a poverty stricken waterfront.
Fitting
into the roof top motif is the use of pigeons that play a reoccurring role in
the film. A the films start, Terry is
able to lure Joey Doyle onto the roof by returning one of his pigeons who has
gone astray, in much the same way, Joey has gone astray in his decision to
testify against the flock. The pigeons
are copped, unable to fly because they have been trained not to fly, not
dissimilar to Terry’s predicament. He is
stuck on the waterfront, a flunky to his brother and John Friendly. The imagery of Terry inside the cage when he
tends the birds shows his affinity with the animals. Terry’s excessive care for the birds is his
only outlet for affection. There is
also, of course, the negative connotation, stool pigeon, an informer.
Finally,
the transformation is complete when Terry Malloy’s stands
up
to Johnny Friendly on the docks, wearing Joey Doyle’s jack, an indication of
how deeply the death affected him, the character stands tall and confident,
swaggering even. He looks around the
pier openly, calmly, without his fear or shyness so clearly established in the
opening of the film. Now he chews gum
with a cocky, slow steadiness, his speech is clear the whining mumbling voice
of the early Terry Malloy is vanished.
HERE IS AN
EXCEPT FROM MY BOOK "THE BOOK OF AMERICAN-JEWISH GANGSTERS"
(Max Zellner is a pen name, it
was my grandfather's born name. During World War 1 he changed it to the less
German sounding Paul Selner)
Epstein,
Joe:
AKA Joey Ep. Born 1902. Lived at the
Saint Claire Hotel, Chicago and 162 East
Ohio Street, Chicago. An accountant/Book keeper for the Mob for many decades,
his essential job was to launder cash for the Outfit. He was a business partner
of Lenny Patrick of the so-called “Jewish arm” of the mob that once operated in
the Rogers Park section. He was also romantically involved with Bugsy Siegel’s
girlfriend Virginia Hill and kept her supplied with cash for decades.
Hill, a foul-mouthed, tough-talking product of the poverty, had arrived in Chicago from rural Bessemer
Alabama at age 17 in 1933 to work at the Century of Progress Exhibition. She
tried a variety of jobs, waitressing, short order cook, (including a stint as a
shimmy dancer for $20 a week, very good money at the time) but finally became a
street walker.
Hill was a beautiful young women and was soon taken in by the Fischetti
brothers and more or less, adopted by Jake Guzak and his bisexual wife, who
offered to put her in charge of several brothels they still owned, but Virginia
turned them down. She said she had higher aspirations. The Fischettis gave her
a job as a waitress/ prostitute at their casino, the Colony Club. Other owners
in the club included Nick Circella (alias Nick Dean) who was later implicated
in the million-dollar movie-extortion Bioff case. Circella’s brother August Circella,
ran the club.
August had run a series of casinos across Chicago including the Gold
Coast Lounge, on North Rush Street. In later years, August would grow rich when
he purchased the patent rights for a window unit air conditioner. It was here that she met the bespectacled and
withdrawn Joey Ep, a man who barely spoke to those around him. Nevertheless, he
was dependable and honest, by mob standards, and had been Guzik’s understudy
since 1930 and would one day be his second-in-command.
Epp ran the outfit's racetracks with such authority the newspapers
called him Illinois' unofficial racetrack commissioner. And while Epstein was
well read, some said an intellectual, he loved to party and he was fascinated
by the lowlife around him. He fell head over heels in love with Virginia Hill,
and put her on the payroll as his mistress.
But it was a working relationship as well.
Epstein put Virginia to work as a courier, bringing suitcases full of the mob's
dirty money from Chicago, Kansas City, Cleveland and Los Angeles to syndicate
owned and run banks in Cuba, Mexico, the Dominican Republic, France and
Switzerland. There, the money was laundered, usually at a price of ten cents on
a dollar and then invested in legitimate business from which the hoods could
draw a salary.
The second part of the plan called for
Virginia to get in touch with Bugsy Siegel, which she did, having met, and
romanced him, several times in the past. Like Joey Epp before him, Bugsy Siegel
fell head over heels in love with Virginia. He called her his
"Flamingo" and drenched her in jewelry, furs and gowns.
When the Gangster Chronicles came on
television in the late 1970's, a relative of Bugsy Siegel remarked to Meyer
Lansky, Siegel's lifelong business partner, that he was considering suing the
production company for depicting Bugsy as an uncontrollable killer.
"What are you going to sue them
for?" asked Lansky. "In real life he was worse."
Unlike most hoods who dominated gangdom in
the 1930's, Siegel was smart and he knew it. He hated the poverty and ignorance
of the world he was raised in and detested the illiterate and uncouth men he
had to deal with. He wanted more, he wanted to be on the other side. In fact,
Siegel wanted to be on the other side, the legitimate side, so badly, that he
invested a million dollars in the stock market in 1933, but lost half of it
when the market crashed in October. "If I had kept that million," he
said, "I'd have been out of the rackets right now."
Siegel knew that if he stayed in New York,
nothing would ever change, so he, and not the New York branch of the syndicate
as is commonly reported, decided to try his luck out west in Los Angeles. He
had been a regular visitor out there since 1933, introducing himself as an
independent sportsman, a title that didn't fool anybody.
Of course, Bugsy had other motives.
Gangsters always do. He had stabbed another hood in a dispute over a card game,
cutting the man in the stomach 20 times to make sure gases would not allow his
body to float to the surface, and now the cops wanted to talk to him about
that. He had also been named in a scam to fix boxing matches and had ordered
the killing of a bookie who had cheated him. When the bookie found out about
the death order, he went to the cops and told them everything he knew, so for
the time being it was best he went to the West Coast.
Siegel took over the Screen Extras Guild
and the Los Angeles Teamsters, which he ran until his death. With control of
the Screen Extras Guild, Siegel was able to shake down Warner Brothers Studios
for $10,000, with a refusal to provide extras for any of their films. He also
shook down his movie star friends for huge loans that he never paid back, and
when he came back for another loan, he always got it, because they were,
justifiably, terrified of him.
He once bragged to Lansky that he had
fleeced the Hollywood crowd out of more than $400,000 within six months of his
arrival. He was a one man terrorist campaign.
When Siegel arrived in LA, the number one
racing service out west was James Ragen's Continental Press, which serviced
thousands of bookies between Chicago to Los Angeles, each of whom paid Ragen
between $100 to $1200. The owner, Jimmy Ragen, was a tough, two fisted, Chicago
born Irishman, who had punched, stabbed, and shot his way to the top of the
heap, without the Mob's help.
The Chicago outfit, then under Nitti,
watched the money flood into Regan's office with envy. Nitti, and later Paul
Ricca, tried to set up a rival service called Trans-American, with each mob
boss across the country running the local outlet, doing whatever they had to do
to take Ragen out of business.
In California, Siegel and Mafiosi Jack
Dragna were charged with putting Trans-America in business and taking Ragen's
Continental Press out of business. Eventually, the Chicago mob settled the
entire issue by shooting Ragen as he drove his car down a Chicago street. Ragen
survived the shooting, but not the dose of mercury a nurse working for the
outfit shot up into his vein a few days later. With Ragen dead, Continental
Racing Services was divided up among the various bosses who had helped to build
it, and Jack Dragna was named to run the California office. Siegel was shocked.
He had risked his life to build the service out west, he had worked on it day
and night, at the least he expected to be cut in on perhaps half the franchise.
Instead, all he was got was a visit from
Chicago's chief fixer, Murray Humphreys, who told Siegel to fold up
Trans-America wire service. They didn't need it anymore. The syndicate owned
Continental Press. But Siegel sent Humphreys packing with a message for Paul
Ricca... if the Chicago people wanted Siegel to fold up Trans-America in
Nevada, Arizona and Southern California, it would cost them $2,000,000 in cash.
Even though the Chicago outfit didn't want
Siegel working for them, at the same time, they didn't want him working for New
York either. Crazy or not, Siegel was smart, ambitious and ruthless. They had
to watch him, so Paul Ricca told Charlie Fischetti, one of his most dependable
torpedoes, to send out a spy, and the woman they chose was the same woman Bugsy
Siegel came to call his Flamingo, Virginia Hill.
Virginia reported every conversation she
had with Siegel back to the Fischetti brothers in Chicago. Still, the boys back
in Chicago never trusted Hill, or anyone else for that matter, and when Paul
Ricca came to power, he told Johnny Roselli to start an affair with Hill so he
could keep tabs on her.
Then, Siegel watched a colorful Los
Angeles hood named Tony Cornero move his entire gambling organization out of
California and into Nevada where he and his brothers opened a rundown but very
profitable casino on the Vegas Strip. Within a year, Siegel had the cash, most
of it from the New York end of the syndicate, to build the fabulous Flamingo
Hotel.
In May of 1947, one month before he was
executed, Bugsy Siegel called Jimmy Fratianno, a Los Angeles hood who,
technically anyway, worked for Chicago, and asked him to come out to Las Vegas
for a meeting. He didn't tell them what it concerned, but, as they found out,
it was a recruitment drive. He had already made the same pitch to Jack Dragna,
Bugsy Siegel was planning the unheard of, and he was going to start his own
organization out in the Nevada desert.
Virginia Hill had already reported
Siegel's plans to Paul Ricca in Chicago, and, even though the Chicago mob was
chiseling Siegel in the Flamingo by sending in professional gamblers to break
the bank, they were indignant. As far as they were concerned, although the
syndicate had agreed to allow Vegas and Reno to operate as open cities, it was
clearly understood in the syndicate that Chicago controlled everything west of
the Mississippi.
Siegel was a regional problem at a time
when the mob thought it had gotten over its regional misunderstandings. He was
a relic from the past. He had to be removed.
On June 8, 1947, Virginia Hill got a call
from Epstein back in Chicago, he told her to get out of town, to go to France,
and she could tell Siegel she was going there to buy wine for the casino as she
had in the past. He wouldn't question that. Virginia knew, immediately, why she
had to leave town. They were going to kill Bugsy and the boys back in Chicago
didn't want their best cash courier and narcotics peddler splattered with blood
and headlines. Virginia flew into Chicago and met Epstein at Midway airport,
where he gave her $5,000 and then she continued to Paris.
Back on the West Coast, Bugsy Siegel,
caught in the middle of an uprising, was too busy to care where Virginia was.
Several days before, Siegel told Micky Cohen to tell all of the bookies in Los
Angeles, Reno and Vegas that the price for using the wire service was going to
double. But, to Siegel's amazement, the bookies refused to pay, they knew that
Chicago was taking over and that they were planning to kill Siegel.
And, on June 20, 1947, that's what they
did.
Jack Dragna gave the order to a hood named
Frankie Carranzo. When the call came, Carranzo drove up to Beverly Hills and
parked his car a few feet from Siegel's home, wound the silencer onto the
barrel of his .30 caliber, army issue carbine, and walked around to the back of
the house. He hid in the shadow of a rose-covered lattice work with his army
carbine and released an entire clip into the living room through a 14-inch pane
of glass.
Nine slugs in all. Two of them tore apart
Bugsy's face as he sat on a chintz-covered couch. One bullet smashed the bridge
of his nose and drove into his left eye. The eye was later found on the dining
room floor, fifteen feet away from his dead body. The bullet was found in an
English painting on the wall. The other entered his right cheek, passed through
the back of his neck, and shattered a vertebra, ripped across the room.
At exactly 11:00 A.M., Jack Dragna got a
call from Carranzo: "The insect was killed," and he then hung up.
A few minutes before that call, at 10:55,
Little Moe Sedway and Gus Greenbaum, two hoods with gambling backgrounds,
strode into the Flamingo and announced over the intercom system, "OK,
we're taking over."
Everyone present knew who "we"
were.
The only persons to attend Siegel's
funeral services at Beth Olam Cemetery were his brother and a Rabbi.
Virginia Hill continued working for the
Chicago outfit as a courier for several more years before they replaced her in
1950. She married a guy who wasn't involved with the outfit and had a child,
but that ended in divorce.
Joey Epp never fell out of love with her,
and he kept her on the books for as long as they bosses would let him, but
eventually even that stopped.
In the 1950s when investigators followed a cash trail from Epstein to
Hill, the gun moll was questioned about it by US Senator Charles Tobey who
asked “But why would Joe Epstein give
you money Miss Hill?” to which Hill replied “You really want to know?”
“Yes, I do” said Tobey
“The” replied Hill “I’ll tell you
why. Because I’m the best cocksucker in town”
When the cash did stop coming in, it was
widely rumored in gangland that Virginia, desperate for cash, started to extort
money out of Joe Adonis and other mob guys for whom she had carried narcotics
over the years. On March 24, 1966, near a brook in Koppl Austria, a small town
near Salzburg, two hikers found Virginia Hill's dead body. Austrian officials,
not understanding who Hill had been, ruled her unusual death a suicide by
poison.
The Flamingo's next manager was Gus
Greenbaum. He did his job. The hotel was completed and enlarged from 97 to two
hundred rooms. By the end of the year the casino posted a $4 million profit,
$15 million before the skim, clearing the way for the skimming to begin.
Excerpt from my book "When
Capone’s Mob Murdered Touhy.”
A few days later, Roger Touhy, armed with a
machine gun, walked into a meeting at the Teamsters Headquarters in Chicago.
With him was his top enforcer, Willie Sharkey, and two other men. Each of them
carried a machine gun and a pistol as they herded the union officials and lined
them up against the wall. As more members entered the building for a special
emergency meeting, they too were lined up against the wall until there were
over one hundred members held hostage.
After two hours, Roger stood before the
crowd and spoke.
"Listen up you mugs, we've come here
today to clean the dago syndicate out of the Teamsters Union."
A cheer went up across the room from the
membership. Roger looked over the faces in the hall and spotted a half dozen of
Murray Humpreys' enforcers including Artie Barrett whom Touhy had known from
the Valley. "We thought you were a right guy" he said to Barrett.
'What are you doing hanging around these rats for?"
'Well, hell, I gotta eat Rog, " Barrett
said.
He let Barrett leave but pulled two of the
syndicate's union leaders named Goldberg and Sass into an office and told them
to call Murray Humpreys and tell him to come to the building as soon as he
could. When they said they couldn't remember the number, Roger said, 'Well, get
together and think it up or we'll give it to you right outside the door. None
of you other mugs have to be afraid, we're after Klondike O'Donnell, Camel
Humpreys and Jack White and we won't hurt anybody else."
Out of ignorance or fear Goldberg and Sass
didn't place the call.
Roger rounded up his men and left the
building at 11:30 in the morning, three full hours after they had arrived,
taking Goldberg and Sass with him. His last words to the membership were,
'These two are going to get theirs. " Once again the membership exploded
in cheers.
Sass and Goldberg were released two days
later. They were not harmed or abused. "Actually," said Goldberg,
"they treated us well. The food was excellent. The conversation was
good."
Touhy's brazen daylight raid on the heart of
the syndicate's union operation was a slap in the face for Red Barker and
Murray Humpreys. The syndicate, less than several hundred in number, had ruled
over Chicago's massive unions by fear and the threat of violence. Touhy's raid had
temporarily taken away that edge and they needed to get it back.
Barker and Humpreys retaliated with a
daylight drive-by shooting at Wall's Bar-B-Que and Rib. Wall's was a restaurant
frequented by the Touhys because Roger had developed a friendship with a
waitress, Peggy Carey. In the middle of a sun-filled Saturday afternoon, four
carloads of syndicate gunmen sped by the restaurant while Roger and several of
his men lounged around in the parking lot. They sprayed the lot and the
restaurant with machine gun fire. The Touhys returned fire but remarkably, no
one was injured in the melee.
In retaliation for the shooting the Touhys
struck The Dells, a large syndicate speakeasy and casino operating just inside
Touhy's territory. It was under the protection of a hood named Fred Pacelli,
younger brother of future United States Congressman Bill Pacelli. Three of
Roger's best men, Willie Sharkey, Roy Marshalk and George Wilke arrived at The
Dells driving Roger Touhy's new Chrysler sedan. They walked into the casino,
surrounded Pacelli and fired one round into his face and one into the small of
his back. After the hood's girlfriend, Maryanne Bruce, tried to wrestle the
pistol out of Marshalk's hand they fired a round into her head as well.
A few days later, the Touhys gunned down Red
Barker. It was a damaging blow to the syndicate. Willie Sharkey, Roger's most
reliable killer, had rented an apartment overlooking Barker's office and waited
there patiently, perched in a window, with a water-cooled, tripod set machine
gun. Sharkey killed Barker by firing thirty-six bullets into him in a matter of
seconds as he walked down the street.
At almost exactly the same time across town,
Touhy's gunners, dressed as Chicago police and riding in a borrowed police
cruiser, killed a syndicate enforcer named "Fat Tony" Jerfitar, and
his partner, Nicky Provenzano. The drive by shooting occurred as the two hoods
sat in front of a store with their eyes closed, sun bathing their faces. They
never knew what hit them.
Next, Touhy's gang killed a beer peddler
named James J. Kenny. He was found in an alley dead, having had the back of his
head blown off. A few weeks before the murder the Touhys had taken the unusual
step of warning Kenny not to push the syndicate's booze inside their kingdom.
He did it anyway, so they killed him.
Four days later an unknown hood, believed to
be a professional killer imported from New York by Frank Nitti, was found dead
on a Chicago sidewalk. His face was blown off by shotgun pellets. His frozen body
was planted, literally, in a snow bank on a dead end street.
A week later, Joe Provenzo, a syndicate
soldier, was killed when two men wearing police uniforms asked him his name.
When he answered, they thanked him, shot him through the head and calmly walked
away. Five minutes later and several blocks away, John Liberto, another Nitti
hood, was shot in the head at close range by the same two men.
After that the syndicate took two more hard
hits. At the crack of dawn Cermak was in his office, surrounded by his special
squad and the Chicago chief of police, planning the day's raids against the
mob's most lucrative casinos. Over the remainder of the morning, working on
information provided by Roger Touhy and Teddy Newberry, twelve mob casinos were
closed down. Sixteen Chicago detectives were demoted, reassigned or fired for
allowing a rising syndicate hood named "Tough Tony" Capezio to
operate in their districts. The loss of sixteen cops, all bought and paid for,
hurt the syndicate badly, leaving them with very few officers on the take.
Cermak's
pressure on the police department had scared most officers off the syndicate's
pad, while the others waited on the sidelines to see who would come out on top
in this war.
The next blow came when two of the syndicate's
best gunners, Nicholas Maggio, and his partner in crime, Anthony Persico, were
targeted in a retaliation killing for the murder of Bill Rooney. John Rooney,
the business agent for the billposters' union and brother to Bill Rooney,
ambushed and killed the two men on a back stretch of road deep inside Touhy's
territory.
The syndicate was taking a pounding. Their
ranks were already thinned from assaults by the federal government, not to
mention the beating they were taking at the hands of the Touhy organization. To
bolster their numbers the outfit's leaders recruited members of the 42s, a gang
of crazy kids from an Italian neighborhood called the Patch. This same gang
would produce the syndicate's next ruling body in the form of Sam Giancana,
Marshal Ciafano, Teets Battaglia and others.
Reinforced with the 42s, the syndicate
tracked down a top Touhy enforcer named Frank Schaeffler, once a contender for
the world's light heavy-weight crown. They shot him as he entered an all-night
speakeasy called The Advance.
The Touhy forces struck back by killing a
major syndicate pimp named Nicky Renelli and in a separate incident gunning
down Elmer Russel, a bouncer at a syndicate bar called the Alaskan Forum Road
House.
The next mob hood to die was Maurice
Barrett. He was shot through the head and arm, then dropped at the front door
of a neighborhood hospital where he bled to death.
Three days later the Touhys lined up three
of Nitti's men and shot them through the knees with machine guns after they tried
to muscle into a meeting at the Chicago house painters' union.
The Touhys scored another big hit when they
killed Danny Cain, the thirty-two-year-old president of the Chicago Coal
Teamsters and brother-in-law of George Red Barker. Several men in a car
followed Cain home as he left a nightclub. They pulled up alongside his car and
drowned it in machine gun fire.
On a freezing Wednesday night, Willie
O'Brien, a slugger employed by the Touhys, walked into a popular speakeasy
called the Garage. There he was jumped by three men who tried to force him
outside to the rear alley where a car was waiting. O'Brien managed to fight
them all off until one of the men pulled a pistol and fired a shot into
O'Brien's back. Unarmed, O'Brien was running toward the front door when another
shot caught him in the leg and a third shot went into the palm of his right
hand as he used it to cover his spine. A half an hour later O'Brien staggered
into the waiting room of the Augustana hospital.
Officer Martin O'Malley, who grew up with
Touhy and O'Brien in the Valley, arrived and interviewed the hood on his death
bed.
'Who shot you Billy?"
"I known them. Known them for ten
years, but I won't tell you who they are. "
"You're going to die Billy. Who killed
you? I'll have your revenge."
O'Brien just shook his head and died.
Seven days later, the Touhys struck back. It
was fifteen degrees below zero and snowing when a car pulled up to the curb.
Several men in long coats climbed out, walked into a pool room and poured five
shots into a syndicate hood named Fred Petilli who was leaning against a pool
table, his back to the door. A few moments later the same car pulled up in
front of The Garage nightclub where Jimmy O'Brien had been killed. A tall man,
probably Basil Banghart, opened the front door to the club, tossed in a bomb
and said "This is for Jimmy, you bastards!"
The bomb blew the place to bits but
remarkably, no one was killed.
After that, Charlie O'Neill, a very young
Touhy gunman, was kidnapped off the street, shot twice in the head and dumped
in the middle of traffic on a busy intersection.
The Touhys responded by killing a labor goon
named Nichols Razes. They shot him five times during a running gun battle in
the Green Hut restaurant owned by Razes' brother. Charles McKenna, a Touhy
labor enforcer and president of the truck painters' union, was shot in the arm
during the gun battle. He was arrested for murder as he straggled down the
street, murder weapon still in hand. He was held, booked and then released for
"lack of evidence."
That same month, the syndicate tried to
kidnap Roger Touhy's two sons as they waited for their mother to pick them up
from school in Des Plains. Somebody had to pay for that and Roger chose Eddie
Gambino, a dope peddler and union goon. They caught Gambino as he was about to
step out of his car. Two gunmen, stepped up to the driver's window and opened
fire. Before he bled to death, Gambino was able to pull his own pistol but
dropped it before he could fire at his killers. One of the two killers, enraged
at Gambino's defiance, stepped back over to the hood's blood-smeared face and
fired at his temple.
How Lee Child, Author of the Jack
Reacher Novels, Spends His Sundays
By JOHN LELAND
New York Times
Lee Child, the author of the Jack
Reacher crime novels, starts a new book each September and finishes sometime in
spring, 20 books in 20 years. The most recent, “Make Me,” just took over the
No. 1 spot on the New York Times best-seller list. He spends Sundays the way
many writers do, in his own bubble. “It’s hard for others to understand,
because you’re living in this made-up zone of fantasy, where that seems real to
you, and the real real stuff seems odd,” he said. Mr. Child, 60, whose real
name is Jim Grant, lives on the Upper West Side with his wife, Jane Grant.
EASTERN EXPOSURE My bedroom faces
east, so I get woken up by the sun. What I really love is a winter Sunday when
it has snowed overnight. You get that special quality of light, and you get the
silence because there’s no traffic. You have that paralyzed feeling that’s
always fun for a while.
FUEL I put on a pot of coffee.
That’s my essential fuel, so that’s the first thing. I think my record is about
36 cups.
FUSS Quite often if I’m in the
middle of something, or if a book is getting towards the end, then while the
coffee is brewing I’ll take a look at what I did yesterday and start fussing
with it.
FRENCH FAMILY FOOD Sometimes I
will go to a restaurant called La Mirabelle, on 86th and Columbus, which is a
completely authentic middlebrow French restaurant and therefore not quite as
popular with the casual Sunday brunch crowd. That’s my favorite cuisine in the
whole world, what in France they call a family restaurant. It’s not
Michelin-star, it’s not a bistro, it’s somewhere in the middle.
ART WALK There’s a gentler pace
on a Sunday. It’s some kind of human consensus, so I will usually take the
opportunity to go to a museum. Museums are always crowded, but on a Sunday
somehow it feels a little more benevolent and relaxed.
INTO THE WOODS I’ll walk through
the park from the 85th Street entrance on the West Side. It’s a fairly short
walk across the park to the Metropolitan, but it’s a great walk. You can have a
little detour to Summit Rock, which is this immense geological thing that
reminds me of what the island must have looked like before civilization hit.
And then you come back and walk through the Pinetum, which is very grand and
majestic. And then the walk becomes a real New York walk. You go by the lawn,
where there’s probably a pickup baseball game, and as you approach the
Metropolitan there’s probably a jazz trio or two.
DUCK IN I’ll maybe start at the
Guggenheim. I’ve got memberships to all the museums so it’s not an issue to
just duck in and out. Then I’ll probably walk down to the Metropolitan and do
the same. Jane and I have this lifelong project that we’re going to study every
room in the Metropolitan, which probably will take a lifetime. We’ll go and do
two or possibly three rooms, then quit. If it’s a nice day, I might loop all
the way around to the Modern.
HUNGER PANGS If we’re together,
either we’ll cook or go out or get delivery. If it’s just me, a bowl of cereal
could be it.
CATCHING UP WITH FRIENDS The
secret disadvantage that writers have is that writing takes away from reading
time. So it’s very appealing to me to say I’ll take the evening off and read a
book. I’ll read absolutely anything. I read my peers and contemporaries because
at a certain level a book is almost a diary of how that person felt during that
year. So I read all my friends to catch up on their news.
UNTANGLING Usually I’ll have a
cigarette or a joint. Listening to music is my other relaxation. I find that
music is helpful clarifying thoughts for writing. Writing is not all that
different from music. It has a time base, it has chronological development, it
aims toward something in the same way that a piece of music does. A good piece
of music untangles thoughts and points a direction for what I should write
tomorrow. I’m pretty much a classic rock type of guy, Led Zeppelin, Pink Floyd,
blues. But I’m a bit of a sucker for Adele, Dido, people like that. Nothing
better than to have women sing a song directly into your ear.
DON’T LOOK BACK I try not to look
at my writing near bedtime, because it will fire my brain up.
#SundayRoutine readers can follow
Lee Child on Twitter on Sunday@LeeChildReacher.
BLOGLAPEDIA’S BLOGS
ARCHITECTURE
Architecture
for the blog of it
http://architecturefortheblogofit.blogspot.com/
THE ARTS
Art
for the Blog of It
http://artfortheblogofit.blogspot.com/
Art
for the Pop of it
http://artforthepopofit.blogspot.com/
Photography
for the blog of it
http://photographyfortheblogofit.blogspot.com/
Music
for the Blog of it
http://musicfortheblogofit.blogspot.com/
Sculpture
this and Sculpture that
http://sculpturethisandsculpturethat.blogspot.com/
The
art of War (Propaganda art through the ages)
http://theartofwarcleverhuh.blogspot.com/
Album
Art (Photographic arts)
http://albumartsocheesyitsgood.blogspot.com/
Pulp
Fiction Trash (The art of Pulp Fiction covers)
http://pulpfictiontrash.blogspot.com/
Admit
it, you want to Read this Book (The art of Pulp Fiction covers)
http://goaheadadmitityouwanttoread.blogspot.com/
FILM
The
Godfather Trilogy BlogSpot
http://thegodfathertrilogyblogspot.blogspot.com/
On
the Waterfront: The Making of a great American Film
http://onthewaterfrontthefilm.blogspot.com/
FOOD
Absolutely
blogalicious
http://absolutelyblogalicious.blogspot.com/
The
Wee Book of Irish Recipes (Book support site)
http://theweeblogofirishrecipes.blogspot.com/
Good
chowda (New England foods)
http://goodchowda.blogspot.com/
Old
New England Recipes (Book support site)
http://oldnewenglandrecipes.blogspot.com/
And I
Love Clams (New England foods)
http://andiloveclams.blogspot.com/
In
Praise of the Rhode Island Wiener (New England foods)
http://inpraiseoftherhodeislandwiener.blogspot.com/
Wicked
Cool New England Recipes (New England foods)
http://whickedcoolnewenglandrecipes.blogspot.com
Old
New England Recipes (New England foods)
http://oldnewenglandrecipes.blogspot.com
FOSTER CARE
Foster Care new and Updates
Aging out of the system
Murder, Death and Abuse in the
Foster Care system
Angel and Saints in the Foster
Care System
The Foster Children’s Blogs
Foster Care Legislation
The Foster Children’s Bill of
Right
Foster Kids own Story
The Adventures of Foster Kid.
HEALTH
Me
vs. Diabetes (Diabetes education site)
http://mevsdiabetes-bloglapedia.blogspot.com/
HISTORY
The
Quotable Helen Keller
http://thequotablehelenkeller.blogspot.com/
Teddy
Roosevelt's Letters to his children (Book support site)
http://teddyrooseveltsletterstohischildren.blogspot.com/
The
Quotable Machiavelli (Book support site)
http://thequotablemachiavelli.blogspot.com/
HUMOR
Whatever
you do, don't laugh
http://whateveryoudodontlaugh.blogspot.com/
The
Quotable Grouch Marx
http://thequotablegrouchmarx.blogspot.com/
IRISH-AMERICANA
A Big
Blog of Irish Literature
http://abigblogofirishliterature.blogspot.com/
The
Wee Blog of Irish Jokes (Book support blog)
http://theweeblogofirishjokes.blogspot.com/
The
Wee Blog of Irish Recipes
http://theweeblogofirishrecipes.blogspot.com/
The
Irish American Gangster
http://irishamericangangsters.blogspot.com
The
Irish in their Own Words
http://theirishintheirownwords.blogspot.com/
When
Washington Was Irish
http://whenwashingtonwasirish.blogspot.com/
The
Wee Book of Irish Recipes (Book support site)
http://theweeblogofirishrecipes.blogspot.com/
LITERATURE
Following
Fitzgerald
http://followingfitzgerald.blogspot.com/
Shakespeare
http://shakespeareinamericanenglish.blogspot.com/
The
Blogable Robert Frost
http://theblogablerobertfrost.blogspot.com/
Charles
Dickens
http://charlesdickensfan.blogspot.com/
The
Beat Poets of the Forever Generation
http://thebeatspoetsoftheforevergenera.blogspot.com/
Holden
Caulfield Blog Spot
http://holdencaulfieldblogspot.blogspot.com/
The
Quotable Oscar Wilde
http://thequotableoscarwilde.blogspot.com/
NEW ENGLAND BLOGS
The
Quotable Thoreau
http://thequotablethenrydavidthoreau.blogspot.com/
Old
New England Recipes
http://oldnewenglandrecipes.blogspot.com
Wicked
Cool New England Recipes
http://whickedcoolnewenglandrecipes.blogspot.com
Emerson
http://emersonsaidit.blogspot.com/
The
New England Mafia
http://thenewenglandmafia.blogspot.com/
And I
Love Clams
http://andiloveclams.blogspot.com/
In
Praise of the Rhode Island Wiener
http://inpraiseoftherhodeislandwiener.blogspot.com/
Watch
Hill
http://watchhillwesterly.blogspot.com/
York
Beach
http://yorkbeachfortheblogofit.blogspot.com/
The
Connecticut History Blog
http://connecticuthistory.blogspot.com/
The
Connecticut Irish
http://theconnecticutirish.blogspot.com/
Good
chowda
http://goodchowda.blogspot.com/
NOSTALGIA
God,
How I hated the 70s
http://godhowihatedthe70s.blogspot.com/
Child
of the Sixties Forever
http://childofthesixtiesforeverandever.blogspot.com/
The
Kennedy’s in the 60’s
http://thekennedysinthe60s.blogspot.com/
Music
of the Sixties Forever
http://musicofthesixtiesforever.blogspot.com/
Elvis
and Nixon at the White House (Book support site)
http://elvisandnixonatthewhitehouse.blogspot.com/
Beatles
Fan Forever
http://beatlesfanforever.blogspot.com/
Year
One, 1955
http://yearone1955.blogspot.com/
Robert
Kennedy in His Own Words
The
1980s were fun
http://the1980swereokayactually.blogspot.com/
The
1990s. The last decade.
http://1990sthelastdecade.blogspot.com/
ORGANIZED CRIME
The
Russian Mafia
http://russianmafiagangster.blogspot.com/
The
American Jewish Gangster
http://theamericanjewishgangster.blogspot.com/
The
Mob in Hollywood
http://themobinhollywood.blogspot.com/
We
Only Kill Each Other
http://weonlykilleachother.blogspot.com/
Early
Gangsters of New York City
http://earlygangstersofnewyorkcity.blogspot.com/
Al
Capone: Biography of a self-made Man
http://alcaponethebiographyofaselfmademan.blogspot.com/
The
Life and World of Al Capone
http://thelifeandworldofalcapone.blogspot.com/
The
Salerno Report
http://salernoreportmafiaandurderjohnkennedy.blogspot.com/
Guns
and Glamour
http://gunsandglamourthechicagomobahistory.blogspot.com/
The
St. Valentine’s Day Massacre
http://thesaintvalentinesdaymassacre.blogspot.com/
Mob
Testimony
http://mobtestimony.blogspot.com/
Recipes
we would Die For
http://recipeswewoulddiefor.blogspot.com/
The
Prohibition in Pictures
http://theprohibitioninpictures.blogspot.com/
The
Mob in Pictures
http://themobinpictures.blogspot.com/
The
Mob in Vegas
http://themobinvegasinpictures.blogspot.com/
The
Irish American Gangster
http://irishamericangangsters.blogspot.com
Roger
Touhy Gangster
http://rogertouhygangsters.blogspot.com/
Chicago’s
Mob Bosses
http://chicagosmobbossesfromaccardoto.blogspot.com/
Chicago
Gang Land: It Happened Here
http://chicagoganglandithappenedhere.blogspot.com/
Whacked:
One Hundred years of Murder in Gangland
http://whackedonehundredyearsmurderand.blogspot.com/
The
Mob Across America
http://themobacrossamerica.blogspot.com/
Mob
Cops, Lawyers and Front Men
http://mobcopslawyersandinformantsand.blogspot.com/
Shooting
the Mob: Dutch Schultz
http://shootingthemobdutchschultz.blogspot.com/
Bugsy&
His Flamingo: The Testimony of Virginia Hill
http://bugsyandvirginiahill.blogspot.com/
After
Valachi. Hearings before the US Senate on Organized Crime
http://aftervalachi.blogspot.com/
Mob
Buster: Report of Special Agent Virgil Peterson to the Kefauver Committee (Book
support site)
http://virgilpetersonmobbuster.blogspot.com/
The
US Government’s Timeline of Organized Crime (Book support site)
http://timelineoforganizedcrime.blogspot.com/
The
Kefauver Organized Crime Hearings (Book support site)
http://thekefauverorganizedcrimehearings.blogspot.com/
Joe
Valachi's testimony on the Mafia (Book support site)
http://joevalachistestimonyonthemafia.blogspot.com/
Mobsters
in the News
http://mobstersinthenews.blogspot.com/
Shooting
the Mob: Dead Mobsters (Book support site)
http://deadmobsters.blogspot.com/
The
Stolen Years Full Text (Roger Touhy)
http://thestolenyearsfulltext.blogspot.com/
Mobsters
in Black and White
http://mobstersinblackandwhite.blogspot.com/
Mafia
Gangsters, Wiseguys and Goodfellas
http://mafiagangsterswiseguysandgoodfellas.blogspot.com/
Whacked:
One Hundred Years of Murder and Mayhem in the Chicago Mob (Book support site)
http://whackedonehundredyearsmurderand.blogspot.com/
Gangland
Gaslight: The Killing of Rosy Rosenthal (Book support site)
http://ganglandgaslightrosyrosenthal.blogspot.com/
The
Best of the Mob Files Series (Book support site)
http://thebestofthemobfilesseries.blogspot.com/
PHILOSOPHY
It’s
All Greek Mythology to me
http://itsallgreekmythologytome.blogspot.com/
PSYCHOLOGY
Psychologically
Relevant
http://psychologicallyrelevant.blogspot.com/
SNOBBERY
The
Rarifieid Tribe
http://therarifiedtribe.blogspot.com/
Perfect
Behavior
http://perfectbehavior.blogspot.com/
TRAVEL
The
Upscale Traveler
http://theupscaletraveler.blogspot.com/
TRIVIA
The
Mish Mosh Blog
http://theupscaletraveler.blogspot.com/
WASHINGTON DC
DC
Behind the Monuments
http://dcbehindthemonuments.blogspot.com/
Washington
Oddities
http://washingtonoddities.blogspot.com/
When
Washington Was Irish
http://whenwashingtonwasirish.blogspot.com/
FROM LLR BOOKS. COM
Litchfield Literary Books. A really small company
run by writers.
AMERICAN HISTORY
The Day
Nixon Met Elvis
Paperback 46 pages
http://www.amazon.com/Day-Nixon-Met-elvis/
Theodore
Roosevelt: Letters to his Children. 1903-1918
Paperback 194 pages
http://www.amazon.com/Theodore-Roosevelt-Letters-Children-1903-1918/dp/
THE ANCIENT GREEKS AND CIVILIZATIONS
The Works
of Horace
Paperback 174 pages
http://www.amazon.com/Works-Horace-Richard-Willoughby/
The
Quotable Greeks
Paperback 234 pages
http://www.amazon.com/Quotable-Greeks-Richard-W-Willoughby
The
Quotable Epictetus
Paperback 142 pages
http://www.amazon.com/Quotable-Epictetus-Golden-Sayings
Quo
Vadis: A narrative of the time of Nero
Paperback 420 pages
http://www.amazon.com/Quo-Vadis-Narrative-Time-Nero
CHILDRENS
BOOKS
The
Porchless Pumpkin: A Halloween Story for Children
A Halloween play for young children. By consent of the author,
this play may be performed, at no charge, by educational institutions,
neighborhood organizations and other not-for-profit-organizations.
A fun story with a moral
“I believe that Denny O'Day is an American treasure and this
little book proves it. Jack is a pumpkin who happens to be very small, by
pumpkins standards and as a result he goes unbought in the pumpkin patch on
Halloween eve, but at the last moment he is given his chance to prove that just
because you're small doesn't mean you can't be brave. Here is the point that I
found so wonderful, the book stresses that while size doesn't matter when it
comes to courage...ITS OKAY TO BE SCARED....as well. I think children need to
hear that, that's its okay to be unsure because life is a ongoing lesson isn't
it?”
Paperback: 42 pages
http://www.amazon.com/OLANTERN-PORCHLESS-PUMPKIN-Halloween-Children
BOOKS
ON FOSTER CARE
It's Not
All Right to be a Foster Kid....no matter what they tell you: Tweet the books
contents
Paperback 94 pages
http://www.amazon.com/Right-Foster-Kid-no-matter-what
From the Author
I spent my childhood, from age seven through seventeen, in
foster care. Over the course of those
ten years, many decent, well-meaning, and concerned people told me, "It's
okay to be foster kid."
In saying that, those very good people meant to encourage me,
and I appreciated their kindness then, and all these many decades later, I
still appreciate their good intentions. But as I was tossed around the foster
care system, it began to dawn on me that they were wrong. It was not all right to be a foster kid.
During my time in the system, I was bounced every eighteen
months from three foster homes to an orphanage to a boy's school and to a group
home before I left on my own accord at age seventeen.
In the course of my stay in foster care, I was severely beaten
in two homes by my "care givers" and separated from my four siblings
who were also in care, sometimes only blocks away from where I was living.
I left the system rather than to wait to age out, although the
effects of leaving the system without any family, means, or safety net of any
kind, were the same as if I had aged out. I lived in poverty for the first part
of my life, dropped out of high school, and had continuous problems with the
law.
Today, almost nothing
about foster care has changed. Exactly
what happened to me is happening to some other child, somewhere in America,
right now. The system, corrupt, bloated,
and inefficient, goes on, unchanging and secretive.
Something has gone wrong in a system that was originally a
compassionate social policy built to improve lives but is now a definitive
cause in ruining lives. Due to gross
negligence, mismanagement, apathy, and greed, mostly what the foster care
system builds are dangerous consequences. Truly, foster care has become our
epic national disgrace and a nightmare for those of us who have lived through
it.
Yet there is a suspicion among some Americans that foster care
costs too much, undermines the work ethic, and is at odds with a satisfying
life. Others see foster care as a part
of the welfare system, as legal plunder of the public treasuries.
None of that is true;
in fact, all that sort of thinking does is to blame the victims. There is not a single child in the system who
wants to be there or asked to be there.
Foster kids are in foster care because they had nowhere else to go. It's that simple. And believe me, if those kids could get out
of the system and be reunited with their parents and lead normal, healthy
lives, they would. And if foster care is a sort of legal plunder of the public
treasuries, it's not the kids in the system who are doing the plundering.
We need to end this
needless suffering. We need to end it
because it is morally and ethically wrong and because the generations to come
will not judge us on the might of our armed forces or our technological
advancements or on our fabulous wealth.
Rather, they will judge
us, I am certain, on our compassion for those who are friendless, on our
decency to those who have nothing and on our efforts, successful or not, to
make our nation and our world a better place.
And if we cannot accomplish those things in the short time allotted to
us, then let them say of us "at least they tried."
You can change the tragedy of foster care and here's how to do
it. We have created this book so that
almost all of it can be tweeted out by you to the world. You have the power to improve the lives of
those in our society who are least able to defend themselves. All you need is the will to do it.
If the American people,
as good, decent and generous as they are, knew what was going on in foster
care, in their name and with their money, they would stop it. But, generally speaking, although the public
has a vague notion that foster care is a mess, they don't have the complete
picture. They are not aware of the human, economic and social cost that the
mismanagement of the foster care system puts on our nation.
By tweeting the facts laid out in this work, you can help to
change all of that. You can make a
difference. You can change things for
the better.
We can always change the future for a foster kid; to make it
better ...you have the power to do that. Speak up (or tweet out) because it's your
country. Don't depend on the "The
other guy" to speak up for these kids, because you are the other guy.
We cannot build a future for foster children, but we can build
foster children for the future and the time to start that change is today.
No time to
say Goodbye: Memoirs of a life in foster
Paperbook 440 Books
http://www.amazon.com/No-Time-Say-Goodbye-Memoir
BOOKS ABOUT FILM
On the
Waterfront: The Making of a Great American Film
Paperback: 416 pages
http://www.amazon.com/Waterfront-Making-Great-American-Film/
BOOKS ABOUT GHOSTS AND THE SUPERNATUAL
Scotish
Ghost Stories
Paperback 186 pages
http://www.amazon.com/Scottish-Ghost-Stories-Elliott-ODonell
HUMOR BOOKS
The Book
of funny odd and interesting things people say
Paperback: 278 pages
http://www.amazon.com/book-funny-interesting-things-people
The Wee
Book of Irish Jokes
http://www.amazon.com/Book-Series-Irish-Jokes-ebook
Perfect
Behavior: A guide for Ladies and Gentlemen in all Social Crises
http://www.amazon.com/Perfect-Behavior-Ladies-Gentlemen-Social
BOOKS ABOUT THE 1960s
You Don’t
Need a Weatherman. Underground 1969
Paperback 122 pages
http://www.amazon.com/Dont-Weatherman-Notes-Weatherman-Underground-1969
Baby
Boomers Guide to the Beatles Songs of the Sixties
Paperback
http://www.amazon.com/Boomers-Guide-Beatles-Songs-Sixties/
Baby
Boomers Guide to Songs of the 1960s
http://www.amazon.com/Baby-Boomers-Guide-Songs-1960s
IRISH- AMERICANA
The
Connecticut Irish
Paper back 140 pages
http://www.amazon.com/Connecticut-Irish-Catherine-F-Connolly
The Wee Book of Irish Jokes
http://www.amazon.com/Book-Series-Irish-Jokes-ebook/
The Wee
Book of Irish Recipes
http://www.amazon.com/The-Wee-Book-Irish-Recipes/
The Wee Book of the American-Irish Gangsters
http://www.amazon.com/The-Wee-Book-Irish-American-Gangsters/
The Wee book of Irish Blessings...
http://www.amazon.com/Series-Blessing-Proverbs-Toasts-ebook/
The Wee
Book of the American Irish in Their Own Words
http://www.amazon.com/Book-American-Irish-Their-Words/
Everything
you need to know about St. Patrick
Paperback 26 pages
http://www.amazon.com/Everything-Need-About-Saint-Patrick
A Reading
Book in Ancient Irish History
Paperback 147pages
http://www.amazon.com/Reading-Book-Ancient-Irish-History
The Book
of Things Irish
http://www.amazon.com/Book-Things-Irish-William-Tuohy/
Poets and
Dreamer; Stories translated from the Irish
Paperback 158 pages
http://www.amazon.com/Poets-Dreamers-Stories-Translated-Irish/
The
History of the Great Irish Famine: Abridged and Illustrated
Paperback 356 pages
http://www.amazon.com/History-Great-Irish-Famine-Illustrated/
BOOKS ABOUT NEW ENGLAND
The New
England Mafia
http://www.amazon.com/The-New-England-Mafia-ebook/
Wicked
Good New England Recipes
http://www.amazon.com/Wicked-Good-New-England-Recipes/
The
Connecticut Irish
Paper back 140 pages
http://www.amazon.com/Connecticut-Irish-Catherine-F-Connolly
The
Twenty-Fifth Regiment Connecticut Volunteers
Paperback 64 pages
http://www.amazon.com/Twenty-Fifth-Regiment-Connecticut-Volunteers-Rebellion
The Life
of James Mars
Paperback 54 pages
http://www.amazon.com/Life-James-Mars-Slave-Connecticut
Stories
of Colonial Connecticut
Paperback 116 pages
http://www.amazon.com/Stories-Colonial-Connnecticut-Caroline-Clifford
What they
Say in Old New England
Paperback 194 pages
http://www.amazon.com/What-they-say-New-England/
BOOK ABOUT ORGANIZED CRIME
Chicago
Organized Crime
Chicago-Mob-Bosses
http://www.amazon.com/Chicagos-Mob-Bosses-Accardo-ebook
The Mob
Files: It Happened Here: Places of Note in Chicago gangland 1900-2000
http://www.amazon.com/The-Mob-Files-1900-2000-ebook
An
Illustrated Chronological History of the Chicago Mob. Time Line 1837-2000
http://www.amazon.com/Illustrated-Chronological-History-Chicago-1837-2000/
Mob
Buster: Report of Special Agent Virgil Peterson to the Kefauver Committee
http://www.amazon.com/Mob-Buster-Peterson-Committee-ebook/
The Mob
Files. Guns and Glamour: The Chicago Mob. A History. 1900-2000
http://www.amazon.com/Mob-Files-Guns-Glamour-ebook/
Shooting
the Mob: Organized crime in photos. Crime Boss Tony Accardo
http://www.amazon.com/Shooting-Mob-Organized-photos-Accardo/
Shooting
the Mob: Organized Crime in Photos: The Saint Valentine’s Day Massacre.
http://www.amazon.com/Shooting-Mob-Organized-Valentines-Massacre
The Life
and World of Al Capone in Photos
http://www.amazon.com/Life-World-Al-Capone
AL
CAPONE: The Biography of a Self-Made Man.: Revised from the 0riginal 1930
edition.Over 200 new photographs
Paperback: 340 pages
http://www.amazon.com/CAPONE-Biography-Self-Made-Over-photographs
Whacked.
One Hundred Years Murder and Mayhem in the Chicago Outfit
Paperback: 172 pages
http://www.amazon.com/Whacked-Hundred-Murder-Mayhem-Chicago/
Las
Vegas Organized Crime
The Mob
in Vegas
http://www.amazon.com/Mob-Files-Vegas-ebook
Bugsy
& His Flamingo: The Testimony of Virginia Hill
http://www.amazon.com/Bugsy-His-Flamingo-Testimony-Virginia/
Testimony
by Mobsters Lewis McWillie, Joseph Campisi and Irwin Weiner (The Mob Files
Series)
http://www.amazon.com/The-Kennedy-Assassination-Ruby-Testimony-ebook
Rattling
the Cup on Chicago Crime.
Paperback 264 pages
http://www.amazon.com/Rattling-Cup-Chicago-Crime-Abridged
The Life
and Times of Terrible Tommy O’Connor.
Paperback 94 pages
http://www.amazon.com/Life-Times-Terrible-Tommy-OConnor
The Mob,
Sam Giancana and the overthrow of the Black Policy Racket in Chicago
Paperback 200 pages
http://www.amazon.com/Giancana-ovethrow-Policy-Rackets-Chicago
When
Capone’s Mob Murdered Roger Touhy. In Photos
Paperback 234 pages
http://www.amazon.com/Capones-Murdered-Roger-Touhy-photos
Organized
Crime in Hollywood
The Mob in Hollywood
http://www.amazon.com/Mob-Files-Hollywood-ebook/
The Bioff
Scandal
Paperback 54 pages
http://www.amazon.com/Bioff-Scandal-Shakedown-Hollywood-Studios
Organized
Crime in New York
Joe Pistone’s war on the mafia
http://www.amazon.com/Joe-Petrosinos-War-Mafia-Files/
Mob
Testimony: Joe Pistone, Michael Scars DiLeonardo, Angelo Lonardo and others
http://www.amazon.com/Mob-Testimony-DiLeonardo-testimony-Undercover/
The New
York Mafia: The Origins of the New York Mob
http://www.amazon.com/The-New-York-Mafia-Origins
The New
York Mob: The Bosses
http://www.amazon.com/The-New-York-Mob-Bosses/
Organized
Crime 25 Years after Valachi. Hearings before the US Senate
http://www.amazon.com/Organized-Crime-Valachi-Hearings-ebook
Shooting
the mob: Dutch Schultz
http://www.amazon.com/Shooting-Mob-Organized-Photographs-Schultz
Gangland
Gaslight: The Killing of Rosy Rosenthal. (Illustrated)
http://www.amazon.com/Gangland-Gaslight-Killing-Rosenthal-Illustrated/
Early
Street Gangs and Gangsters of New York City
Paperback 382 pages
http://www.amazon.com/Early-Street-Gangs-Gangsters-York
THE RUSSIAN MOBS
The
Russian Mafia in America
http://www.amazon.com/The-Russian-Mafia-America-ebook/
The
Threat of Russian Organzied Crime
Paperback 192 pages
http://www.amazon.com/Threat-Russian-Organized-Crime-photographs-ebook
Organized
Crime/General
Best of
Mob Stories
http://www.amazon.com/Files-Series-Illustrated-Articles-Organized-Crime/
Best of
Mob Stories Part 2
http://www.amazon.com/Series-Illustrated-Articles-Organized-ebook/
Illustrated-Book-Prohibition-Gangsters
http://www.amazon.com/Illustrated-Book-Prohibition-Gangsters-ebook
Mob
Recipes to Die For. Meals and Mobsters in Photos
http://www.amazon.com/Recipes-For-Meals-Mobsters-Photos
More Mob
Recipes to Die For. Meals and Mobs
http://www.amazon.com/More-Recipes-Meals-Mobsters-Photos
The New
England Mafia
http://www.amazon.com/The-New-England-Mafia-ebook
Shooting
the mob. Organized crime in photos. Dead Mobsters, Gangsters and Hoods.
http://www.amazon.com/Shooting-mob-Organized-photos-Mobsters-Gangsters/
The
Salerno Report: The Mafia and the Murder of President John F. Kennedy
http://www.amazon.com/The-Salerno-Report-President-ebook/
The
Mob Files: Mob Wars. "We only kill each other"
http://www.amazon.com/The-Mob-Files-Wars-other/
The Mob
across America
http://www.amazon.com/The-Files-Across-America-ebook/
The US
Government’s Time Line of Organzied Crime 1920-1987
http://www.amazon.com/GOVERNMENTS-ORGANIZED-1920-1987-Illustrated-ebook/
Early
Street Gangs and Gangsters of New York City: 1800-1919. Illustrated
http://www.amazon.com/Gangsters-1800-1919-Illustrated-Street-ebook/
The Mob
Files: Mob Cops, Lawyers and Informants and Fronts
http://www.amazon.com/The-Mob-Files-Informants-ebook/
Gangster
Quotes: Mobsters in their own words. Illustrated
Paperback: 128 pages
http://www.amazon.com/Gangsters-Quotes-Mobsters-words-Illustrated/
The Book
of American-Jewish Gangsters: A Pictorial History.
Paperback: 436 pages
http://www.amazon.com/The-Book-American-Jewish-Gangsters-Pictorial/
The Mob
and the Kennedy Assassination
Paperback 414 pages
http://www.amazon.com/Mob-Kennedy-Assassination-Ruby-Testimony-Mobsters
BOOKS ABOUT THE OLD WEST
The Last
Outlaw: The story of Cole Younger, by Himself
Paperback 152 pages
http://www.amazon.com/Last-Outlaw-Story-Younger-Himself
BOOKS ON PHOTOGRAPHY
Chicago:
A photographic essay.
Paperback: 200 pages
http://www.amazon.com/Chicago-Photographic-Essay-William-Thomas
STAGE PLAYS
Boomers
on a train: A ten minute play
Paperback 22 pages
http://www.amazon.com/Boomers-train-ten-minute-Play-ebook
Four
Short Plays
By John William Tuohy
http://www.amazon.com/Four-Short-Plays-William-Tuohy
Four More
Short Plays
By John William Tuohy
http://www.amazon.com/Four-Short-Plays-William-Tuohy/
High and
Goodbye: Everybody gets the Timothy Leary they deserve. A full length play
By John William Tuohy
http://www.amazon.com/High-Goodbye-Everybody-Timothy-deserve
Cyberdate.
An Everyday Love Story about Everyday People
By John William Tuohy
http://www.amazon.com/Cyberdate-Everyday-Story-People-ebook/
The
Dutchman's Soliloquy: A one Act Play based on the factual last words of
Gangster Dutch Schultz.
By John William Tuohy
http://www.amazon.com/Dutchmans-Soliloquy-factual-Gangster-Schultz/
Fishbowling
on The Last Words of Dutch Schultz: Or William S. Burroughs intersects with
Dutch Schultz
Print Length: 57 pages
http://www.amazon.com/Fishbowling-Last-Words-Dutch-Schultz-ebook/
American
Shakespeare: August Wilson in his own words. A One Act Play
By John William Tuohy
http://www.amazon.com/American-Shakespeare-August-Wilson-ebook
She
Stoops to Conquer
http://www.amazon.com/She-Stoops-Conquer-Oliver-Goldsmith/
The Seven
Deadly Sins of Gilligan’s Island: A ten minute play
Print Length: 14 pages
http://www.amazon.com/Seven-Deadly-Gilligans-Island-minute-ebook/
BOOKS ABOUT VIRGINIA
OUT OF
CONTROL: An Informal History of the Fairfax County Police
http://www.amazon.com/Control-Informal-History-Fairfax-Police/
McLean
Virginia. A short informal history
http://www.amazon.com/McLean-Virginia-Short-Informal-History/
THE QUOTABLE SERIES
The
Quotable Emerson: Life lessons from the words of Ralph Waldo Emerson: Over 300
quotes
http://www.amazon.com/The-Quotable-Emerson-lessons-quotes
The
Quotable John F. Kennedy
http://www.amazon.com/The-Quotable-John-F-Kennedy/
The
Quotable Oscar Wilde
http://www.amazon.com/The-Quotable-Oscar-Wilde-lessons/
The
Quotable Machiavelli
http://www.amazon.com/The-Quotable-Machiavelli-Richard-Thayer/
The
Quotable Confucius: Life Lesson from the Chinese Master
http://www.amazon.com/The-Quotable-Confucius-Lesson-Chinese/
The
Quotable Henry David Thoreau
http://www.amazon.com/Quotable-Henry-Thoreau-Quotables-ebook
The
Quotable Robert F. Kennedy
http://www.amazon.com/Quotable-Robert-F-Kennedy-Illustrated/
The
Quotable Writer: Writers on the Writers Life
http://www.amazon.com/The-Quotable-Writer-Quotables-ebook
The words
of Walt Whitman: An American Poet
Paperback: 162 pages
http://www.amazon.com/Words-Walt-Whitman-American-Poet
Gangster
Quotes: Mobsters in their own words. Illustrated
Paperback: 128 pages
http://www.amazon.com/Gangsters-Quotes-Mobsters-words-Illustrated/
The
Quotable Popes
Paperback 66 pages
http://www.amazon.com/Quotable-Popes-Maria-Conasenti
The
Quotable Kahlil Gibran with Artwork from Kahlil Gibran
Paperback 52 pages
Kahlil Gibran, an artist, poet, and writer was born on January
6, 1883 n the north of modern-day Lebanon and in what was then part of Ottoman
Empire. He had no formal schooling in Lebanon. In 1895, the family immigrated
to the United States when Kahlil was a young man and settled in South Boston.
Gibran enrolled in an art school and was soon a member of the avant-garde
community and became especially close to Boston artist, photographer, and
publisher Fred Holland Day who encouraged and supported Gibran’s creative
projects. An accomplished artist in drawing and watercolor, Kahlil attended art
school in Paris from 1908 to 1910, pursuing a symbolist and romantic style. He
held his first art exhibition of his drawings in 1904 in Boston, at Day's
studio. It was at this exhibition, that Gibran met Mary Elizabeth Haskell, who
ten years his senior. The two formed an important friendship and love affair
that lasted the rest of Gibran’s short life. Haskell influenced every aspect of
Gibran’s personal life and career. She became his editor when he began to write
and ushered his first book into publication in 1918, The Madman, a slim volume
of aphorisms and parables written in biblical cadence somewhere between poetry
and prose. Gibran died in New York City on April 10, 1931, at the age of 48
from cirrhosis of the liver and tuberculosis.
http://www.amazon.com/Quotable-Kahlil-Gibran-artwork/
The
Quotable Dorothy Parker
Paperback 86 pages
The
Quotable Machiavelli
Paperback 36 pages
http://www.amazon.com/Quotable-Machiavelli-Richard-L-Thayer
The
Quotable Greeks
Paperback 230 pages
http://www.amazon.com/Quotable-Greeks-Richard-W-Willoughby
The
Quotabe Oscar Wilde
Paperback 24 pages
http://www.amazon.com/Quotable-Oscar-Wilde-lessons-words/
The
Quotable Helen Keller
Paperback 66 pages
http://www.amazon.com/Quotable-Helen-Keller-Richard-Willoughby
The Art
of War: Sun Tzu
Paperback 60 pages
http://www.amazon.com/Quotable-Confucius-Lesson-Chinese-Quotables-ebook
The
Quotable Shakespeare
Paperback 54 pages
http://www.amazon.com/Quotable-Shakespeare-Richard-W-Willoughby
The
Quotable Gorucho Marx
Paperback 46 pages